tag:blogger.com,1999:blog-743684949043708229.post6064259653814400365..comments2024-03-10T05:05:50.571-07:00Comments on A Turma Do Contra!: Resumo do capítulo XVII d'Os Maias11ºL3http://www.blogger.com/profile/08065429146056713911noreply@blogger.comBlogger29125tag:blogger.com,1999:blog-743684949043708229.post-84906356911426072672022-04-14T07:47:27.382-07:002022-04-14T07:47:27.382-07:00 CARS 2
... CARS 2<br /> <br /> <br /> WRITTEN BY<br /> <br /> BEN QUEEN<br /> <br /> <br /> <br /> A sleek British sports car talks directly to us in a<br /> pixilated, garbled video. He's OUT OF BREATH. Crates are<br /> visible behind him. We're in the shadowy bowels of a steel<br /> room.<br /> <br /> LELAND TURBO<br /> This is Agent Leland Turbo. I have<br /> a flash transmission for Agent Finn<br /> McMissile.<br /> <br /> SUPERIMPOSE OVER BLACK: WALT DISNEY PICTURES PRESENTS<br /> <br /> LELAND TURBO<br /> Finn. My cover's been compromised.<br /> Everything's gone pear-shaped.<br /> <br /> SUPERIMPOSE OVER BLACK: A PIXAR ANIMATION STUDIOS FILM<br /> <br /> LELAND TURBO<br /> You won't believe what I've found<br /> out here.<br /> <br /> He angles our camera view, reveals a PORTHOLE through which<br /> we can see flames rising in the distance.<br /> <br /> LELAND TURBO<br /> This is bigger than anything we've<br /> ever seen. And no one even knows it<br /> exists. Finn, I need backup. But<br /> don't call the cavalry - it could<br /> blow the operation. And be careful.<br /> It's not safe out here!<br /> <br /> ANGRY VOICES O.S. Time for Turbo to go.<br /> <br /> LELAND TURBO<br /> Transmitting my grids now. Good<br /> luck!<br /> <br /> Coordinates appear: 40 6.80' N - 172 23.84' W<br /> <br /> TITLE CARD: CARS 2<br /> <br /> <br /> EXT. SOMEWHERE IN THE NORTH PACIFIC - NIGHT<br /> <br /> A TINY CRAB BOAT (CRABBY) crests over massive swells.<br /> <br /> CRABBY<br /> Alright buddy, we're here. Right<br /> where you paid me to bring you.<br /> Question is, why?<br /> <br /> A metallic blue sports car, circa the `60s, emerges from the<br /> 2.<br /> <br /> <br /> shadows. Cagey, smooth, he'd turn heads driving through any<br /> intersection in the world. Meet FINN MCMISSILE.<br /> <br /> FINN<br /> I'm looking for a car.<br /> <br /> CRABBY<br /> A car? Hey pal, you can't get any<br /> further away from land than out<br /> here.<br /> <br /> FINN<br /> Exactly where I want to be.<br /> <br /> CRABBY<br /> Well I got news for you, buddy.<br /> There's nobody out here but us.<br /> <br /> Suddenly, a HORN -- a COMBAT SHIP, the size of most cruise<br /> ships. FINN quickly backs into the shadows, out of sight.<br /> <br /> COMBAT SHIP<br /> What are you doing out here?<br /> <br /> CRABBY<br /> What does it look like, genius? I'm<br /> crabbing!<br /> <br /> COMBAT SHIP<br /> Well turn around and go back where<br /> you came from.<br /> <br /> CRABBY<br /> Yeah? And who's gonna make me?<br /> <br /> A laser sight hits Crabby between the eyes.<br /> <br /> CRABBY<br /> Alright, alright! Don't get your<br /> prop in a twist.<br /> (as he turns to leave)<br /> What a jerk. Sorry, buddy. Looks<br /> like it's the end of the line.<br /> Buddy?<br /> <br /> ON CRABBY'S DECK: Finn is gone.<br /> CUT TO:<br /> <br /> FINN - He HANGS off the side of COMBAT SHIP, clandestine.<br /> <br /> We're with Finn as the ship continues on, cuts through the<br /> darkness with purpose. Suddenly small flames appear, perhaps<br /> a knot or so away. Then WHOOSH!!! A flame rises above Finn,<br /> the ship. It illuminates an OIL DERRICK.<br /> 3.<br /> <br /> <br /> THWAP! Finn fires a GRAPPLING HOOK to the derrick and SWINGS<br /> toward it. He's going to SLAM into the side with brute force<br /> WHEN ---<br /> <br /> --- HIS TIRES sprout a magnetic exoskeleton. He STICKS to the<br /> derrick and now DRIVES VERTICALLY UP UP UP...<br /> <br /> From this vantage point, hundreds of derricks appear.<br /> <br /> EXT. PLATFORM - OIL DERRICK - MOMENTS LATER<br /> <br /> Finn approaches a loading bay from above, hides. He watches<br /> as GREMLINS, PACERS and assorted other cars scurry about.<br /> <br /> FINN (INTO RADIO)<br /> Leland Turbo, this is Finn<br /> McMissile. I'm at the rally point.<br /> Over.<br /> <br /> No response.<br /> <br /> FINN (INTO RADIO)<br /> Leland, it's Finn. Please respond.<br /> Over.<br /> <br /> AN ACCESS DOOR OPENS LOUDLY below. A boxy, monacle-wearing<br /> German car enters. This is PROFESSOR OTTO ZUNDAPP.<br /> <br /> PROFESSOR ZUNDAPP<br /> (in German and English)<br /> Too many cars here. Out of my way!<br /> <br /> FINN<br /> Professor Zundapp?<br /> <br /> PACER (O.S.)<br /> Here it is, Professor.<br /> <br /> Zundapp approaches a NOSY PACER who idles next to a CRATE.<br /> <br /> NOSY PACER<br /> You wanted to see this before we<br /> load it?<br /> <br /> PROFESSOR ZUNDAPP<br /> Ah, yes. Very carefully...<br /> <br /> A forklift opens the crate -- inside is a TV CAMERA, packed<br /> carefully in foam. Finn SNAPS PHOTOS FURIOUSLY.<br /> <br /> NOSY PACER<br /> Oh. A TV camera. What does it<br /> actually do?<br /> 4.<br /> <br /> <br /> PROFESSOR ZUNDAPP<br /> This camera is extremely dangerous.<br /> <br /> FINN<br /> (TO HIMSELF)<br /> What are you up to now, Professor?<br /> <br /> Finn, angling for a better view, FIRES SUSPENSION WIRES ---<br /> <br /> --- which sail clear to the other side of the derrick ---<br /> <br /> --- THOK! They hook tightly onto a steel girder.<br /> <br /> Finn slides out ONTO THE WIRE like an acrobat, then expels<br /> another cross-wire for support.<br /> <br /> PROFESSOR ZUNDAPP<br /> This is valuable equipment. Make<br /> sure it is properly secured for the<br /> voyage.<br /> <br /> NOSY PACER<br /> You got it.<br /> <br /> Finn LOWERS HIMSELF. He snaps more pictures.<br /> <br /> GREM (O.S.)<br /> Hey, Professor Z!<br /> <br /> Zundapp turns as a CRANE LOWERS A CAR-SIZED CRATE. GREM and<br /> ACER, an orange Gremlin and a green Pacer, flank it.<br /> <br /> GREM<br /> This is one of those British spies<br /> we told you about.<br /> <br /> ACER<br /> Yeah. This one we caught sticking<br /> his bumper where it didn't belong.<br /> <br /> Finn PRODUCES SEMI-AUTOMATIC GUNS from his side, readies<br /> himself for a tag-team spy fight with his buddy Leland.<br /> <br /> PROFESSOR ZUNDAPP<br /> Agent Leland Turbo.<br /> <br /> The crate is lifted, revealing a CRUSHED, CUBED Leland Turbo.<br /> <br /> Finn's eyes go wide. Suddenly --- WHOOOSHHH! Another derrick<br /> flame rises behind him, casts a Finn-shaped SHADOW over the<br /> Professor. He looks up.<br /> 5.<br /> <br /> <br /> PROFESSOR ZUNDAPP<br /> It's Finn McMissile! He's seen the<br /> camera! Kill him!!<br /> <br /> Finn UNLOADS with bullets as he starts to retreat --- He<br /> STOPS:<br /> <br /> BAD GUY CARS are waiting for him on the catwalk where he just<br /> came from - BLOWTORCHES ready.<br /> <br /> Finn, stuck in midair, notices an angry CRANE. Finn GRINS,<br /> having just found his escape.<br /> <br /> THWAPTHWAPTHWAP!!! Finn releases three of his four cables,<br /> swinging, Indiana Jones-style on the last one TOWARD THE<br /> CRANE ---<br /> <br /> --- where he lands on its BOOM, drives UP and LAUNCHES OFF IT<br /> where he LANDS - MOVING - onto another deck!<br /> <br /> Finn now DRIVES, spraying oil and screeching around corners.<br /> A GREMLIN in pursuit hits the oil patch, loses control ---<br /> <br /> --- and PLUMMETS OFF the side of the rig!<br /> <br /> The Gremlin FALLS... it's like an eternity...<br /> <br /> He smashes into the water and breaks into a million pieces.<br /> <br /> ON FINN - Now set upon by 20 or 30 MORE pursuing cars. He has<br /> nowhere to go but UP UP UP a ramp toward the helipad. He<br /> spies some GASOLINE BARRELS, fires a SINGLE BULLET which cuts<br /> through its leather straps, sending barrels DOWN the ramp,<br /> PAST FINN ---<br /> <br /> --- PAST the pursuing CARS ---<br /> <br /> --- to the bottom where they EXPLODE in a CHAIN REACTION back<br /> UP THE RAMP, taking out at least 15 CARS!<br /> <br /> ON THE HELIPAD - Finn blasts into view, pulls to a stop. No<br /> more road. Nowhere else to go.<br /> <br /> The 20 BAD GUY CARS that are still in pursuit surround him,<br /> fire up their blowtorches. About to pounce.<br /> <br /> Finn GRINS. The second time we've seen this grin. It means<br /> he's got something cooking.<br /> <br /> Finn's REVERSE LIGHTS appear. He DRIVES BACKWARD off the edge<br /> of the helipad to the SHOCK of the other cars.<br /> <br /> Finn falls. He turns himself so he's grill first, cleanly<br /> cutting into the water.<br /> 6.<br /> <br /> <br /> He EMERGES, now sprouting HYDROFOIL and speeds away.<br /> <br /> GREM<br /> (NONPLUSSED)<br /> Get to the boats.<br /> <br /> THE BOATS - an army of combat ships quickly DROP into the sea<br /> and CHURN WATER with unprecedented fury as they quickly make<br /> up the distance between them and Finn, FIRING BULLETS as they<br /> do so.<br /> <br /> ACER<br /> He's getting away!<br /> <br /> COMBAT SHIP<br /> Not for long.<br /> <br /> The LEAD COMBAT SHIP quietly drops a TORPEDO into the water.<br /> It skips along, connecting with Finn in his rear and<br /> EXPLODING with such force that water skyrockets into the<br /> night clouds.<br /> <br /> UNDERWATER - McMissile SINKS. Then, he blinks. He GRINS.<br /> We're starting to like this grin and what follows it. He now<br /> CONVERTS into a submarine. From his trunk he releases four<br /> DECOY tires which float to the surface like body parts.<br /> <br /> ON THE DERRICK - Professor Zundapp watches it all from far<br /> away.<br /> <br /> GREM (OVER RADIO)<br /> He's dead, Professor.<br /> <br /> PROFESSOR ZUNDAPP<br /> Wunderbar. With Finn McMissile<br /> gone, who can stop us now?<br /> <br /> EXT. RADIATOR SPRINGS - DAY<br /> <br /> TOW MATER, a rusty tow truck, putters into view.<br /> <br /> MATER<br /> Mater. Tow Mater, that's who... is<br /> here to help you!<br /> <br /> He approaches a broken-down sedan on the side of the road. He<br /> drives around to the front, catching OTIS' face for the first<br /> time.<br /> <br /> MATER<br /> Hey, Otis!<br /> 7.<br /> <br /> <br /> OTIS<br /> Hey, Mater. Gosh, I'm so sorry. I<br /> thought I could make it this time,<br /> but...<br /> (he tries to start his<br /> engine, stalls)<br /> Smooth like pudding, huh? Ah, who<br /> am I kidding? I'll always be a<br /> lemon.<br /> <br /> Mater hooks his friend and starts towing him.<br /> <br /> MATER<br /> Well dadgum, you're leaking oil<br /> again. Must be your gaskets. Hey,<br /> look on the bright side: This is<br /> your tenth tow this month, so that<br /> means it's on the house.<br /> <br /> OTIS<br /> You're the only one that's nice to<br /> lemons like me, Mater.<br /> <br /> MATER<br /> Don't sweat it. These things happen<br /> to everybody, Otis.<br /> <br /> OTIS<br /> But you never leak oil.<br /> <br /> MATER<br /> Yeah, but I ain't perfect. Don't<br /> tell nobody, but I think my rust is<br /> starting to show through.<br /> <br /> Mater and Otis drive past THE RADIATOR SPRINGS WELCOME SIGN.<br /> It has been amended to say: "Home of Lightning McQueen."<br /> <br /> OTIS<br /> Hey, is Lightning McQueen back yet?<br /> <br /> MATER<br /> Not yet.<br /> <br /> OTIS<br /> He must be crazy-excited about<br /> winning his fourth Piston Cup.<br /> Four! Wow!<br /> 8.<br /> <br /> <br /> MATER<br /> Yeah, we're so dadgum proud of him.<br /> But I sure wish he'd hurry up and<br /> get back `cause we got a whole<br /> summer's worth of best friend fun<br /> to make up for. Just me and --<br /> <br /> Ahead of them, a half-mile off, a RED RACE CAR is visible.<br /> <br /> MATER<br /> --- McQueen!<br /> <br /> Mater FLOORS IT, dragging poor Otis behind him.<br /> <br /> OTIS<br /> Uh, Mater? I'm in no hurry. You<br /> don't need to go so fast!<br /> <br /> Boom! They hit a bump. Otis catches air.<br /> <br /> EXT. RADIATOR SPRINGS - DAY<br /> <br /> Lightning McQueen is surrounded by his hometown friends.<br /> <br /> LUIGI<br /> Oh, Lightning. Welcome home.<br /> <br /> FLO<br /> Good to have you back, honey.<br /> <br /> FILLMORE<br /> Congratulations, man.<br /> <br /> SARGE<br /> Welcome home, soldier.<br /> <br /> SHERIFF<br /> The place wasn't the same without<br /> you, son.<br /> <br /> LIZZIE<br /> What? Did he go somewhere?<br /> <br /> MCQUEEN<br /> It's good to be home, everybody.<br /> <br /> MATER (O.S.)<br /> McQueen!<br /> <br /> They all turn around, see Mater speeding into town, with Otis<br /> swerving behind him.<br /> <br /> MCQUEEN<br /> Mater!<br /> 9.<br /> <br /> <br /> MATER<br /> McQueen!<br /> <br /> Mater skids into main street and in one swift motion,<br /> slingshots Otis forward ---<br /> <br /> OTIS<br /> Woaahhhhh!<br /> <br /> --- right through Ramone's front door ---<br /> <br /> INT. RAMONE'S - CONTINUOUS<br /> <br /> --- where he lands perfectly on the hydraulic lift. Ramone<br /> lifts him up, routine.<br /> <br /> RAMONE<br /> Hey. How far'd you make it this<br /> time, Otis?<br /> <br /> OTIS<br /> Halfway to the county line.<br /> <br /> RAMONE<br /> Not bad, man.<br /> <br /> OTIS<br /> I know, I can't believe it either!<br /> <br /> EXT. RADIATOR SPRINGS - CONTINUOUS<br /> <br /> MATER<br /> McQueen, welcome back!<br /> <br /> MCQUEEN<br /> Mater, it's so good to see you.<br /> <br /> MATER<br /> You too, buddy.<br /> <br /> Mater and McQueen do an ELABORATE TIRE BUMP (fist bump<br /> style).<br /> <br /> MATER<br /> Oh, man. You ain't gonna believe<br /> the things I got planned for us.<br /> <br /> Everyone watches as the tire bump continues.<br /> <br /> MACK<br /> (to Lizzie, an aside)<br /> These best friend greetings get<br /> longer every year.<br /> 10.<br /> <br /> <br /> MATER<br /> (TO MCQUEEN)<br /> You ready to have some serious fun?<br /> <br /> MCQUEEN<br /> Well, actually I've got something<br /> to show you first.<br /> <br /> INT. RADIATOR SPRINGS MUSEUM - DAY<br /> <br /> CLOSE ON THE PISTON CUP. It has now changed, been adorned<br /> with a small likeness of Doc. It says "Hudson Hornet Piston<br /> Cup."<br /> <br /> MATER<br /> Wow. I can't believe they renamed<br /> the Piston Cup after our very own<br /> Doc Hudson.<br /> <br /> McQueen and Mater are alone, the museum closed to the public.<br /> McQueen approaches a "Hudson Hornet" wall with Doc's three<br /> Piston cups, framed articles, other racing ephemera.<br /> <br /> MCQUEEN<br /> I know Doc said these things were<br /> just old cups, but to have someone<br /> else win it just didn't feel right,<br /> you know?<br /> <br /> MATER<br /> Well, Doc would've been real proud<br /> of you. That's for sure.<br /> <br /> McQueen takes this in.<br /> <br /> EXT. RADIATOR SPRINGS - LATER<br /> <br /> McQueen and Mater exit the Doc Hudson Museum.<br /> <br /> MCQUEEN<br /> Alright, pal. I've been waiting all<br /> summer for this. What've you got<br /> planned?<br /> <br /> MATER<br /> You sure you can handle it?<br /> <br /> MCQUEEN<br /> Come on, you know who you're<br /> talking to? This is Lightning<br /> McQueen. I can handle anything.<br /> 11.<br /> <br /> <br /> EXT. RADIATOR SPRINGS - DAY<br /> <br /> Mater and McQueen roll on an old train track, their tires<br /> off. They're on their rims.<br /> <br /> MCQUEEN<br /> Uh.... Mater?!<br /> <br /> MATER<br /> Just remember, your brakes ain't<br /> gonna work on these!<br /> <br /> As they head INTO A DARK TUNNEL ---<br /> <br /> MCQUEEN (O.S.)<br /> Mater!<br /> <br /> MATER (O.S.)<br /> Relax, these train tracks ain't<br /> been used in years!<br /> <br /> From inside the tunnel a loud TRAIN HORN. The two friends<br /> emerge, going as fast as they can on train tracks, uphill,<br /> with no tires.<br /> <br /> MCQUEEN<br /> Come on, come on! Faster, faster!<br /> <br /> Moments later a harmless GALLOPING GOOSE appears, oversized<br /> horn visible, cackling and laughing at his prank.<br /> <br /> EXT. FIELD - OUTSIDE RADIATOR SPRINGS - LATER<br /> <br /> An ENORMOUS EARTH MOVER sleeps. McQueen and Mater sneak up.<br /> <br /> MATER<br /> This is gonna be good!<br /> <br /> They blow their horns and he TIPS OVER, tractor-tipping<br /> style. They LAUGH at the gag, but soon realize the earth<br /> mover's GIANT EXHAUST PIPE is directly above them.<br /> <br /> MATER<br /> Uh-oh. This ain't gonna be good.<br /> <br /> The exhaust pipe BELCHES. McQueen and Mater are BLASTED out<br /> of view.<br /> <br /> INT. RADIATOR SPRINGS - DUSK<br /> <br /> The sun sets. McQueen and Mater roll into town. McQueen looks<br /> exhausted. Mater is still full of energy.<br /> 12.<br /> <br /> <br /> MATER<br /> Boy, this was the best day ever!<br /> And my favorite souvenir?<br /> <br /> Mater proudly shows off a dent.<br /> <br /> MATER<br /> This new dent!<br /> <br /> MCQUEEN<br /> Boy, Mater. Today was, uh...<br /> <br /> MATER<br /> Shoot, that was nothing. Wait til<br /> you see what I got planned for<br /> tonight.<br /> <br /> MCQUEEN<br /> Mater, Mater. Whoa. I was kind of<br /> thinking of just a quiet dinner.<br /> <br /> MATER<br /> That's exactly what I was thinking.<br /> <br /> MCQUEEN<br /> No, I... I meant with Sally, Mater.<br /> <br /> MATER<br /> Even better! You, me and Miss Sally<br /> going out for supper.<br /> <br /> McQueen pulls around in front of Mater, stops.<br /> <br /> MCQUEEN<br /> Mater, I meant it would be just me<br /> and Sally.<br /> <br /> MATER<br /> Oh.<br /> <br /> MCQUEEN<br /> It's just for tonight. We'll do<br /> whatever you want tomorrow.<br /> <br /> MATER<br /> (DISAPPOINTED)<br /> Okay.<br /> <br /> MCQUEEN<br /> Thanks for understanding.<br /> <br /> MATER<br /> Yeah, sure. Y'all go on and have<br /> fun now.<br /> 13.<br /> <br /> <br /> MCQUEEN<br /> Alright, then. See ya soon, amigo!<br /> <br /> McQueen drives off. Mater watches him go.<br /> <br /> EXT. THE WHEEL WELL - NIGHT<br /> <br /> It's been converted into a white-tablecloth restaurant, with<br /> cars dining al fresco and a hopping gastropub inside.<br /> <br /> MCQUEEN AND SALLY have a prime table with a view of Radiator<br /> Springs and the starry night sky.<br /> <br /> SALLY<br /> This is so nice.<br /> <br /> MCQUEEN<br /> I can't tell you how good it is to<br /> be here alone. Just the two of us.<br /> Finally, you and me ---<br /> <br /> MATER (O.S.)<br /> Good evening.<br /> <br /> Mater is at their table, dressed as a waiter.<br /> <br /> MATER<br /> My name is Mater and I'll be your<br /> waiter.<br /> (TO HIMSELF)<br /> Mater the waiter. That's funny<br /> right there.<br /> <br /> MCQUEEN<br /> Mater, you work here?<br /> <br /> MATER<br /> Well yeah I work here. What'd you<br /> think, I just snuck in here when<br /> nobody was looking and pretended to<br /> be your waiter, just so I could<br /> hang out with you?<br /> <br /> McQueen and Sally exchange a look.<br /> <br /> MCQUEEN<br /> Oh, yeah. How ridiculous would that<br /> be?<br /> <br /> MATER<br /> Now, can I start you two lovebirds<br /> off with a couple drinks?<br /> 14.<br /> <br /> <br /> MCQUEEN<br /> Yes. I'll have my usual.<br /> <br /> SALLY<br /> You know what? I'm going to have<br /> that too.<br /> <br /> Mater blinks.<br /> <br /> MATER<br /> Uh, right. Your usual.<br /> CUT TO:<br /> <br /> INSIDE AT THE BAR - Fillmore and Sarge watch as Guido mixes<br /> drinks, ala "Cocktail." Mater arrives.<br /> <br /> MATER<br /> Guido! What's McQueen's usual?<br /> <br /> GUIDO<br /> (in Italian, subtitled)<br /> How should I know?<br /> <br /> MATER<br /> Perfect! Give me two of `em.<br /> <br /> SARGE<br /> Quiet! My program's on.<br /> <br /> MEL DORADO (O.S.)<br /> Tonight on "The Mel Dorado Show"!<br /> <br /> ON THE BAR TV - "THE MEL DORADO SHOW," a cable talk show,<br /> begins with file footage of MILES AXLEROD, a sleek SUV.<br /> <br /> MEL DORADO (ON TV)<br /> His story gripped the world! Oil<br /> billionaire Miles Axlerod, in an<br /> attempt to become the first car to<br /> circumnavigate the globe without<br /> GPS, ironically ran out of gas and<br /> found himself trapped in the wild!<br /> <br /> We see images of newspaper headlines, search crews.<br /> <br /> MEL DORADO (ON TV)<br /> Feared dead, he emerged 36 days<br /> later, running on a fuel he'd<br /> distilled himself from the natural<br /> elements! Since then he's sold his<br /> oil fortune, converted himself from<br /> a gas-guzzler into an electric car,<br /> and has devoted his life to finding<br /> a renewable, clean-burning fuel!<br /> 15.<br /> <br /> <br /> Images of oil derricks torn down; Miles Axlerod getting<br /> converted to electric; lab scientists testing chemicals.<br /> <br /> MEL DORADO (ON TV)<br /> Now he claims to have done it with<br /> his Allinol.<br /> <br /> Images of fields, rivers, vegetables, and mountains all<br /> combining to form the Allinol logo.<br /> <br /> MEL DORADO (ON TV)<br /> And to show the world what his new<br /> superfuel can do, he's created a<br /> racing competition like no other,<br /> inviting the greatest champions<br /> from around the globe to battle in<br /> the first ever World Grand Prix.<br /> Welcome Sir Miles Axlerod.<br /> <br /> SIR MILES AXLEROD arrives, parks across from Mel's desk.<br /> <br /> MILES AXLEROD (ON TV)<br /> Thank you, Mel. It is very good to<br /> be here. Now listen to me: Big Oil.<br /> It costs a fortune. Pollution is<br /> getting worse. I mean, come on.<br /> It's a fossil fuel. Fossil. As in<br /> dead dinosaurs. And we all know<br /> what happened to them. Alternative<br /> energy is the future. Trust me,<br /> Mel, after seeing Allinol in action<br /> at the World Grand Prix, nobody<br /> will ever go back to gasoline<br /> again.<br /> <br /> MATER<br /> (TO FILLMORE)<br /> What happened to the dinosaurs,<br /> now?<br /> <br /> MEL DORADO (ON TV)<br /> And on satellite, a World Grand<br /> Prix competitor and one of the<br /> fastest cars in the world,<br /> Francesco Bernoulli.<br /> <br /> Across the screen: LIVE FROM ROME, ITALY. We meet Formula<br /> race car FRANCESCO BERNOULLI.<br /> <br /> FRANCESCO (ON TV)<br /> It is an honor, Signore Dorado. For<br /> you.<br /> 16.<br /> <br /> <br /> MEL DORADO (ON TV)<br /> Miles, why not invite Lightning<br /> McQueen?<br /> <br /> Mater, collecting his drinks, looks up, half-intrigued.<br /> <br /> MILES AXLEROD (ON TV)<br /> Of course we invited him. But<br /> apparently after a very long racing<br /> season he is taking some time off<br /> to rest.<br /> <br /> FRANCESCO (ON TV)<br /> Lightning McQueen would not have a<br /> chance against Francesco!<br /> <br /> Mater doesn't like this.<br /> <br /> FRANCESCO (ON TV)<br /> I can go over 300 kilometers an<br /> hour! In miles that is like, uh...<br /> way faster than McQueen.<br /> <br /> MEL DORADO (ON TV)<br /> Let's go to the phones. Baltimore,<br /> Maryland, you're on the air.<br /> <br /> CALLER (ON TV)<br /> Am I on? Hello?<br /> <br /> MEL DORADO (ON TV)<br /> You're on. Go ahead.<br /> <br /> CALLER (ON TV)<br /> Hello?<br /> <br /> MEL DORADO (ON TV)<br /> Go ahead, caller.<br /> <br /> Dial tone.<br /> <br /> MEL DORADO (ON TV)<br /> Let's go to Radiator Springs.<br /> You're on, caller.<br /> <br /> MATER'S VOICE (ON TV)<br /> Yeah, that Italian feller you got<br /> on there can't talk that way about<br /> Lightning McQueen. He's the bestest<br /> race car in the whole wide world.<br /> <br /> Fillmore and Sarge look around. Mater is visible in the back<br /> of the bar on an office phone.<br /> 17.<br /> <br /> <br /> SARGE<br /> Uh-oh...<br /> <br /> FRANCESCO (ON TV)<br /> If he is, how you say "the bestest<br /> race car," then why must he rest,<br /> eh?<br /> <br /> MATER'S VOICE (ON TV)<br /> Cause he knows what's important.<br /> Every now and then he prefers just<br /> to slow down, enjoy life.<br /> <br /> FRANCESCO (ON TV)<br /> Ah, you heard it! Lightning McQueen<br /> prefers to be slow! Of course, this<br /> is not news to Francesco. When I<br /> want to go to sleep I watch one of<br /> his races. After two laps I am out<br /> cold.<br /> <br /> Audible RXNS from the bar. A crowd has been forming ever<br /> since Mater started talking.<br /> <br /> MATER'S VOICE (ON TV)<br /> That ain't what I meant.<br /> CUT TO:<br /> <br /> MCQUEEN AND SALLY - They hear the commotion inside.<br /> <br /> MCQUEEN<br /> Hey, what's going on over there?<br /> CUT BACK TO:<br /> <br /> THE BAR - Sally and McQueen push through the crowd, see that<br /> they're watching Francesco on the television.<br /> <br /> MCQUEEN<br /> (TO SALLY)<br /> Oh, it's that Italian Formula car.<br /> His name is ---<br /> <br /> SALLY<br /> Francesco Bernoulli. No wonder<br /> there's a crowd.<br /> <br /> When Sally says his name, she enunciates each part, as if<br /> Italian were her mother's tongue.<br /> <br /> MCQUEEN<br /> Wait, why do you know his name? And<br /> don't say it like that. It's three<br /> syllables, not ten.<br /> 18.<br /> <br /> <br /> SALLY<br /> What? He's nice to look at. You<br /> know, open-wheeled and all.<br /> <br /> MCQUEEN<br /> What's wrong with fenders? I<br /> thought you like my fenders.<br /> <br /> MATER'S VOICE (ON TV)<br /> Well let me tell you something else<br /> there, Mr. San Francisco ---<br /> <br /> MCQUEEN<br /> Mater?<br /> <br /> MATER'S VOICE (ON TV)<br /> McQueen could drive circles around<br /> you.<br /> <br /> FRANCESCO (ON TV)<br /> Driving in circles is all he can<br /> do, no?<br /> <br /> MATER'S VOICE (ON TV)<br /> No! I mean yes. I mean he could<br /> beat you anywhere, anytime, any<br /> track.<br /> <br /> On McQueen - he looks at Guido who gives a nod over to ---<br /> <br /> --- Mater, turned away from the crowd, still on the phone.<br /> <br /> FRANCESCO (ON TV)<br /> Mel, can we move on? Francesco<br /> needs a caller who can provide a<br /> little more intellectual<br /> stimulation. Like a dump truck.<br /> <br /> ON MCQUEEN. He doesn't like this at all.<br /> <br /> MATER<br /> Ha ha! That shows what you know.<br /> Dump trucks is dumb.<br /> <br /> Suddenly, Mater is YANKED from the booth and replaced by<br /> McQueen.<br /> <br /> MCQUEEN (INTO PHONE)<br /> Yeah, hi, this is Lightning<br /> McQueen. Look, I don't appreciate<br /> my best friend being insulted like<br /> that.<br /> 19.<br /> <br /> <br /> FRANCESCO (ON TV)<br /> McQueen! That was your best friend?<br /> This is the difference between you<br /> and Francesco. Francesco knows how<br /> good he is. He does not need to<br /> surround himself with tow trucks to<br /> prove it.<br /> <br /> MCQUEEN<br /> Those are strong words from a car<br /> that is so fragile.<br /> <br /> FRANCESCO (ON TV)<br /> Fragil�!? He calls Francesco<br /> fragil�? Not so fast, McQueen!<br /> <br /> MCQUEEN<br /> "Not so fast." What is that, your<br /> new motto?<br /> <br /> Francesco goes ballistic in Italian. They cut his mic.<br /> <br /> MILES AXLEROD (ON TV)<br /> Well, this sounds like something<br /> that needs to be settled on the<br /> race course. What do you say,<br /> Lightning McQueen? We've still got<br /> room for one more racer.<br /> <br /> MCQUEEN<br /> Well, I would love to. The only<br /> thing is my crew's off for the<br /> season so ---<br /> <br /> A sound O.S. McQueen turns to see Fillmore, Sarge and Luigi<br /> flank a tablecloth which is hanging off the bar. Ramone backs<br /> away, having spray painted "TEAM LIGHTNING MCQUEEN" on it.<br /> Guido quickly uncorks three wine bottles.<br /> <br /> GUIDO<br /> Pit stop.<br /> <br /> McQueen turns back to the phone.<br /> <br /> MCQUEEN<br /> You know what? They just got back.<br /> Deal me in, baby. Ka-chow!<br /> <br /> The place ERUPTS IN CHEERS.<br /> <br /> MOMENTS LATER - General excitement as McQueen exits the phone<br /> booth where Sally waits. Off her look:<br /> 20.<br /> <br /> <br /> MCQUEEN<br /> I know, I know. I just got back.<br /> But we won't be long and ---<br /> <br /> SALLY<br /> Oh, no, don't worry about me. I've<br /> got enough to do here. Mater's<br /> going to have a blast though.<br /> (off McQueen's silence)<br /> You're bringing Mater, right? You<br /> never bring him to any of your<br /> races.<br /> <br /> McQueen turns to the bar where Mater privately tries their<br /> drinks, hates it, spits it back in the glass.<br /> <br /> SALLY<br /> Just let him sit in the pits, give<br /> him a headset. C'mon, it'll be a<br /> thrill of a lifetime for him.<br /> <br /> Mater arrives.<br /> <br /> MATER<br /> Your drinks, sir.<br /> <br /> MCQUEEN<br /> Mater.<br /> <br /> MATER<br /> I didn't taste it!<br /> <br /> MCQUEEN<br /> How'd you like to come and see the<br /> world with me?<br /> <br /> MATER<br /> You mean it?<br /> <br /> MCQUEEN<br /> You got me into this thing. You're<br /> coming along.<br /> <br /> BEGIN MONTAGE:<br /> <br /> - McQueen is given a new paint job and headlights by Ramone.<br /> Mater, now sporting a "Team McQueen" emblem, seems psyched as<br /> well.<br /> <br /> - An airport DEPARTURES SIGN advertises the next flight:<br /> Tokyo, Japan.<br /> <br /> - Mater waves goodbye with his hook alongside McQueen, Guido,<br /> Luigi, Fillmore and Sarge as ---<br /> 21.<br /> <br /> <br /> --- the rest of Radiator Springs watches them board a plane.<br /> Red bawls.<br /> <br /> - IN THE JET, LATER. McQueen and Mater are the only ones<br /> awake, watch an insane Japanese game show.<br /> <br /> - JAPAN AT NIGHT. A stylish Tokyo cityscape of neon, glamour,<br /> scrolling billboards, vending machines and high-tech<br /> skyscrapers.<br /> <br /> - INSIDE A SOUVENIR SHOP loaded with McQueen toys: Mater and<br /> McQueen enter. A tourist sees McQueen and faints.<br /> <br /> - A KABUKI THEATER. Team McQueen watches a methodical dance.<br /> Mater, dressed in Kabuki makeup, arrives. He looks insane.<br /> <br /> - A SUMO MATCH - Two SUZUKI SAMURAI CARS wrestle over a<br /> parking space. Mater, now in his element, cheers.<br /> <br /> The MONTAGE ENDS on this high note as we CUT TO ---<br /> <br /> EXT. MUSEUM - TOKYO - NIGHT<br /> <br /> ---- TEAM MCQUEEN, as they roll up the red carpet. Press is<br /> held at bay behind ropes. WORLD GRAND PRIX and ALLINOL logos<br /> are strategically placed for maximum press exposure. RACERS<br /> are interviewed by press behind the red-carpet ropes.<br /> <br /> INT. TOKYO MUSEUM - NIGHT<br /> <br /> Team McQueen enters via a second floor landing which<br /> overlooks a massive indoor party in a converted museum. As<br /> they roll down a ramp to the party, they are awed.<br /> <br /> LUIGI<br /> Guido, look! Ferraris and tires!<br /> Let's go!<br /> <br /> MCQUEEN<br /> (IMPRESSED)<br /> Hey, look at this. Okay now Mater,<br /> remember: best behavior.<br /> <br /> MATER<br /> You got it, buddy. Hey, what's<br /> that?<br /> <br /> He sees something, peels away.<br /> <br /> MCQUEEN<br /> Mater!<br /> <br /> LEWIS HAMILTON<br /> Hey, McQueen, over here!<br /> 22.<br /> <br /> <br /> It's fellow racers JEFF GORVETTE and LEWIS HAMILTON. McQueen<br /> now has no choice but to let Mater go.<br /> <br /> MCQUEEN<br /> Hey, Jeff. Lewis!<br /> CUT TO:<br /> <br /> MATER as he approaches a GLASS-ENCLOSED ROCK GARDEN where a<br /> pitty RAKES rocks with precision. He knocks on the glass with<br /> his hook.<br /> <br /> MATER<br /> Hey! You done good! You got all the<br /> leaves!<br /> <br /> People turn at the noise he's making.<br /> CUT BACK TO:<br /> <br /> MCQUEEN, JEFF and LEWIS.<br /> <br /> JEFF GORVETTE<br /> Check out that tow truck.<br /> <br /> LEWIS HAMILTON<br /> I wonder who that guy's with?<br /> <br /> MCQUEEN<br /> Will you guys excuse me just for<br /> one little second?<br /> <br /> He zips over to Mater's side, quickly pulls him out of sight.<br /> <br /> MCQUEEN<br /> Mater, listen. This isn't Radiator<br /> Springs.<br /> <br /> MATER<br /> You're just realizing that? Boy,<br /> that jet-lag really done a number<br /> on you.<br /> <br /> MCQUEEN<br /> Mater, look -- things are different<br /> over here. Which means maybe you<br /> should, you know, act a little<br /> different too.<br /> <br /> MATER<br /> Different than what?<br /> <br /> MCQUEEN<br /> Well, just... help me out here,<br /> buddy. I ---<br /> 23.<br /> <br /> <br /> MATER<br /> You need help? Shoot, why didn't<br /> you just say so? That's what a tow<br /> truck does. Hey, looky there, it's<br /> Mr. San Francisco!<br /> <br /> FRANCESCO is visible across the room, holding court.<br /> <br /> MATER<br /> I'll introduce you.<br /> <br /> MCQUEEN<br /> Mater, no.<br /> <br /> MATER<br /> (already on his way)<br /> Look at me -- I'm helping you<br /> already!<br /> <br /> On FRANCESCO - MOMENTS LATER. Mater approaches, giddy.<br /> <br /> MATER<br /> Hey Mr. San Francisco, I'd like you<br /> to meet ---<br /> <br /> FRANCESCO<br /> Lightning McQueen! Buona sera.<br /> <br /> MCQUEEN<br /> Nice to meet you, Francesco.<br /> <br /> FRANCESCO<br /> Yeah, nice to meet you too. You are<br /> very good-looking. Not as good as I<br /> thought, but you're good.<br /> <br /> MATER<br /> (TO FRANCESCO)<br /> Excuse me. Can I get a picture with<br /> you?<br /> <br /> FRANCESCO<br /> Anything for McQueen's friend.<br /> <br /> As Mater poses for a photo with Francesco:<br /> <br /> MATER<br /> Miss Sally is gonna flip when she<br /> sees this. She's Lightning<br /> McQueen's girlfriend.<br /> <br /> FRANCESCO<br /> Oooh.<br /> 24.<br /> <br /> <br /> MATER<br /> She's a big fan of yours.<br /> <br /> FRANCESCO<br /> Hey, she has good taste.<br /> <br /> MCQUEEN<br /> Mater's prone to exaggeration. I<br /> wouldn't say she's a "big" fan.<br /> <br /> MATER<br /> You're right. She's a huge fan. She<br /> goes on and on about your open<br /> wheels here.<br /> <br /> MCQUEEN<br /> Mentioning it once doesn't qualify<br /> as going "on and on."<br /> <br /> FRANCESCO<br /> Francesco is familiar with this<br /> reaction to Francesco. Women<br /> respect a car that has nothing to<br /> hide.<br /> <br /> MCQUEEN<br /> Yeah, uh...<br /> <br /> FRANCESCO<br /> Let us have a toast.<br /> <br /> McQueen doesn't like where this is going, covers.<br /> <br /> MCQUEEN<br /> Let's.<br /> <br /> FRANCESCO<br /> (raising a drink)<br /> I dedicate my win tomorrow... to<br /> Miss Sally.<br /> <br /> MCQUEEN<br /> Oh, sorry. I already dedicated MY<br /> win tomorrow to her. So if we both<br /> do it, it's really not so special.<br /> Besides, I don't have a drink.<br /> <br /> MATER<br /> I'll go get you one. You mind if I<br /> borrow a few bucks for one of them<br /> drinks?<br /> 25.<br /> <br /> <br /> MCQUEEN<br /> (could kill him)<br /> They're free, Mater.<br /> <br /> MATER<br /> Free? Well, shoot, what am I doing<br /> here?<br /> <br /> Mater ZIPS OFF.<br /> <br /> MCQUEEN<br /> I should probably go keep an eye on<br /> him. See you at the race.<br /> <br /> McQueen starts to leave.<br /> <br /> FRANCESCO<br /> Yes, you will see Francesco. But<br /> not like this.<br /> <br /> Francesco does a 180, so his rear end now faces McQueen.<br /> <br /> FRANCESCO<br /> You will see him like this, as he<br /> drives away from you.<br /> <br /> Francesco wears a bumper sticker that says "Ciao, McQueen!"<br /> <br /> MCQUEEN<br /> That's cute. So you had one of<br /> those made up for all the racers?<br /> <br /> FRANCESCO<br /> No.<br /> <br /> MCQUEEN<br /> Okay.<br /> <br /> He rolls off.<br /> <br /> MCQUEEN<br /> He is so getting beat tomorrow.<br /> <br /> INT. PARTY - MOMENTS LATER<br /> <br /> Lights caress the main stage where a crowd has formed.<br /> <br /> VOICE<br /> Ladies and gentlecars... Sir Miles<br /> Axlerod!<br /> <br /> MILES AXLEROD drives through an infinity fountain, appears.<br /> 26.<br /> <br /> <br /> MILES AXLEROD<br /> It is my absolute honor to<br /> introduce to you the competitors in<br /> the first-ever World Grand Prix.<br /> From Brazil. Number eight...<br /> <br /> ON FINN MCMISSILE. He appears from the shadows, keeps a<br /> careful distance from the stage. He ZEROES HIS GAZE ON ---<br /> <br /> --- THE WORLD GRAND PRIX TV CAMERAS which roll, catching<br /> Miles Axlerod's speech for publicity and posterity.<br /> <br /> Finn's ONBOARD COMPUTER ANALYZES each one, compares to the<br /> photos we saw him snap on the oil platform. Each one is "NOT<br /> A MATCH." His view is suddenly disrupted by A BEAUTIFUL<br /> SPORTS CAR. She approaches Finn. Meet HOLLEY SHIFTWELL.<br /> <br /> HOLLEY<br /> A Volkswagen Karmann Ghia has no<br /> radiator.<br /> <br /> FINN<br /> That's because it's air-cooled.<br /> <br /> HOLLEY<br /> I'm Agent Shiftwell, Holley<br /> Shiftwell from the Tokyo Station. I<br /> have a message from London.<br /> <br /> FINN<br /> Not here.<br /> (LOUDLY)<br /> You must try the canapes on the<br /> mezzanine!<br /> <br /> He moves her onto an elevator. The doors close on them.<br /> <br /> IN THE ELEVATOR, GOING UP.<br /> <br /> FINN<br /> So the lab boys analyzed the photo<br /> I sent? What did they learn about<br /> the camera?<br /> <br /> HOLLEY<br /> It appears to be a standard<br /> television camera. They said if you<br /> could get closer photos next time,<br /> that would be great.<br /> <br /> FINN<br /> This was London's message?<br /> 27.<br /> <br /> <br /> HOLLEY<br /> Oh -- no, no. No sir. Um, the oil<br /> platforms you were on? Turns out<br /> they're sitting on the biggest oil<br /> reserve in the world.<br /> <br /> FINN<br /> How did we miss that?<br /> <br /> HOLLEY<br /> They'd been scrambling everyone's<br /> satellites. The Americans actually<br /> discovered it just before you did.<br /> They placed an agent on that<br /> platform, under deep cover. He was<br /> able to get a photo of the car<br /> who's running the entire operation.<br /> <br /> The doors OPEN and they exit onto the Mezzanine.<br /> <br /> FINN<br /> Who is it? Has anyone seen the<br /> photo yet?<br /> <br /> HOLLEY<br /> No, not yet. The American is here<br /> tonight to pass it to you. He'll<br /> signal you when he's ready.<br /> <br /> FINN<br /> GOOD ---<br /> <br /> Finn suddenly STOPS COLD.<br /> <br /> FINN<br /> Oh no.<br /> <br /> Professor Zundapp is visible below them. He talks with a few<br /> Pacers and Gremlins. Finn quickly retreats into the shadows.<br /> Holley follows suit.<br /> <br /> HOLLEY<br /> What is it?<br /> <br /> FINN<br /> Change of plan. You're meeting the<br /> American.<br /> <br /> HOLLEY<br /> What, me?<br /> 28.<br /> <br /> <br /> FINN<br /> Those thugs down there were on the<br /> oil platform. If they see me, the<br /> whole mission is compromised.<br /> <br /> HOLLEY<br /> No, no. I'm technical, you see. I'm<br /> in Diagnostics. I'm not a field<br /> agent.<br /> <br /> FINN<br /> You are now.<br /> CUT TO:<br /> <br /> MATER as he grabs a drink, keeps moving.<br /> <br /> MATER<br /> I'll take one of them.<br /> <br /> He snatches it, drops it in the back where we now see a large<br /> assortment of drinks balanced.<br /> <br /> MATER<br /> Never know which one McQueen'll<br /> have a hankering for.<br /> <br /> He approaches a sushi bar.<br /> <br /> MATER<br /> Hey, what you got here that's free?<br /> How about that pistachio ice cream?<br /> <br /> He refers to wasabi, of course.<br /> <br /> SUSHI CHEF<br /> No, no. Wasabi.<br /> <br /> MATER<br /> Oh, same ol', same ol'. What's up<br /> with you? That looks delicious.<br /> <br /> The chef starts to carve a small scoop aside for Mater.<br /> <br /> MATER<br /> Uh, a little more, please.<br /> It is free, right?<br /> (the chef adds more)<br /> Keep it coming. A little more. Come<br /> on, let's go, it's free! You're<br /> getting there... Scoop scoop!<br /> <br /> The chef gives in. Scoops a baseball-sized ball out.<br /> 29.<br /> <br /> <br /> MATER<br /> There you go. Now THAT's a scoop of<br /> ice cream.<br /> <br /> SUSHI CHEF<br /> (in Japanese, subtitles)<br /> My condolences.<br /> CUT BACK TO:<br /> <br /> MILES AXLEROD - He's now nearly done with his intros.<br /> <br /> MILES AXLEROD<br /> ... and now, our last competitor ---<br /> Number 95, Lightning McQueen!<br /> <br /> MCQUEEN approaches the microphone, flashes his headlights.<br /> <br /> MCQUEEN<br /> Thank you so much for having us,<br /> Sir Axlerod. I really look forward<br /> to racing. This is a great<br /> opportunity.<br /> <br /> MILES AXLEROD<br /> Oh, the pleasure is all ours,<br /> Lightning. You and your team bring<br /> excellence and professionalism to<br /> this competition.<br /> <br /> As if on cue, Mater arrives with a piercing scream of pain.<br /> Everyone turns as he charges head first toward the stage,<br /> making a bee-line for that FOUNTAIN.<br /> <br /> MATER<br /> Somebody get me water!<br /> <br /> He laps up water from the fountain like a diabetic cat.<br /> <br /> MATER<br /> (LAPPING WATER)<br /> Sweet relief...<br /> <br /> Miles Axlerod is shocked. The crowd can't believe it.<br /> Francesco cackles. Mater, now sated, approaches the mic.<br /> <br /> MATER<br /> (to the crowd)<br /> Whatever you do, do not eat the<br /> free pistachio ice cream. It has<br /> turned!<br /> <br /> MCQUEEN<br /> Sir Axlerod, I can explain. This is<br /> Mater.<br /> 30.<br /> <br /> <br /> MILES AXLEROD<br /> I know him. This is the bloke that<br /> called into the television show.<br /> (TO MATER)<br /> You're the one I have to thank.<br /> <br /> MATER<br /> No, thank you. This trip's been<br /> amazing.<br /> <br /> MILES AXLEROD<br /> (TO MCQUEEN)<br /> He's a little excited, isn't he?<br /> <br /> TILT DOWN to reveal a pool of oil beneath Mater.<br /> <br /> MCQUEEN<br /> Mater!<br /> <br /> MATER<br /> But wait, I... oh, shoot.<br /> <br /> McQueen quickly pulls Mater aside, out of earshot of Miles<br /> Axlerod and the others. McQueen is beside himself.<br /> <br /> MCQUEEN<br /> Mater, you have to get a hold of<br /> yourself. You're making a scene.<br /> <br /> MATER<br /> But I never leak oil. Never.<br /> <br /> MCQUEEN<br /> Go take care of yourself right now.<br /> <br /> Mater drives off.<br /> <br /> ON MATER - MOMENTS LATER<br /> <br /> He drives through the party, frantic.<br /> <br /> MATER<br /> Coming through! Excuse me, leakin'<br /> oil. Where's the bathroom? Thank<br /> you. I gotta go!<br /> <br /> Someone points Mater down a hallway. He whips around the<br /> CORNER ---<br /> <br /> --- and STOPS. Finds himself in front of TWO BATHROOM DOORS,<br /> neither of which clearly indicate MALE or FEMALE.<br /> 31.<br /> <br /> <br /> MATER<br /> (CONFUSED)<br /> What the...<br /> <br /> Mater chooses one, drives inside. A SHRIEK is heard and Mater<br /> zips out.<br /> <br /> MATER<br /> Sorry ladies!<br /> <br /> He heads into the other door ---<br /> CUT TO:<br /> <br /> INT. MEN'S ROOM - NIGHT<br /> <br /> Mater rolls in, still `holding it in' like a kid.<br /> <br /> MATER<br /> I never leak I never leak I never<br /> leak...<br /> <br /> He sees someone leaving a stall. He heads in.<br /> <br /> IN THE STALL - Mater enters, looks up.<br /> <br /> MATER<br /> Wowee...<br /> <br /> The stall is a complicated apparatus with buttons and lights.<br /> High-tech Japanese. It suddenly GRABS MATER, hoists him up as<br /> if he's going to get an oil change.<br /> <br /> MATER<br /> What in the---<br /> <br /> A Japanese style cartoon CARICATURE appears on a TV MONITOR,<br /> followed by images of waterfalls and rivers.<br /> <br /> MATER<br /> (GIGGLING)<br /> Hey, that tickles.<br /> <br /> The caricature starts talking in Japanese. Suddenly WATER<br /> FIRES UP underneath Mater's undercarriage, goosing him. He<br /> freaks out.<br /> <br /> OUTSIDE THE STALL - With Mater's yells audible we see a<br /> GREMLIN enter, furtive. Suddenly, inexplicably, his frame<br /> BREAKS APART like an egg, revealing an AMERICAN MUSCLE CAR<br /> underneath. The pieces of the Gremlin disappear under him,<br /> clearly his disguise. This is ROD REDLINE - American Agent.<br /> 32.<br /> <br /> <br /> ROD REDLINE<br /> Okay, McMissile. I'm here. It's<br /> time for the drop.<br /> <br /> INT. PARTY - SAME<br /> <br /> HOLLEY, rolls along by herself. Nervous. DING! Her rearview<br /> monitor springs to life.<br /> <br /> HOLLEY (INTO RADIO)<br /> The American has activated his<br /> tracking beacon.<br /> <br /> FINN (OVER RADIO)<br /> Roger that. Move in.<br /> <br /> INT. BATHROOM - SAME<br /> <br /> Rod Redline, waiting at a sink, feels a presence behind him.<br /> <br /> GREM and ACER have entered, hesitate briefly when they see<br /> Rod Redline.<br /> <br /> Rod Redline, careful, slides a gun out of his tire. He is<br /> suddenly CHARGED by the AMCs --- Rod SPINS AROUND and gets a<br /> shot off but is SLAMMED HEAD FIRST. A TIGHT, CLOSE-QUARTERS<br /> FIGHT begins ---<br /> <br /> IN THE STALL - Mater, still TRAPPED, is now being SCRUBBED as<br /> if in a car wash. He is helpless.<br /> <br /> OUTSIDE THE STALL - Rod is being pulverized. Just when he<br /> scrambles away from one car, the other one takes over.<br /> <br /> IN THE STALL - Mater is mercifully released, but when he<br /> backs out ---<br /> <br /> --- Rod Redline is THROWN INTO MATER'S STALL DOOR, crunching<br /> it and sending Mater ---<br /> <br /> --- BACK INTO THE CLUTCHES of the insane toilet.<br /> <br /> INT. PARTY - SAME<br /> <br /> Holley isolates the tracking beacon's location in the party.<br /> <br /> HOLLEY<br /> Oh, you've got to be joking.<br /> <br /> FINN<br /> What's the problem, Shiftwell?<br /> <br /> HOLLEY<br /> He's in the loo.<br /> 33.<br /> <br /> <br /> FINN<br /> So go in!<br /> <br /> HOLLEY<br /> I can't just go into the men's loo.<br /> <br /> FINN<br /> Time is of the essence, Shiftwell.<br /> <br /> INT. BATHROOM - OUTSIDE THE STALL<br /> <br /> Rod Redline is in bad shape. He backs away, betrays a look of<br /> concern. He's in trouble here.<br /> <br /> ACER burns rubber, ready to finish him off. Just as he shifts<br /> into DRIVE ---<br /> <br /> --- MATER'S STALL DOOR KICKS OPEN, knocking ACER out. Mater<br /> jumps out, face-to-face GREM.<br /> <br /> MATER<br /> (out of breath)<br /> Whatever you do, I would not go in<br /> there.<br /> <br /> The door SWINGS shut, revealing the pulverized Acer.<br /> <br /> MATER<br /> A Gremlin and a Pacer!<br /> <br /> Rod Redline, now behind Mater and sensing an opportunity<br /> here, quickly produces A SMALL DEVICE.<br /> <br /> MATER<br /> (to Grem and Acer)<br /> No offense to your makes and<br /> models, but you guys break down<br /> harder than my cousin Betsy after<br /> she got left at the ---<br /> <br /> Rod Redline, surreptitiously attaches the device to Mater's<br /> undercarriage.<br /> <br /> MATER<br /> (as he's goosed)<br /> --- altar!<br /> <br /> He spins around, sees Rod Redline for the first time.<br /> <br /> MATER<br /> Are you okay?<br /> <br /> ROD REDLINE<br /> I'm fine.<br /> 34.<br /> <br /> <br /> GREM<br /> Hey. Tow truck.<br /> <br /> Mater turns back to Grem and Acer.<br /> <br /> GREM<br /> We'd like to get to our private<br /> business here, if you don't mind.<br /> <br /> MATER<br /> Oh, yeah. Don't let me get in the<br /> way of your "private business."<br /> Oh! A little advice: When you hear<br /> her giggle and see that waterfall,<br /> you best press that green button.<br /> <br /> GREM<br /> Thank you.<br /> <br /> MATER<br /> It's to adjust the temperature.<br /> <br /> ACER<br /> Got it.<br /> <br /> MATER<br /> Remember it's in Celsius, not<br /> Fahrenheit.<br /> <br /> GREM AND ACER<br /> Get outta here!<br /> <br /> MATER<br /> Alright then.<br /> <br /> Mater exits, leaving Rod Redline to a now even angrier Grem<br /> and Acer.<br /> <br /> EXT. BATHROOM - MOMENTS LATER<br /> <br /> Holley arrives at the door. She takes a breath, is about to<br /> enter when Mater EXITS.<br /> <br /> MATER<br /> Excuse me, ma'am.<br /> <br /> He passes her, expelling some exhaust in the process.<br /> Holley's rearview tracking confirms that the device is on<br /> him.<br /> <br /> MATER<br /> (TO HIMSELF)<br /> Dadgum pistachio ice cream.<br /> 35.<br /> <br /> <br /> HOLLEY (INTO RADIO)<br /> This cannot be him.<br /> <br /> FINN (OVER RADIO)<br /> Is he American?<br /> <br /> MATER<br /> (driving off, to himself)<br /> Look out, ladies. Mater's fittin'<br /> to get funky!<br /> <br /> HOLLEY (INTO RADIO)<br /> Extremely.<br /> <br /> FINN (OVER RADIO)<br /> Then it's him.<br /> <br /> It's settled. Holley takes one more nervous breath, quickly<br /> closes the distance between her and Mater, cuts him off. He<br /> is forced to STOP.<br /> <br /> HOLLEY<br /> Hello.<br /> <br /> MATER<br /> Well, hello.<br /> <br /> HOLLEY<br /> A Volkswagen Karmann Ghia has no<br /> radiator.<br /> <br /> MATER<br /> Well of course it doesn't. That's<br /> `cause it's air-cooled!<br /> <br /> HOLLEY<br /> (RELIEVED)<br /> Perfect. I'm from the Tokyo Station<br /> OF THE---<br /> <br /> MATER<br /> Course, Karmann Ghia's weren't the<br /> only ones. Besides the Beetles you<br /> had your Type-3 Squarebacks, with<br /> the pancake motors...<br /> <br /> HOLLEY<br /> Yeah. Okay, I get it---<br /> <br /> MATER<br /> ... And before both of them,<br /> there's the Type-2 buses - my buddy<br /> Fillmore's one of them.<br /> 36.<br /> <br /> <br /> HOLLEY<br /> Listen! We should find somewhere<br /> more private.<br /> <br /> MATER<br /> Uh, gee. Don't you think that's a<br /> little, uh ---<br /> <br /> HOLLEY<br /> (NERVOUS ENERGY)<br /> You're right. Impossible to know<br /> which areas here are compromised.<br /> So, when can I see you again?<br /> <br /> MATER<br /> Well, let's see. Tomorrow I'll be<br /> out there at the races.<br /> <br /> HOLLEY<br /> Got it. We'll rendezvous then.<br /> <br /> INT. PARTY - MOMENTS LATER<br /> <br /> Mater returns to his team, lost in thought.<br /> <br /> MCQUEEN<br /> There you are. Where have you been?<br /> <br /> MATER<br /> What's a rendezvous?<br /> <br /> LUIGI<br /> It's like a date.<br /> <br /> MATER<br /> A date?!<br /> <br /> MCQUEEN<br /> Mater, what's going on?<br /> <br /> MATER<br /> Well, what's going on is I've got<br /> me a date tomorrow.<br /> <br /> Guido makes a crack in Italian.<br /> <br /> LUIGI<br /> Guido don't believe you.<br /> <br /> MATER<br /> Well, believe it. My new girlfriend<br /> just said so. Hey, there she is.<br /> <br /> Mater points out Holley, who's within earshot.<br /> 37.<br /> <br /> <br /> MATER<br /> (YELLING)<br /> Hey! Hey lady!<br /> <br /> Holley, caught in plain view, DRIVES OFF.<br /> <br /> MATER<br /> See ya tomorrow!<br /> <br /> Guido makes another crack in Italian.<br /> <br /> LUIGI<br /> Guido still don't believe you.<br /> <br /> EXT. SHIPYARD - THE DOCKS - TOKYO NIGHT<br /> <br /> An industrial dock, outside of the city proper.<br /> <br /> INT. SHIPYARD - NIGHT<br /> <br /> Rod Redline dangles from a car magnet. He's been beaten up,<br /> clings to consciousness.<br /> <br /> GREM (O.S.)<br /> I gotta admit ---<br /> <br /> Grem, Acer, and a bunch of nasty looking troublemakers look<br /> up at Rod amidst crates and shipping containers.<br /> <br /> GREM<br /> --- you tricked us real good.<br /> <br /> ACER<br /> And we don't like being tricked.<br /> <br /> Rod Redline laughs to himself.<br /> <br /> ACER<br /> Hey, what's so funny?<br /> <br /> ROD REDLINE<br /> Well, you know, I was just wearing<br /> a disguise. You guys are stuck<br /> looking like that.<br /> <br /> This doesn't help him. They DROP HIM onto a TREADMILL, lock<br /> him down. A container is wheeled forward and Rod is plied<br /> with Allinol brand gasoline.<br /> <br /> ROD REDLINE<br /> Allinol? Thanks, fellas. I hear<br /> this stuff is good for you.<br /> 38.<br /> <br /> <br /> PROFESSOR ZUNDAPP (O.S.)<br /> So you think.<br /> <br /> The Professor emerges from the darkness, behind Rod.<br /> <br /> PROFESSOR ZUNDAPP<br /> Allinol by itself is good for you.<br /> <br /> Zundapp hits a button and the TREADMILL starts Rod's wheels<br /> spinning at a high rate of speed.<br /> <br /> PROFESSOR ZUNDAPP<br /> But after microscopic examination,<br /> I have found that it has one small<br /> weakness. When hit with an<br /> electromagnetic pulse, it becomes<br /> extremely dangerous.<br /> <br /> GREM<br /> SMILE ---<br /> <br /> Grem pushes a World Grand Prix CAMERA - the same one that<br /> was in the box back at the oil derrick. He points it at Rod<br /> Redline.<br /> <br /> GREM<br /> --- for the camera.<br /> <br /> ROD REDLINE<br /> Is that all you want? I got a whole<br /> act.<br /> <br /> PROFESSOR ZUNDAPP<br /> You were very interested in this<br /> camera on the oil platform. Now you<br /> will witness what it really does.<br /> <br /> ROD REDLINE<br /> Whatever you say, Professor.<br /> <br /> Acer pushes a TV MONITOR toward Rod. On it, surveillance<br /> footage from the party. Clearly, they were watching and<br /> recording him there.<br /> <br /> ACER<br /> You talked up a lot of cars last<br /> night. Which one's your associate?<br /> <br /> ROD REDLINE<br /> Your mother. Oh no, I'm sorry. It<br /> was your sister. You know, I can't<br /> tell them apart these days.<br /> 39.<br /> <br /> <br /> GREM<br /> (HAD ENOUGH)<br /> Could I start it now, Professor?<br /> <br /> PROFESSOR ZUNDAPP<br /> Fifty percent power.<br /> (to Rod Redline)<br /> This camera is actually an<br /> electromagnetic pulse emitter.<br /> <br /> ACER<br /> (re: a girl on the TV)<br /> What about her? Did you give it to<br /> her?<br /> <br /> PROFESSOR ZUNDAPP<br /> The Allinol is now heating to a<br /> boil, dramatically expanding,<br /> causing the engine block to crack<br /> under the stress, forcing oil into<br /> the combustion chamber.<br /> <br /> Rod Redline's engine starts to CRACK and BREAK.<br /> <br /> ACER<br /> (re: a guy on the TV)<br /> How about him? You talk to him?<br /> <br /> ROD REDLINE<br /> (to Professor Zundapp)<br /> What do I care? I can replace an<br /> engine block.<br /> <br /> PROFESSOR ZUNDAPP<br /> You may be able to, but after full<br /> impact of the pulse, unfortunately,<br /> there will be nothing to replace.<br /> <br /> ACER<br /> How about him? Does he have it?<br /> <br /> The monitor reveals MATER, rolling out of the bathroom and<br /> down the hall.<br /> <br /> Rod Redline, seeing this, does the world's most subtle double<br /> take. We caught it, but there's no way anyone else in the<br /> room could have ---<br /> <br /> PROFESSOR ZUNDAPP<br /> That's him. He's the one.<br /> <br /> GREM<br /> Roger that, Professor Z.<br /> 40.<br /> <br /> <br /> ROD REDLINE<br /> No!<br /> <br /> As Grem turns up the machine even MORE, the Professor makes a<br /> call.<br /> <br /> PROFESSOR ZUNDAPP (INTO PHONE)<br /> Yes sir. We believe the infiltrator<br /> has passed along sensitive<br /> information.<br /> (beat, listening)<br /> I will take care of it before any<br /> damage can be done.<br /> <br /> The Professor hangs up, turns to the room.<br /> <br /> PROFESSOR ZUNDAPP<br /> The project is still on schedule.<br /> You will find this second agent ---<br /> <br /> Zundapp kicks the camera's power into the RED.<br /> <br /> PROFESSOR ZUNDAPP<br /> --- and kill him.<br /> <br /> On the MONITOR - With Mater's frozen image on the screen we<br /> see Rod EXPLODE in the reflection.<br /> <br /> EXT. JAPAN - DAY<br /> <br /> Over television pre-roll of Japan:<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> Japan. Land of the rising sun.<br /> Where ancient tradition meets<br /> modern technology. Welcome to the<br /> inaugural running of the World<br /> Grand Prix.<br /> <br /> ON OUR ANNOUNCERS as they introduce themselves:<br /> <br /> BRENT MUSTANGBURGER<br /> I'm Brent Mustangburger, here with<br /> racing legends Darrell Cartrip and<br /> David Hobbscap. There's never been<br /> a competition like this before.<br /> <br /> SHOTS OF THE PITS as the racers fuel up.<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> First, Allinol, making its debut<br /> tonight as the required fuel for<br /> all these great champions.<br /> (MORE)<br /> 41.<br /> <br /> BRENT MUSTANGBURGER (V.O.) (CONT'D)<br /> Second, the course itself, and it's<br /> like nothing we've ever seen.<br /> David, how exactly does this<br /> competition work?<br /> <br /> DAVID HOBBSCAP (V.O.)<br /> Well, Brent, all three of these<br /> street courses are classic round-<br /> the-house racetracks.<br /> <br /> OUTLINES OF THREE RACE COURSES are shown. They're labeled<br /> Japan, Italy and England, and are different in shape and<br /> size.<br /> <br /> DAVID HOBBSCAP (V.O.)<br /> This means that the LMP and Formula<br /> cars should break out of the gate<br /> in spectacular fashion.<br /> <br /> SHOTS OF THE RACERS as they weave up the track, practicing.<br /> <br /> DAVID HOBBSCAP (V.O.)<br /> Look for Francesco Bernoulli in<br /> particular to lead early.<br /> <br /> SHOTS OF Francesco, featured in an inset.<br /> <br /> DAVID HOBBSCAP (V.O.)<br /> And with a series of technical<br /> turns throughout ---<br /> <br /> MORE SHOTS of the course, now highlighting the tech turns.<br /> <br /> DAVID HOBBSCAP (V.O.)<br /> GT and Touring cars like Spain's<br /> Miguel Camino should make up some<br /> ground but I doubt it'll be enough<br /> to stop Francesco from absolutely<br /> running away with it.<br /> <br /> DARRELL CARTRIP (V.O.)<br /> Woah, now just hold your<br /> horsepower. You're forgetting the<br /> most important factor here. That<br /> early dirt track section of the<br /> course! The dirt is supposed to be<br /> the great equalizer in this race.<br /> <br /> GRAPHICS OF THE COURSES now isolate a stretch after the first<br /> couple turns, label it "DIRT SECTIONS."<br /> 42.<br /> <br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> French Rally car Raoul �aRoule is<br /> counting on a big boost headed<br /> through there.<br /> <br /> DARRELL CARTRIP (V.O.)<br /> And don't forget Lightning McQueen!<br /> His mentor, the Hudson Hornet, was<br /> one of the greatest dirt track<br /> racers of all time. In my opinion,<br /> McQueen is the best all-around<br /> racer in this competition.<br /> <br /> BACK IN THE STUDIO<br /> <br /> DAVID HOBBSCAP<br /> Really, Darrell, I think you need<br /> to clean your windshield. You're<br /> clearly not seeing this for what it<br /> is: Francesco's race to lose.<br /> <br /> EXT. STARTING LINE - DAY<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> It's time to find out. The racers<br /> are locking into the grid ---<br /> <br /> Engines rev as everyone gets ready to go. Everyone's bright<br /> eyed and alert except for McQueen who we find in the back of<br /> the grid. He CLOSES his eyes.<br /> <br /> MCQUEEN<br /> (TO HIMSELF)<br /> Speed. I am speed.<br /> <br /> A LAUGH O.S. McQueen opens his eyes. Francesco is next to him<br /> on the grid.<br /> <br /> FRANCESCO<br /> Really? You are "speed"? Then<br /> Francesco is triple speed.<br /> (closes his eyes)<br /> Francesco. Is. Triple speed.<br /> Francesco likes this, McQueen. It's<br /> really getting him into the zone!<br /> <br /> MCQUEEN<br /> He is so getting beat today.<br /> <br /> The starting lights click down from RED to YELLOW to GREEN.<br /> The race begins. Francesco quickly grabs the lead. He's<br /> pulling away within seconds.<br /> 43.<br /> <br /> <br /> ON PIT ROW - We TRACK PAST as the various Crew Chiefs on<br /> their crash carts bark orders to their racers. We end on Team<br /> McQueen. No Crew Chief, just a solid looking team.<br /> <br /> SARGE<br /> His suspension stats look good.<br /> <br /> LUIGI<br /> Tire pressure is excellent.<br /> <br /> FILLMORE<br /> He's got plenty of fuel.<br /> <br /> MATER<br /> And he's awesome!<br /> CUT TO:<br /> <br /> The same view of Mater but now THROUGH A TELESCOPIC DISPLAY.<br /> Reveal Finn and Holley watching from high above in a downtown<br /> office building, behind reflective glass.<br /> <br /> HOLLEY<br /> Why is he in the pits? He's so<br /> exposed.<br /> <br /> FINN<br /> It's his cover. One of the best<br /> I've seen, too. Look at the detail<br /> on that rust. It must have cost him<br /> a fortune.<br /> <br /> HOLLEY<br /> But why hasn't he contacted us yet?<br /> <br /> FINN<br /> There's probably heat on him. Be<br /> patient.<br /> <br /> HOLLEY<br /> Right, of course. He'll signal us<br /> when he can.<br /> <br /> FINN<br /> And then we find out who's behind<br /> all this.<br /> <br /> ON THE TRACK - VARIOUS SHOTS OF THE RACE through Tokyo as<br /> Francesco extends his lead and McQueen attempts to make up<br /> ground.<br /> 44.<br /> <br /> <br /> IN MCQUEEN'S PIT - Mater watches the monitors, sees them<br /> approaching the dirt section.<br /> <br /> MATER<br /> McQueen! It's time to make your<br /> move. Get on the outside and show<br /> 'em what Doc done taught you.<br /> <br /> MCQUEEN (OVER RADIO)<br /> Ten four, Mater.<br /> <br /> ON THE TRACK - Francesco hits the dirt section and loses all<br /> control. He SLAMS to a halt, his tires getting no traction.<br /> <br /> DAVID HOBBSCAP (V.O.)<br /> Francesco is brought to a<br /> screeching halt!<br /> <br /> MCQUEEN skids into view, turning right to go left, passing<br /> Francesco, followed by other cars ---<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> Lightning McQueen is the first to<br /> take advantage. And just like that,<br /> folks, Francesco's lead is left in<br /> the dust.<br /> <br /> MCQUEEN<br /> Nice call, Mater. Keep it up!<br /> <br /> McQueen now leads the pack, zooming out of the dirt now<br /> starting to relax.<br /> <br /> DARRELL CARTRIP (V.O.)<br /> Who-hoo! Man, McQueen looks happier<br /> than a rollbar at a demolition<br /> derby!<br /> <br /> ON PAVED ROAD AGAIN - MOMENTS LATER<br /> <br /> The field of cars thunders into a tunnel.<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> Everyone's jostling for position as<br /> we hit the asphalt again.<br /> <br /> Francesco crests the hill, in last place. He bites down,<br /> determined, then CHASES.<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> Francesco lost a lot of momentum in<br /> the dirt. He's got some serious<br /> work ahead of him if he wants to<br /> get back in this race.<br /> 45.<br /> <br /> <br /> VARIOUS SHOTS OF TOKYO as the racers move through the Rainbow<br /> Bridge. Bit by bit, Francesco ekes his way toward the front,<br /> toward Lightning McQueen as we CUT TO ---<br /> <br /> --- A ROOFTOP, and a VIEW THROUGH THE WGP CAMERA LENS. Grem<br /> and Acer are manning this one. They focus it on the racers as<br /> they approach.<br /> <br /> PROFESSOR ZUNDAPP (OVER RADIO)<br /> It is time.<br /> <br /> GREM<br /> Roger that.<br /> <br /> ON THE TRACK - A racer (Miguel Camino) suddenly PLUMES WITH<br /> SMOKE and skids out.<br /> <br /> DARRELL CARTRIP (V.O.)<br /> Oh! Miguel Camino has blown an<br /> engine!<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> Very unusual, Darrell. He's been so<br /> consistent all year.<br /> <br /> Camino quickly pits, passing McQueen's pit where Mater is<br /> visible.<br /> <br /> ON GREM AND ACER, watching from above.<br /> <br /> GREM<br /> You gotta be kidding me.<br /> <br /> ACER<br /> What is it?<br /> <br /> GREM<br /> It's that tow truck from the<br /> bathroom.<br /> <br /> ACER<br /> The one from the bathroom?<br /> <br /> GREM<br /> Yeah, the one the American Agent<br /> passed the device to.<br /> <br /> ACER<br /> What about him?<br /> <br /> GREM<br /> What about him? He's in the pits!<br /> 46.<br /> <br /> <br /> ACER<br /> Not for long.<br /> <br /> Acer exits, with purpose.<br /> <br /> ON FINN AND HOLLEY, still in their office hideaway. Holley's<br /> onboard computer flashes an ALERT.<br /> <br /> HOLLEY<br /> Hold on. I think I've got<br /> something.<br /> <br /> FINN<br /> What is it?<br /> <br /> HOLLEY<br /> The Pacer from the party last<br /> night.<br /> <br /> She's spotted Acer, moving swiftly forward.<br /> <br /> HOLLEY<br /> Cross-referencing with the photos<br /> from the oil derricks... Yep. His<br /> VIN numbers match.<br /> <br /> FINN<br /> Anyone with him? He won't be alone.<br /> <br /> HOLLEY<br /> Conducting analysis on the target.<br /> <br /> The computer finds more and more bad guy Pacers and Gremlins<br /> are in the crowd.<br /> <br /> HOLLEY<br /> He's not the only one here.<br /> Three... five... they're<br /> everywhere. And they're all closing<br /> in on... oh no.<br /> <br /> We PAN OVER to see it's MATER.<br /> <br /> HOLLEY<br /> Finn? Finn, where are you?<br /> <br /> She turns. He's GONE, leaving only an open window.<br /> <br /> FINN (OVER RADIO)<br /> Get him out of the pits now!<br /> <br /> IN MCQUEEN'S PIT. A car WHIPS BY O.S.<br /> 47.<br /> <br /> <br /> MATER<br /> Wow! Some of them fellers is really<br /> loud.<br /> <br /> HOLLEY (OVER MATER'S RADIO)<br /> Can you hear me? Over.<br /> <br /> MATER<br /> Uh, what?<br /> <br /> HOLLEY (OVER MATER'S RADIO)<br /> Get out of the pit now. Do you hear<br /> me?<br /> <br /> Mater realizes this girl has somehow broken into his radio.<br /> <br /> MATER (INTO RADIO)<br /> Hey, I know you. You're that girl<br /> from the party last night. You<br /> wanna do our date right now?<br /> <br /> ON THE TRACK - McQueen boxes out Francesco, holds his slim<br /> lead, but barely.<br /> <br /> MCQUEEN<br /> Guys, a little too much chatter.<br /> Let's keep this line clear.<br /> <br /> BOOM! A racer behind McQueen suddenly expels black smoke,<br /> skids out of control.<br /> <br /> ON GREM - laughing. That was clearly his handiwork.<br /> <br /> IN MCQUEEN'S PIT - SAME<br /> <br /> HOLLEY (ON MATER'S RADIO)<br /> There's no time for messing about.<br /> You've got to get out of the pits.<br /> <br /> MATER<br /> Is there gonna be cable where you<br /> is so I can watch the rest of the<br /> race?<br /> <br /> ON HOLLEY - Watching from the downtown building.<br /> <br /> HOLLEY (INTO RADIO)<br /> You're running out of time!<br /> <br /> FINN (OVER RADIO)<br /> They're coming, Shiftwell.<br /> <br /> HOLLEY (INTO RADIO)<br /> Yes, I know.<br /> 48.<br /> <br /> <br /> FINN (OVER RADIO)<br /> Get him out of there.<br /> <br /> HOLLEY<br /> (TO FINN)<br /> I'm trying.<br /> (TO MATER)<br /> Get out now!<br /> <br /> We CUT BACK TO ---<br /> <br /> --- MATER. He gives in, exits the pit.<br /> <br /> MATER<br /> Well, all right but I usually like<br /> to have a proper detailing done<br /> before I meet a lady friend.<br /> <br /> He moves toward the back PIT DOOR, is about to open it.<br /> <br /> OUTSIDE THE PITS - ACER and another Pacer approach McQueen's<br /> pit door on the other side. Ready to pounce. The doors OPEN,<br /> REVEALING ---<br /> <br /> --- Finn, holding a fire extinguisher.<br /> <br /> ACER<br /> Finn McMissile? But you're dead!<br /> <br /> FINN<br /> Then this shouldn't hurt at all.<br /> <br /> He empties the extinguisher in their eyes, speeds past. They<br /> try and follow, but have been blinded. One of them crashes<br /> right into a COP.<br /> <br /> ON FINN - Already on the move, along a side street.<br /> <br /> FINN<br /> Miss Shiftwell?<br /> <br /> ON HOLLEY - Tracking everything on a grid map. Mater looks<br /> like Pac Man, weaving through the streets as bad guys close<br /> in all around him.<br /> <br /> HOLLEY<br /> I've got him in the back alleys<br /> east of the garages. Multiple<br /> assailants are closing in quickly.<br /> <br /> FINN (OVER RADIO)<br /> Keep him moving. I'm on my way.<br /> <br /> ON MATER - He turns a corner, sees a flower shop.<br /> 49.<br /> <br /> <br /> MATER<br /> Hey, new lady friend? You like<br /> flowers?<br /> <br /> ON THE TRACK - McQueen, hearing this, is taken aback.<br /> <br /> MCQUEEN<br /> What?<br /> <br /> ON MATER - Slowing at the flower shop.<br /> <br /> HOLLEY (OVER RADIO)<br /> No! Don't go 'in' anywhere. Just<br /> keep moving.<br /> <br /> MATER<br /> Stay outside. Gotcha.<br /> <br /> ON THE TRACK<br /> <br /> MCQUEEN<br /> Outside?<br /> <br /> McQueen drifts outside allowing Francesco to slip past!<br /> <br /> FRANCESCO<br /> Grazie and arrivaderci!<br /> <br /> DARRELL CARTRIP (V.O.)<br /> I cannot believe what I just saw,<br /> Brent. That was a bonehead move.<br /> You don't open up the inside like<br /> that!<br /> <br /> IN THE BACK ALLEYS - As Mater moves on he's followed by<br /> Pacers and Gremlins. Suddenly ---<br /> <br /> --- CABLES whip in front of them, pulling over flower vending<br /> machines and sending the shop's owners into a frenzy. They<br /> direct their attention to the AMCs, who try and explain.<br /> <br /> ON FINN, admiring his handiwork as he appears. Just as he<br /> turns to leave he's BROADSIDED and pushed INTO A DARK ALLEY.<br /> <br /> IN THE ALLEY - Finn finds himself boxed by two Pacers and<br /> pushed toward ---<br /> <br /> --- ACER, who now holds a FLAME THROWER.<br /> <br /> ACER<br /> This time I'm gonna make sure you<br /> stay dead.<br /> <br /> He hits the flame. WHOOOSSSH!!<br /> 50.<br /> <br /> <br /> ON ANOTHER STREET - Mater clicks along, still looking for<br /> Holley. Just as he passes the alley entrance where Finn<br /> stares down death:<br /> <br /> HOLLEY (OVER RADIO)<br /> You're doing brilliantly. Now just<br /> stay focused.<br /> <br /> MATER<br /> What's that? You want me to head<br /> toward that ruckus?<br /> <br /> Mater turns INTO the alley.<br /> <br /> HOLLEY (OVER RADIO)<br /> No! Don't go down that street!<br /> <br /> IN THE ALLEY - Finn, now nearly pushed completely into the<br /> flame thrower, leaps into the air. He FIGHTS BACK, using his<br /> wheels, axle, indeed his entire car frame as if he were<br /> human, kicking and tossing and shooting his enemies.<br /> <br /> Mater witnesses the whole thing.<br /> <br /> MATER<br /> Wow! A live karate demonstration!<br /> <br /> ON THE TRACK - McQueen, now playing catch-up again, scowls.<br /> <br /> MCQUEEN<br /> Stop it, Mater. Just sign off.<br /> <br /> IN THE BACK ALLEY - Finn polishes off the AMCs by firing a<br /> bullet into a gas main line, causing an EXPLOSION that tosses<br /> Acer through the air where he lands in a NOODLE SHOP'S SIGN.<br /> <br /> ON THE TRACK - The end of the race is nigh ---<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> They're bumper to bumper as they<br /> approach the finish line!<br /> <br /> The Formula car gets there first.<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> Francesco's the winner, McQueen's<br /> number two!<br /> <br /> IN THE ALLEY - Finn heaves breaths, surveys his damage.<br /> <br /> MATER<br /> That was cool! Hey, can I get your<br /> autograph?<br /> 51.<br /> <br /> <br /> Mater approaches when a MASS OF RACE FANS burst out a door,<br /> momentarily blocking Mater's view of Finn. Once the fans have<br /> past, Finn has disappeared.<br /> <br /> MATER<br /> Hey, where'd he go?<br /> <br /> HOLLEY (OVER RADIO)<br /> Our rendezvous has been<br /> jeopardized. Keep the device safe.<br /> We'll be in touch.<br /> <br /> MATER<br /> Dadgum, did I miss our date?<br /> <br /> EXT. PRESS STAGE - LATER<br /> <br /> Post race press conference. Francesco is center stage.<br /> <br /> DARRELL CARTRIP<br /> Francesco, over here! Hey, what was<br /> your strategy today?<br /> <br /> FRANCESCO<br /> Strategia? Francesco needs no<br /> strategy, it's very simple. You<br /> start the race, wait for Lightning<br /> McQueen to choke, pass him, then<br /> win. Francesco always wins. It's<br /> boring.<br /> <br /> McQueen, waiting in the wings, rolls his eyes. He suddenly<br /> notices something O.S.<br /> <br /> McQueen's P.O.V. - It's MATER, appearing from a side street,<br /> moving toward the pits, oblivious of the press conference.<br /> <br /> DARRELL CARTRIP<br /> (TO FRANCESCO)<br /> I gotta tell you, dude. You were in<br /> trouble for awhile. That dirt track<br /> section had you crawling!<br /> <br /> As McQueen SNEAKS AWAY ---<br /> <br /> FRANCESCO<br /> To truly crush one's dream, you<br /> must first raise their hopes very<br /> high.<br /> <br /> IN MCQUEEN'S PIT GARAGE - Mater looks around for everyone as<br /> McQueen approaches.<br /> 52.<br /> <br /> <br /> MCQUEEN<br /> Mater.<br /> <br /> MATER<br /> Hey McQueen! What happened? Is the<br /> race over? You won, right?<br /> <br /> MCQUEEN<br /> Mater, why were you yelling things<br /> at me while I was racing?<br /> <br /> MATER<br /> Yelling? Oh, you thought... that's<br /> funny right there. Nah, see that's<br /> `cause I seen these two fellers<br /> doing some sort of karate street<br /> performance. It was nutso. One of<br /> them even had a flamethrower ---<br /> <br /> MCQUEEN<br /> A flamethrower? What are you<br /> talking about? I don't understand.<br /> Where were you?<br /> <br /> MATER<br /> Going to meet my date.<br /> <br /> MCQUEEN<br /> Your date?<br /> <br /> MATER<br /> She started talking to me as a<br /> voice in my head, telling me where<br /> to go ---<br /> <br /> MCQUEEN<br /> What?<br /> <br /> MATER<br /> Wait a minute -- I didn't screw you<br /> up, did I?<br /> <br /> MCQUEEN<br /> I lost the race because of you!<br /> <br /> MATER<br /> Well, I'm sorry. I didn't mean ---<br /> <br /> MCQUEEN<br /> An imaginary girlfriend,<br /> flamethrowers. This is exactly why<br /> I don't bring you along to these<br /> things.<br /> 53.<br /> <br /> <br /> MATER<br /> Maybe if I, I don't know, talked to<br /> somebody and explained what<br /> happened I could help.<br /> <br /> MCQUEEN<br /> I don't need your help. I don't<br /> want your help.<br /> <br /> PRESS (O.S.)<br /> Hey, there he is!!<br /> <br /> The press finds McQueen, swarms him. Mater is pushed<br /> backwards as the questions fly again.<br /> <br /> PRESS<br /> - McQueen, you had it in the bag!<br /> - Yeah, what happened?<br /> <br /> MCQUEEN<br /> I made a mistake. But I can assure<br /> you, it won't happen again.<br /> <br /> On Mater. He takes this badly.<br /> <br /> MCQUEEN<br /> Look, guys. We know what the<br /> problem is and we've taken care of<br /> it.<br /> SMASH TO:<br /> <br /> OVER FOOTAGE OF FRANCESCO and various other highlights:<br /> <br /> BRENT MUSTANGBURGER<br /> Lightning McQueen loses in the last<br /> lap to Francesco Bernoulli in the<br /> first race of the World Grand Prix<br /> and three, count em, three cars<br /> flamed out leading some to suggest<br /> that their fuel, Allinol, might be<br /> to blame.<br /> <br /> FOOTAGE OF MILES AXLEROD, speaking to an aggressive press. He<br /> must SHOUT over the press.<br /> <br /> MILES AXLEROD<br /> Allinol is safe! Alternative fuel<br /> is safe! There is no way my fuel<br /> caused these cars to flame out!<br /> 54.<br /> <br /> <br /> IN THE TV STUDIO - Darrell, Brent and David talk to camera.<br /> <br /> DARRELL CARTRIP<br /> Well the jury may still be out on<br /> whether Allinol caused these<br /> accidents, but one thing's for<br /> sure: Lightning McQueen blew this<br /> race.<br /> <br /> Off a FROZEN IMAGE of McQueen crossing the finish line, a<br /> look of severe consternation across his face ---<br /> <br /> BRENT MUSTANGBURGER<br /> Team McQueen can't be happy right<br /> now.<br /> <br /> --- MATCH CUT TO ---<br /> <br /> INT. AIRPORT - JAPAN - DAY<br /> <br /> --- McQueen's SMILING FACE, on a Team McQueen poster.<br /> <br /> REVERSE to reveal Mater looking at it, sadly. He drives on,<br /> passing (but not noticing) ---<br /> <br /> --- GREM and ACER.<br /> <br /> AT THE SECURITY CHECK - MOMENTS LATER. Cars take off their<br /> tires, move through the metal detector. Mater waits in line.<br /> A SECURITY CAR approaches Mater.<br /> <br /> SECURITY CAR<br /> (in Japanese and English)<br /> Come with me please, sir.<br /> <br /> MATER<br /> But I'm gonna miss my plane.<br /> <br /> IN THE ADMIRAL'S LOUNGE - MOMENTS LATER. The Security Car<br /> leads Mater inside.<br /> <br /> SECURITY CAR<br /> Right this way.<br /> <br /> As they move past us the Security Car covertly drops a BALL<br /> BEARING which rolls into a corner. The ball bearing then<br /> sprouts MECHANICAL LEGS, tripods itself and IRISES out,<br /> revealing itself to be a tiny CAMERA.<br /> <br /> IN THE MAIN ROOM - ADMIRAL'S LOUNGE - CONTINUOUS<br /> <br /> Mater follows the Security Car in, nervous.<br /> 55.<br /> <br /> <br /> MATER<br /> Doggone it. This is about my hook,<br /> isn't it? I know I should've<br /> checked it, but I can't really,<br /> look -- it's attached to me.<br /> <br /> ZWAPPPPPP!! The Security Car suddenly DECLOAKS himself,<br /> reveals himself to be Finn McMissile!<br /> <br /> MATER<br /> Hey, I know you. You're that feller<br /> from the karate demonstration.<br /> <br /> FINN<br /> I never properly introduced myself.<br /> Finn McMissile. British<br /> Intelligence.<br /> <br /> MATER<br /> Tow Mater. Average intelligence.<br /> <br /> FINN<br /> Who are you with? FBI, CIA?<br /> <br /> MATER<br /> Let's just say I'm triple-A<br /> affiliated. You know, I know some<br /> karate. I don't wanna brag or<br /> nothing, but I've got me a black<br /> fan belt.<br /> <br /> BEEP! Finn's rearview alarms. His camera has picked up Grem<br /> and Acer. They've just entered the lounge, are right around<br /> the corner.<br /> <br /> MATER<br /> Hey, you wanna see some moves I<br /> made up?<br /> <br /> FINN<br /> You're being followed.<br /> <br /> Finn quickly turns, fires a tiny GLASS CUTTING BEETLE at the<br /> window. As Mater talks, oblivious, the beetle cuts out a<br /> round hole.<br /> <br /> MATER<br /> This first one I can reach into a<br /> car's hood, pull out his battery,<br /> and show it to him before he<br /> stalls. I call it, "What I<br /> accidentally did to my friend Luigi<br /> once."<br /> 56.<br /> <br /> <br /> Mater does his best (worst) karate moves as Acer and Grem<br /> turn the corner.<br /> <br /> GREM<br /> There he is!<br /> <br /> The glass drops away, leaving a car-sized hole.<br /> <br /> MATER<br /> (eyes the clock)<br /> Look, I probably ought to go. I'm<br /> about to miss my flight.<br /> <br /> FINN<br /> Don't worry.<br /> <br /> Finn HOOKS Mater from behind. He YANKS HIM forward ---<br /> <br /> FINN<br /> I've taken care of that. Hang on.<br /> <br /> --- and LEAPS OUT THE WINDOW!<br /> <br /> EXT. TARMAC - AIRPORT - JAPAN<br /> <br /> Finn pulls Mater down HARD onto the tarmac, towing him away<br /> from the terminal.<br /> <br /> MATER<br /> This is First Class service. You<br /> don't even have to go through the<br /> terminal.<br /> <br /> ACER and GREM appear, chasing them. Mater, who is facing<br /> backward as he is being pulled along, faces them. They're<br /> about a hundred yards back.<br /> <br /> MATER<br /> (TO FINN)<br /> Your karate partners are back here.<br /> They kinda look like they're trying<br /> to catch up!<br /> <br /> FINN<br /> Drive forward. Whatever you do,<br /> don't stop.<br /> <br /> Finn SKIDS around, whipping Mater in a 180 so that Mater is<br /> now towing Finn.<br /> <br /> Grem produces a ROCKET, lines up Finn as his target.<br /> 57.<br /> <br /> <br /> Finn, without hesitation, fires a MINI ROLLING-JACK. The jack<br /> DRIVES ITSELF toward Grem, anchors itself under his frame and<br /> flips him like a turtle but not before Grem gets the rocket<br /> OFF ---<br /> <br /> THE ROCKET - it flies toward Mater and Finn.<br /> <br /> FINN aims and launches a MISSILE back.<br /> <br /> THE ROCKET AND MISSILE COLLIDE IN MID-AIR, EXPLODE.<br /> <br /> MATER<br /> (only hearing this)<br /> Is everything okay back there?<br /> <br /> SIDDELEY (O.S.)<br /> Finn, it's Sid. I'm on approach.<br /> <br /> A GULFSTREAM JET wings into view overhead. This is SIDDELEY.<br /> <br /> FINN<br /> Roger that.<br /> <br /> Mater looks up: ACER screeches into view up ahead, dragging a<br /> long row of luggage carts in Mater's path, attempting to<br /> create an accident.<br /> <br /> MATER<br /> (TO FINN)<br /> You remember that whole thing about<br /> me not stopping no matter what?<br /> <br /> Just as it looks dire --- RATATATATATATAT!!! SIDDELEY<br /> descends, hawklike, fires bullets and blows the luggage carts<br /> sky-high. Mater and Finn burst through them, luggage now<br /> raining down from above.<br /> <br /> MATER<br /> I knew I should've done carry-on!<br /> <br /> FINN<br /> (TO SIDDELEY)<br /> Thanks, old boy!<br /> <br /> Siddeley LANDS HARD on the tarmac ahead of them. No time to<br /> stop, he DROPS his back open, revealing HOLLEY.<br /> <br /> MATER<br /> Hey, doggone it. It's my imaginary<br /> girlfriend!<br /> <br /> HOLLEY<br /> Come on! Get in here!<br /> 58.<br /> <br /> <br /> Mater SPEEDS UP toward Siddeley's ramp, Holley.<br /> <br /> MATER<br /> (TO HOLLEY)<br /> Boy I tell you what, you really do<br /> want this first date, don't ya?<br /> That's a no-quit attitude right<br /> there.<br /> <br /> Just as Mater's wheels touch the ramp, BULLETS PING around<br /> him in a spray. Siddeley is HIT, a tire BLOWN. He yells in<br /> pain.<br /> <br /> FINN<br /> Hold on, Sid!<br /> <br /> Siddeley peels off the runway onto the grass.<br /> <br /> A gunfight ensues between Finn and Acer. Finn SHOOTS ACER'S<br /> TIRE, blowing it and throwing him off-course.<br /> <br /> Acer CAREENS out of control, drives up and THROUGH A JET ---<br /> <br /> --- OUT THE OTHER SIDE where he lands in an oil tanker.<br /> <br /> ON SIDDELEY - He's headed toward the edge of the tarmac,<br /> where the grass and runway meet WATER. He HITS THE GAS, his<br /> only hope.<br /> <br /> SIDDELEY<br /> Finn, it's now or never!<br /> <br /> Finn BRAKES, 180s and grabs the ramp just as Siddeley gets<br /> air.<br /> <br /> SIDDELEY<br /> Hold on!<br /> <br /> Mater, the only thing not in the jet, dangles and recedes<br /> from our view as Siddeley climbs toward the clouds. As he's<br /> PULLED in through the back hatch:<br /> <br /> MATER (V.O.)<br /> By the time you read this, I will<br /> be safely on an airplane, flying<br /> home.<br /> <br /> INT. LOBBY - HOTEL - TOKYO - DAY<br /> <br /> CLOSE ON a handwritten (er, tire-written?) NOTE in childish<br /> scrawl. We don't see all of it, only a bit. Mater's voice<br /> O.S. begins the note with the first sentence, but we DISSOLVE<br /> into McQueen's voice.<br /> 59.<br /> <br /> <br /> MCQUEEN<br /> "I'm so sorry for what I did. I<br /> don't want to be the cause of you<br /> losing any more races. I want you<br /> to go prove to the world what I<br /> already know - that you are the<br /> greatest race car in the whole wide<br /> world. Your best friend, Mater."<br /> <br /> McQueen takes this in.<br /> <br /> MCQUEEN<br /> I didn't really want him to leave.<br /> <br /> LUIGI<br /> Wait, there's more here.<br /> (READS)<br /> "P.S. Please tell the hotel I<br /> didn't mean to order that movie. I<br /> thought it was just a preview and I<br /> didn't realize I was paying for it.<br /> P.P.S... That's funny right there --<br /> PP."<br /> (to the others)<br /> There's a few more pages of P.S.'s<br /> here.<br /> <br /> MCQUEEN<br /> (TURNING BACK)<br /> Well, at least I know if he's at<br /> home he'll be safe.<br /> <br /> EXT. SKY - DAY<br /> <br /> SIDDELEY breaks through some cloud cover, flies with purpose.<br /> <br /> INT. JET - DAY<br /> <br /> A well-appointed spy jet. Various computers line the walls.<br /> <br /> FINN<br /> Now that's how I like to start the<br /> day! You never feel more alive than<br /> when you're almost dead.<br /> <br /> HOLLEY<br /> (SCANNING MATER)<br /> I hope that device didn't fall off.<br /> <br /> MATER<br /> That's the closest I ever been to<br /> missing my flight! That was ---<br /> 60.<br /> <br /> <br /> With a ROBOTIC ARM, Holley grabs the THE DEVICE that Rod<br /> Redline hid under Mater. She yanks it out with a GOOSE.<br /> <br /> MATER<br /> (JUMPS)<br /> Yow!<br /> <br /> HOLLEY<br /> Still in one piece, great.<br /> <br /> Holley drops the device into a mainframe computer. It starts<br /> "ANALYZING."<br /> <br /> MATER<br /> I gotta go to a doctor. I keep<br /> getting these sharp pains in my<br /> undercarriage.<br /> <br /> HOLLEY<br /> Downloading the photo now.<br /> <br /> MATER<br /> Hey, lemme introduce you two.<br /> (TO HOLLEY)<br /> This here is Finn McSomething-or-<br /> other. He's a First Class VIP<br /> airport whatchamacallit. And Finn,<br /> this here's my date.<br /> (TO HOLLEY)<br /> I never did get your name.<br /> <br /> HOLLEY<br /> Oh yes, sorry. It's Shiftwell.<br /> Holley Shiftwell.<br /> <br /> MATER<br /> (TO FINN)<br /> It's Shiftwell. Holley ---<br /> <br /> DING! The computer is done analyzing. The cabin lights dim.<br /> <br /> FINN<br /> Finally. Time to see who's behind<br /> all this.<br /> <br /> AN IMAGE is blasted between the three of them. It's of a<br /> photograph, a complicated melange of metallic parts stuck<br /> together.<br /> <br /> HOLLEY<br /> (to Mater, expectantly)<br /> What is this?<br /> 61.<br /> <br /> <br /> MATER<br /> Well, that's one of the worst<br /> engines ever made. It's an old<br /> aluminum V8 with a Lucas electrical<br /> system and Whitworth bolts. Shoot,<br /> them Whitworth bolts is a pain,<br /> tell you what. Them ain't metric,<br /> they ain't inches...<br /> <br /> HOLLEY<br /> Yes, OK, right. But who's engine is<br /> this, Mater?<br /> <br /> MATER<br /> Well, it's kinda hard to tell from<br /> this picture, ain't it?<br /> <br /> HOLLEY<br /> But you're the one who took it.<br /> <br /> FINN<br /> Holley.<br /> <br /> HOLLEY<br /> Oh, right. Yes, of course. "A good<br /> agent gets what he can, then gets<br /> out before he's killed." Sorry.<br /> <br /> MATER<br /> Agent? You mean like insurance<br /> agent, like,<br /> (SINGS)<br /> `Like a good neighbor, Mater is<br /> there'? Wait, you mean secret<br /> agents. You guys is spies!<br /> <br /> FINN<br /> Holley, in how many makes and<br /> models did this type of engine<br /> appear?<br /> <br /> Holley has these stats in seconds. Kid's play.<br /> <br /> HOLLEY<br /> It was standard in seven models<br /> over a 12-year period. At least<br /> 35,000 cars were made with this<br /> engine.<br /> <br /> Mater MOVES HIS SEAT FORWARD, through one part of the<br /> hologram so he's face-to-face with Holley.<br /> <br /> MATER<br /> You're pretty.<br /> 62.<br /> <br /> <br /> HOLLEY<br /> (ANNOYED)<br /> Yes, alright. Thank you.<br /> <br /> MATER<br /> And so nice.<br /> <br /> HOLLEY<br /> Just pay attention.<br /> <br /> She moves the engine photo so it's now blocking Mater again.<br /> <br /> FINN<br /> This seems like a dead end. If<br /> there were something in the photo<br /> that could narrow this down a bit<br /> I'd be a lot happier.<br /> <br /> MATER<br /> You might not be happy, but I bet<br /> this feller is. See how he's had<br /> most of his parts replaced? And see<br /> all them boxes over there? Them's<br /> all original parts. They ain't easy<br /> to come by.<br /> <br /> HOLLEY<br /> Rare parts.<br /> <br /> FINN<br /> That's something we can track.<br /> <br /> HOLLEY<br /> Exactly!<br /> <br /> Holley drops her screen down.<br /> <br /> FINN<br /> Well done, Mater! I would never<br /> have seen that.<br /> (TO HOLLEY)<br /> I know of a black-market parts<br /> dealer in Paris, a treacherous<br /> lowlife. But, he's the only car in<br /> the world who can tell us whose<br /> engine this is. Mater, what would<br /> you say to setting up an informal<br /> task force on this one?<br /> <br /> MATER<br /> Wait, what?<br /> 63.<br /> <br /> <br /> FINN<br /> You obviously have plenty of<br /> experience in the field.<br /> <br /> MATER<br /> Well yeah I live right next to one.<br /> (thinks about it)<br /> I don't know, Finn. I ain't exactly<br /> been much help to anybody recently.<br /> <br /> FINN<br /> You're helping me. Please, Mater.<br /> <br /> MATER<br /> Well, okay. But you know I'm just a<br /> tow truck, right?<br /> <br /> FINN<br /> Right. And I'm just in the<br /> import/export business. Siddeley?<br /> <br /> SIDDELEY<br /> Yes, Finn?<br /> <br /> FINN<br /> Paris. Tout de suite.<br /> <br /> MATER<br /> Yeah, two of them sweets for me<br /> too, Sid!<br /> (TO HOLLEY)<br /> You know, I always wanted to be a<br /> spy.<br /> <br /> HOLLEY<br /> (SMILING SWEETLY)<br /> Really? Me too.<br /> <br /> SIDDELEY<br /> Afterburners, sir?<br /> <br /> FINN<br /> Is there any other way?<br /> <br /> EXT. JET - MOVING<br /> <br /> Siddeley HITS THE JUICE, they kick forward like a mule as we<br /> CUT TO ---<br /> <br /> A MONTAGE OF PARIS: Mater attempts to merge into roundabout<br /> traffic; mimes annoy tourists at the Eiffel Tower; a painter<br /> works his magic on an unattractive couple; a couple kisses on<br /> the most romantic spot in the world; we might even catch<br /> GASTOW'S RESTAURANT.<br /> 64.<br /> <br /> <br /> The charming, low-key introduction ends with a SWEEPING VISTA<br /> of Paris's center from far away as we CRANE DOWN INTO ---<br /> <br /> EXT. STREET - DAY<br /> <br /> --- a dirty street in the 1st Arrondissement. Finn and Holley<br /> drive along together as Mater, playing "spy," darts back and<br /> forth behind them from doorway to dumpster, "hiding out."<br /> He's having a ball.<br /> <br /> FINN<br /> (TO HOLLEY)<br /> Once we're inside, stay close.<br /> Don't bother checking VIN numbers<br /> for criminal records, they're all<br /> dodgy here.<br /> <br /> HOLLEY<br /> No VIN scans. Got it.<br /> <br /> FINN<br /> Don't talk to anyone. Don't look at<br /> anyone. And absolutely, positively<br /> no idling. Are we clear?<br /> <br /> HOLLEY<br /> Yes, right. No idling. Yes, sir.<br /> <br /> FINN<br /> Mater?<br /> <br /> MATER<br /> Yeah, Finn?<br /> <br /> FINN<br /> We're not here to go shopping.<br /> <br /> As Finn and Holley and Mater turn the corner...<br /> <br /> MATER<br /> Shopping? What do you mean? Why<br /> would I ---<br /> <br /> Mater turns the corner and enters a massive Les Halles-<br /> inspired Parisian market filled with car parts. A tow truck's<br /> dream.<br /> <br /> MATER<br /> Dadgum.<br /> <br /> MERCHANTS<br /> - Parts for sale, Monsieur!<br /> - Monsieur! Parts for sale!<br /> 65.<br /> <br /> <br /> IN THE MARKET - MOMENTS LATER<br /> <br /> Mater rolls along, impressed by the goods for sale.<br /> <br /> MATER<br /> You gotta be kidding me - they've<br /> got everything here. Look at them<br /> hoods! I could use a hood.<br /> <br /> Mater continues on though, heeding Finn's advice.<br /> <br /> MATER<br /> Sorry fellers, I gotta go.<br /> <br /> INT. ENCLOSED MARKETPLACE - DAY<br /> <br /> Mater, now out of sight of Finn and Holley, passes a darkened<br /> stall. He STOPS, peers in. There's someone in there.<br /> <br /> MATER<br /> Excuse me. What are you selling?<br /> <br /> It suddenly OPENS its headlights revealing... EYES!! In<br /> French, the mutant car pitches his wares to Mater. Mater<br /> FREAKS OUT, speeds off, TERRIFIED.<br /> <br /> AROUND THE CORNER - FINN AND HOLLEY<br /> <br /> A few car lengths ahead of Mater. They roll along, looking<br /> for... Aha! Finn and Holley recede into the shadows.<br /> <br /> In FINN'S SIDE MIRROR: TOMBER, a three-wheeled parts dealer,<br /> argues with a French customer.<br /> <br /> FINN<br /> There you are.<br /> <br /> Mater suddenly turns the corner, sees Finn and Holley.<br /> <br /> MATER<br /> Man, there are some great ---<br /> <br /> FINN<br /> Mater, get back!<br /> <br /> Too late. Tomber sees Mater, then notices FINN, reflected in<br /> a hubcap. He BOLTS. Finn and Holley give chase.<br /> <br /> MATER<br /> Hey, wait for me!<br /> <br /> Tomber, skidding away, kicks a tent in Finn's way. Holley<br /> quickly pivots RIGHT and disappears. Where did she go?<br /> 66.<br /> <br /> <br /> Finn, hot in pursuit, leaps another obstacle and loses ground<br /> TO ---<br /> <br /> --- Tomber who turns a corner and finds himself grill to<br /> grill with HOLLEY. He whips to the left but TURNS OVER,<br /> rolling sideways and CRASHING to a stop.<br /> <br /> Holley ZAPS him with ELECTROSHOCKERS. Finn suddenly arrives,<br /> stops her.<br /> <br /> FINN<br /> (TO HOLLEY)<br /> Have you lost your mind?!<br /> <br /> HOLLEY<br /> But I thought ---<br /> <br /> FINN<br /> Mater! This chap needs a tow. Hook<br /> him up.<br /> <br /> MATER<br /> Sure thing.<br /> CUT TO:<br /> <br /> MOMENTS LATER - Mater tows Tomber, following Finn and Holley.<br /> <br /> TOMBER<br /> You rusty piece of junk, get your<br /> dirty hook off me!<br /> <br /> INT. A SMALL GARAGE - MOMENTS LATER<br /> <br /> Finn throws open a door. Cars scatter like cockroaches.<br /> <br /> FINN<br /> (to the cars)<br /> Allez! Maintenant - vite!<br /> <br /> Mater unhooks an angry Tomber who spits in French. Finn pulls<br /> the door down. As it LATCHES TIGHT ---<br /> <br /> TOMBER<br /> (TO FINN)<br /> Electroshock! Are you kidding me??<br /> <br /> FINN<br /> Easy, Tomber. This is her first<br /> field assignment - she didn't know<br /> you were my informant.<br /> <br /> HOLLEY<br /> Informant?<br /> 67.<br /> <br /> <br /> TOMBER<br /> A rookie, eh? I never liked new car-<br /> smell.<br /> <br /> Holley FUMES with anger.<br /> <br /> FINN<br /> Tomber was doing 20 to life in a<br /> Moroccan impound the first time I<br /> saved him, if I recall correctly.<br /> <br /> TOMBER<br /> Speaking of recalls, you're getting<br /> up there in mileage aren't you,<br /> Finn?<br /> <br /> HOLLEY<br /> Alright, we get it. You both know<br /> each other, you're both old. So.<br /> <br /> Holley shoots a HOLOGRAPHIC PHOTO of the engine in front of<br /> Tomber.<br /> <br /> HOLLEY<br /> There you go, informant. Inform us.<br /> <br /> Tomber eyes the photo. He recoils, unimpressed.<br /> <br /> TOMBER<br /> That is the worst motor ever made.<br /> <br /> Suddenly, Tomber narrows his gaze.<br /> <br /> TOMBER<br /> Wait. That oil filter... those<br /> wheel bearings.<br /> <br /> FINN<br /> Do those parts look familiar,<br /> Tomber?<br /> <br /> TOMBER<br /> They should. I sold them.<br /> <br /> HOLLEY<br /> To whom?<br /> <br /> TOMBER<br /> No idea. He's my best customer, but<br /> he always does his business over<br /> the phone. I was always wondering<br /> why he needs so many parts. Now I<br /> know.<br /> 68.<br /> <br /> <br /> MATER<br /> Well, a lemon needs parts. Ain't<br /> nothing truer than that.<br /> <br /> FINN<br /> "Lemon?"<br /> <br /> MATER<br /> Yeah, you know. Cars that don't<br /> ever work right. Lemons is a tow<br /> truck's bread and butter. Like them<br /> Gremlins and Pacers we run into at<br /> the party and the race and the<br /> airport.<br /> <br /> FINN<br /> Holley, pull up the pictures from<br /> the oil platform. I want to know<br /> what other type of cars were out<br /> there.<br /> <br /> Holley complies and suddenly PHOTOS OF CARS FROM THE OIL<br /> PLATFORM hang suspended in the air in front of them.<br /> <br /> HOLLEY<br /> Right. Let's see. There were Hugos.<br /> And Trunkovs.<br /> <br /> FINN<br /> Mater, are these cars considered<br /> lemons?<br /> <br /> MATER<br /> Is the Popemobile Catholic?<br /> <br /> HOLLEY<br /> Finn. Everyone involved in this<br /> plot is one of history's biggest<br /> loser cars.<br /> <br /> Holley refers to the ENGINE PHOTO, which now rises forward as<br /> the prominent picture, perhaps the only one in view.<br /> <br /> FINN<br /> And they're all taking their orders<br /> from the car behind this engine.<br /> <br /> TOMBER<br /> This explains it!<br /> <br /> FINN<br /> What, Tomber?<br /> 69.<br /> <br /> <br /> TOMBER<br /> Gremlin, Pacer, Hugo and Trunkovs<br /> never get together. But they're<br /> having a secret meeting in two<br /> days.<br /> <br /> FINN<br /> Where's this meeting taking place?<br /> <br /> TOMBER<br /> Porto Corsa, Italy.<br /> <br /> MATER<br /> That's where the next race is!<br /> <br /> FINN<br /> Then there's a good chance our<br /> mystery engine will be there too.<br /> <br /> TOMBER<br /> Your chances are more than good. I<br /> just sent him a new clutch assembly<br /> yesterday... to Porto Corsa.<br /> <br /> FINN<br /> Holley, contact Stephenson and have<br /> him meet us at Gare de Lyon. Good<br /> work.<br /> <br /> EXT. FRENCH ALPS - NIGHT<br /> <br /> STEPHENSON, a THREE-CAR LUXURY BULLET TRAIN speeds along a<br /> snow-covered mountain in the dead of night, its halogen<br /> headlight cutting through the darkness. It DIPS into a<br /> TUNNEL ---<br /> <br /> MATER (O.S.)<br /> Boy, I'll tell you what. That three-<br /> wheeled feller had to be right<br /> about a big meeting.<br /> <br /> INT. SPY CAR - MOVING - NIGHT<br /> <br /> Mater, Finn and Holley scroll through surveillance-style<br /> photos of TRAFFIC on an Italian street. They're in the front<br /> train car, which doubles as a luxury seating area and<br /> intelligence command center.<br /> <br /> MATER<br /> You never see this many lemons in<br /> one town. Unless there's a swap<br /> meet, or something.<br /> (TO HOLLEY)<br /> (MORE)<br /> 70.<br /> <br /> MATER (CONT'D)<br /> Hey, how'd you get all them<br /> pictures?<br /> <br /> HOLLEY<br /> Well, I remotely reprogrammed Porto<br /> Corsa's red light cameras to do<br /> recognition scans.<br /> <br /> MATER<br /> Wow, not only is you the prettiest<br /> car I ever met, but you the<br /> smartest too.<br /> <br /> HOLLEY<br /> Thank you. I think.<br /> <br /> MATER<br /> That's a familiar sight.<br /> <br /> Mater refers to a photo of VICTOR HUGO, the HUGO Lemonhead,<br /> being towed by an EASTERN EUROPEAN TOW TRUCK.<br /> <br /> MATER<br /> A Hugo being towed. But he looks<br /> absolutely perfect.<br /> <br /> FINN<br /> Of course. They must be the heads<br /> of the lemon families.<br /> <br /> MATER<br /> Makes sense. If I was rich and<br /> broke down every day, I'd hire me<br /> to tow me around all the time too.<br /> <br /> FINN<br /> We've got to infiltrate that<br /> meeting. It's the only way to find<br /> out who's behind all this.<br /> <br /> HOLLEY<br /> (EYEING MATER)<br /> Hang on a minute.<br /> <br /> MATER<br /> What?<br /> <br /> HOLLEY<br /> Hold still.<br /> <br /> Holley SNAPS Mater's picture, temporarily blinding him.<br /> <br /> MATER<br /> Ahh!<br /> 71.<br /> <br /> <br /> Holley turns back to her monitor. Mater's face appears on<br /> screen. She quickly GRAFTS it over the Hugo's tow truck's.<br /> <br /> FINN<br /> Good job, Miss Shiftwell.<br /> <br /> Holley isn't sure what surprises her more: the compliment or<br /> how pleased it makes her.<br /> <br /> HOLLEY<br /> Thank you, Finn.<br /> <br /> MATER<br /> Boy, I sure wish my friends could<br /> see me now.<br /> <br /> EXT. SMALL TOWN - ITALY - OUTSIDE PORTO CORSA - DAY<br /> <br /> A quaint Italian piazza. A pristine MASERATI FOUNTAIN,<br /> complete with ancient trident, looms in our view.<br /> <br /> Luigi and Guido roll into view.<br /> <br /> LUIGI<br /> Guido, your eyes do not deceive<br /> you. We are in Italy. We are home!<br /> <br /> Sarge, Fillmore and McQueen exit a WGP transport truck.<br /> <br /> FILLMORE<br /> Hey, Luigi. Which way to the hotel,<br /> man?<br /> <br /> LUIGI<br /> What? No friends of mine will stay<br /> in a hotel in my village. You will<br /> stay with my --- Uncle Topolino!<br /> <br /> UNCLE TOPOLINO, a distinguished 1937 Fiat Topolino, rolls<br /> forward. He greets them warmly with affectionate Italian<br /> salutations as word of Guido and Luigi's arrival spreads. The<br /> square FILLS with family and friends.<br /> <br /> EXT. PIAZZA - DUSK<br /> <br /> A festive homecoming party. Lights strung across the square.<br /> Music and dancing. Fillmore and Sarge are at a dining table.<br /> <br /> SARGE<br /> How do they do it? These are the<br /> same ingredients as back home, but<br /> it tastes so good.<br /> 72.<br /> <br /> <br /> FILLMORE<br /> It's organic, man.<br /> <br /> SARGE<br /> Tree hugger.<br /> <br /> LIGHTNING MCQUEEN rolls along the periphery of the square,<br /> seems lost in thought.<br /> <br /> UNCLE TOPOLINO (O.S.)<br /> Race car.<br /> <br /> Uncle Topolino beckons McQueen over.<br /> <br /> UNCLE TOPOLINO<br /> You look so down, so low. Is like<br /> you have flat tires.<br /> <br /> MAMA TOPOLINO, a hefty Italian grandmother pipes up, a mile a<br /> minute then drives off, now a car on a mission.<br /> <br /> UNCLE TOPOLINO<br /> She said you look like you're<br /> starving. That she's going to make<br /> you a big meal, and fatten you up.<br /> <br /> MCQUEEN<br /> No, Mama Topolino, please. You<br /> don't need to make a fuss!<br /> <br /> Too late. She's disappeared inside her kitchen.<br /> <br /> UNCLE TOPOLINO<br /> Capisco. I understand. Is a<br /> problem, yes? Between you and a<br /> friend?<br /> <br /> MCQUEEN<br /> How'd you know that?<br /> <br /> UNCLE TOPOLINO<br /> A wise car hears one word and<br /> understands two.<br /> <br /> McQueen takes this in, impressed.<br /> <br /> UNCLE TOPOLINO<br /> That, and Luigi told me. While Mama<br /> cooks, come and take a stroll with<br /> me.<br /> <br /> They amble forward, Uncle Topolino setting the pace.<br /> 73.<br /> <br /> <br /> MCQUEEN<br /> I brought my friend Mater along on<br /> the trip. And I told him he needed<br /> to act different, that we weren't<br /> in Radiator Springs.<br /> <br /> UNCLE TOPOLINO<br /> This Mater. He's a close friend?<br /> <br /> MCQUEEN<br /> He's my best friend.<br /> <br /> UNCLE TOPOLINO<br /> Then why would you ask him to be<br /> someone else?<br /> <br /> McQueen considers this - a realization.<br /> <br /> MCQUEEN<br /> What did I do? I said some things<br /> during our fight...<br /> <br /> UNCLE TOPOLINO<br /> You know, back when Guido and Luigi<br /> used to work for me, they would<br /> fight over everything.<br /> <br /> IN THE SQUARE - Guido dances with a girl. Luigi suddenly CUTS<br /> IN. They begin to ARGUE.<br /> <br /> UNCLE TOPOLINO<br /> They fight over what Ferrari was<br /> the best Ferrari; which one of<br /> them look more like a Ferrari...<br /> There were even some non-Ferrari<br /> fights.<br /> <br /> Guido now LIFTS Luigi, cuts BACK in.<br /> <br /> UNCLE TOPOLINO<br /> So I tell them, va bene. It's okay<br /> to fight. Everybody fights now and<br /> then, especially best friends.<br /> <br /> McQueen takes this in. Seems to take some small comfort.<br /> <br /> UNCLE TOPOLINO<br /> But you gotta make up fast.<br /> <br /> McQueen's comfort quickly evaporates.<br /> <br /> UNCLE TOPOLINO<br /> No fight more important than<br /> friendship.<br /> 74.<br /> <br /> <br /> Guido and Luigi now dance together with the girl and her<br /> friend who has just arrived. All having a great time. They<br /> dance past us, crossing in front of MCQUEEN AND UNCLE<br /> TOPOLINO. We STAY WITH them.<br /> <br /> UNCLE TOPOLINO<br /> Chi trova un'amico, trova un<br /> tesoro.<br /> <br /> MCQUEEN<br /> What does that mean?<br /> <br /> MAMA TOPOLINO<br /> (ARRIVING)<br /> Whoever find a friend, find a<br /> treasure.<br /> <br /> Mama Topolino drops a tray of food in front of McQueen.<br /> <br /> MAMA TOPOLINO<br /> Now, mangia! Eat!<br /> <br /> ON MCQUEEN, distant, taking all of this in, lost in thought<br /> as, in the background, Uncle Topolino and Mama Topolino talk,<br /> then argue, then make up (all in Italian) all while we stay<br /> on McQueen's pensive face ---<br /> <br /> INT. TRAIN TUNNEL - LATER<br /> <br /> Stephenson glides along, all business.<br /> <br /> STEPHENSON<br /> Finn, one hour to Porto Corsa.<br /> <br /> INT. TRAIN - MOVING - LATER<br /> <br /> FINN<br /> Thank you, Stephenson.<br /> <br /> Finn watches as HOLLEY attaches a new EMERGENCY LIGHT on<br /> Mater's roof. It looks exactly like his old one.<br /> <br /> HOLLEY<br /> That should just about do it.<br /> <br /> FINN<br /> Perfect.<br /> <br /> HOLLEY<br /> So Mater, it's voice-activated. But<br /> you know, everything's voice-<br /> activated these days.<br /> 75.<br /> <br /> <br /> MATER<br /> What? I thought you was supposed to<br /> be making me a disguise.<br /> <br /> MATER'S COMPUTER<br /> Voice recognized. Disguise Program<br /> Initiated.<br /> <br /> ZWWWWAT! A HOLOGRAPHIC disguise suddenly umbrellas out,<br /> emitted from Mater's roof. It drops a clean cloaking image of<br /> the EASTERN EUROPEAN TOW TRUCK over Mater.<br /> <br /> MATER<br /> Cool! Hey, computer. Make me a<br /> German truck!<br /> <br /> MATER'S COMPUTER<br /> Request acknowledged.<br /> <br /> ZWATTTT! Mater suddenly wears lederhosen and a German hat.<br /> <br /> MATER<br /> Check it out. I'm wearing<br /> Materhosen. Make me a monster<br /> truck!<br /> <br /> MATER'S COMPUTER<br /> Request acknowledged.<br /> <br /> He's transformed into Dracula, complete with fangs.<br /> <br /> MATER<br /> (ALA DRACULA)<br /> I vant to siphon your gas. Now make<br /> me a taco truck!<br /> <br /> MATER'S COMPUTER<br /> Request acknowledged.<br /> <br /> MATER<br /> A funny car!<br /> <br /> MATER'S COMPUTER<br /> Request acknowledged.<br /> <br /> Finn suddenly pushes a button, stops the madness.<br /> <br /> FINN<br /> The idea is to keep a low profile,<br /> Mater.<br /> <br /> Mater, chastened, moves on.<br /> 76.<br /> <br /> <br /> MATER<br /> So I just go in, pretend to be this<br /> truck.<br /> <br /> FINN<br /> And leave the rest to us.<br /> <br /> HOLLEY<br /> Now hold still.<br /> <br /> Holley turns back to her work. The disguise's cloaking is<br /> larger than Mater. As a result, Holley must dial it back to<br /> fit his body. As she carefully calibrates the hologram:<br /> <br /> HOLLEY<br /> I have to do the final fitting on<br /> your disguise.<br /> <br /> Holley STOPS. The 3D disguise is now flush with his frame,<br /> but dents SHOW THROUGH.<br /> <br /> HOLLEY<br /> Oh dear. That's no good.<br /> <br /> She deploys A BONDO SPRAYER on a robotic arm, moves it toward<br /> one of Mater's DENTS. Mater pulls away.<br /> <br /> MATER<br /> Hey, what are you doing?<br /> <br /> HOLLEY<br /> The disguise won't calibrate<br /> effectively without a smooth<br /> surface to graft onto.<br /> <br /> MATER<br /> Oh. For a second there I thought<br /> you was trying to fix my dents.<br /> <br /> HOLLEY<br /> I was.<br /> <br /> MATER<br /> Well then no thank you. I don't get<br /> them dents buffed, pulled, filled<br /> or painted by nobody. They're way<br /> too valuable.<br /> <br /> HOLLEY<br /> Your dents are valuable?<br /> <br /> MATER<br /> I come by each one of them with my<br /> best friend Lightning McQueen.<br /> (MORE)<br /> 77.<br /> <br /> MATER (CONT'D)<br /> I don't fix these. I want to<br /> remember these dents forever.<br /> <br /> HOLLEY<br /> So you were being serious in Paris?<br /> McQueen isn't just part of your<br /> cover?<br /> <br /> FINN<br /> Friendships can be dangerous in our<br /> line of work, Mater.<br /> <br /> MATER<br /> But my line of work is towing and<br /> salvage.<br /> <br /> FINN<br /> Right. And Miss Shiftwell's is<br /> designing iPhone apps.<br /> <br /> MATER<br /> No, I meant for real. I ---<br /> <br /> HOLLEY<br /> It's okay. Say no more. I'll work<br /> around the dent.<br /> <br /> FINN<br /> In the meantime...<br /> <br /> Finn hits a button. The walls transform into a MASSIVE<br /> WEAPONS CACHE.<br /> <br /> FINN<br /> You look a little light on weapons.<br /> <br /> Off Mater's RXN ---<br /> <br /> EXT. ALPS - DAWN<br /> <br /> --- STEPHENSON EMERGES LOUDLY from a tunnel. He powers<br /> forward, starts his descent into Italy ---<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> You are looking live at beautiful<br /> Porto Corsa, Italy, on the Italian<br /> Riviera. What a magnificent setting<br /> for the second race of the World<br /> Grand Prix.<br /> <br /> EXT. PORTO CORSA, ITALY - DAY<br /> <br /> Over sweeping helicopter BEAUTY SHOTS:<br /> 78.<br /> <br /> <br /> DAVID HOBBSCAP (V.O.)<br /> Well Brent, they call this place<br /> "The Gem of the Riviera," and it's<br /> easy to see why.<br /> <br /> A local fishing boat chugs through an idyllic waterway,<br /> beneath bridges that connect hillside villas.<br /> <br /> DAVID HOBBSCAP (V.O.)<br /> With its secluded beaches and<br /> opulent casinos, Porto Corsa truly<br /> is a playground for the wealthy.<br /> <br /> A long line of RICH-LOOKING YACHTS in the harbor.<br /> <br /> DAVID HOBBSCAP (V.O.)<br /> And everyone who's anyone is here<br /> today.<br /> <br /> Rich SPORTS CARS drive past pricey shops.<br /> <br /> DAVID HOBBSCAP (V.O.)<br /> From the ultra-rich and super-<br /> famous, to world leaders and<br /> important dignitaries.<br /> <br /> THE POPEMOBILE, visible in a crowd, drives through town.<br /> <br /> DARRELL CARTRIP (V.O.)<br /> You aren't kidding, David. You<br /> can't do a three-point turn around<br /> here without bumping into some<br /> celebrity!<br /> <br /> HELICOPTER SHOT of the Casino.<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> Welcome everyone to the second race<br /> of the World Grand Prix!<br /> CUT TO:<br /> <br /> MUSTANGBURGER, HOBBSCAP and CARTRIP in the control booth.<br /> <br /> BRENT MUSTANGBURGER<br /> The big news continues to be<br /> Allinol. Sir Miles Axlerod spoke to<br /> the press earlier today to answer<br /> questions about its safety.<br /> <br /> FOOTAGE OF THE PRESS CONFERENCE - Miles Axlerod, at a podium,<br /> addresses the press throng. He looks a bit exasperated.<br /> 79.<br /> <br /> <br /> MILES AXLEROD<br /> An independent panel of scientists<br /> has determined that Allinol is<br /> completely safe. Okay? Safe! There<br /> it is.<br /> <br /> BRENT MUSTANGBURGER<br /> So the race will go on, folks.<br /> <br /> RACE GRAPHICS show Francesco with 10 points at the top of the<br /> race standings.<br /> <br /> DARRELL CARTRIP<br /> But the question everyone is<br /> asking: Will the real Lightning<br /> McQueen show up today?<br /> <br /> ON THE TRACK - As the racers begin to get into position on<br /> the grid.<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> Well, he better. Talk about a home-<br /> track advantage. Francesco<br /> Bernoulli grew up racing on this<br /> course.<br /> <br /> ITALIAN TRACK ANNOUNCER (V.O.)<br /> Signore e signori, in the pole<br /> position, numero uno...<br /> <br /> The crowd is cheering already, knows who this is.<br /> <br /> ITALIAN TRACK ANNOUNCER (V.O.)<br /> ... Francescoooooo!<br /> <br /> The Italian crowd roars and chants for their hometown hero.<br /> <br /> FRANCESCO<br /> (to the crowd)<br /> Bellissima! Thank you for your<br /> support.<br /> (TO MCQUEEN)<br /> And your big mistake, McQueen!<br /> <br /> McQueen missed this comment. He approaches his grid position,<br /> lost in thought.<br /> <br /> ITALIAN TRACK ANNOUNCER (V.O.)<br /> In the secondo position. Numero<br /> novantacinque. Lightning McQueen!<br /> <br /> Cheers (not so thunderous, obviously) from the crowd. McQueen<br /> doesn't seem to notice.<br /> 80.<br /> <br /> <br /> IN MCQUEEN'S PIT - His team exchanges looks, worried.<br /> <br /> LUIGI<br /> McQueen? Is everything okay?<br /> <br /> FILLMORE<br /> If you're worried about your fuel,<br /> man, don't. It's perfectly safe.<br /> <br /> BACK ON THE STARTING GRID<br /> <br /> MCQUEEN<br /> No, guys, I just really wish Mater<br /> were here.<br /> <br /> FRANCESCO (O.S.)<br /> Francesco understands, McQueen.<br /> <br /> Francesco parks next to him, grinning.<br /> <br /> MCQUEEN<br /> Oh, great. Here it comes. What've<br /> you got, Francesco?<br /> <br /> FRANCESCO<br /> For famous race cars like Francesco<br /> and well... you, to be far away<br /> from home is not easy.<br /> <br /> MCQUEEN<br /> I think you forgot the insulting<br /> part of that insult.<br /> <br /> FRANCESCO<br /> Is no insult. When Francesco is<br /> away from home, he misses his mama<br /> just like you miss your tow truck<br /> amico.<br /> <br /> MCQUEEN<br /> Gee, I maybe misjudged you, because<br /> that's exactly how I ---<br /> <br /> FRANCESCO<br /> Of course, I am at home. And my<br /> mama is right here.<br /> <br /> Francesco refers to his MAMA who sits in a special box in the<br /> crowd, cheering him on, blowing him kisses.<br /> <br /> FRANCESCO<br /> (YELLS)<br /> Mama! Don't worry, Mama!<br /> (MORE)<br /> 81.<br /> <br /> FRANCESCO (CONT'D)<br /> McQueen is very sad! I will beat<br /> his cry-baby bottom today!<br /> <br /> MCQUEEN<br /> And there's the insult we were<br /> missing. Grazie!<br /> <br /> THE LIGHTS - CLICK FROM RED TO GREEN ---<br /> <br /> THE RACERS TAKE OFF!<br /> <br /> EXT. PORTO CORSA - DAY<br /> <br /> SHOTS of the racers making the first few turns through the<br /> city streets. We PAN to the CASINO DI PORTO CORSA. The Beaux<br /> Arts-style architecture towers atop a hill, overlooks the<br /> course.<br /> <br /> EXT. THE CASINO - MOMENTS LATER<br /> <br /> A group of thuggish HUGOS - ugly Eastern European cars - wait<br /> impatiently at the front. A LIMOUSINE-STYLE car carrier rolls<br /> up to the roundabout.<br /> <br /> An esteemed, elderly GREMLIN rolls past with a group of<br /> GREMLIN THUGS who usher him into the casino.<br /> <br /> ALEXANDER HUGO<br /> Gremlins. Man, those are some ugly<br /> cars. Look like someone stole their<br /> trunks.<br /> <br /> The THUGS all SNICKER.<br /> <br /> HOLLEY<br /> Scusatemi, tutti! Signori!<br /> <br /> Holley arrives, sporting a decent Italian accent.<br /> <br /> HOLLEY<br /> Mio nonno, my grandfather, has<br /> broken down. If one of you would<br /> help I would be so thankful.<br /> <br /> IVAN, AN EASTERN EUROPEAN TOW TRUCK (the one Holley and Finn<br /> prepped Mater to impersonate), drives forward.<br /> <br /> IVAN THE TOW TRUCK<br /> Sounds like you need some "roadside<br /> assistance".<br /> <br /> ANOTHER HUGO<br /> She was talking to me, Ivan.<br /> 82.<br /> <br /> <br /> IVAN THE TOW TRUCK<br /> Oh really? Prove it.<br /> <br /> HOLLEY<br /> No, no, don't fight over me.<br /> <br /> Holley directs her interest toward Ivan.<br /> <br /> HOLLEY<br /> Signore Tow Truck, per favore?<br /> CUT TO:<br /> <br /> MATER - He watches this from a safe hiding spot around a<br /> corner.<br /> <br /> FINN (V.O.)<br /> Get ready, Mater.<br /> CUT TO:<br /> <br /> FINN, at an outdoor cafe on the casino grounds.<br /> <br /> FINN<br /> You're on any moment now.<br /> CUT BACK TO:<br /> <br /> MATER, now looking a bit nervous. He backs out of sight.<br /> <br /> MATER<br /> I don't know about this, Finn.<br /> What if I screw things up?<br /> <br /> FINN (OVER RADIO)<br /> Impossible. Just apply the same<br /> level of dedication you've been<br /> using to play the "idiot tow truck"<br /> and you'll be fine.<br /> <br /> MATER<br /> It's just that them guys look<br /> pretty tough and --- Wait, did you<br /> say "idiot"? Is that how you see<br /> me?<br /> <br /> FINN (OVER RADIO)<br /> That's how everyone sees you. Isn't<br /> that the idea? I tell you, that's<br /> the genius of it. No one realizes<br /> they're being fooled because<br /> they're too busy laughing at the<br /> fool. Brilliant.<br /> <br /> While Finn talks, Mater takes this in. He catches his own<br /> reflection in a nearby window. Seems to be seeing himself<br /> with new eyes.<br /> 83.<br /> <br /> <br /> ZZZZATTT! Mater jumps at the sound, turns in time to see Ivan<br /> SHOCKED UNCONSCIOUS by Holley's ZAPPERS.<br /> <br /> HOLLEY<br /> Why aren't you in disguise?<br /> <br /> MATER<br /> I, uh---<br /> <br /> HOLLEY<br /> Come on, there's no time. Go!<br /> <br /> MATER<br /> Okay, okay. Computer: disguise.<br /> <br /> MATER'S COMPUTER<br /> Request acknowledged.<br /> <br /> EXT. AROUND THE NEXT CORNER - CONTINUOUS<br /> <br /> Mater, now disguised as Ivan the Tow Truck, approaches the<br /> Hugos. Another LIMO CAR CARRIER arrives.<br /> <br /> ALEXANDER HUGO<br /> It's the boss! He is coming!<br /> <br /> The carrier parks and the back opens. VICTOR HUGO waits.<br /> <br /> VICTOR HUGO<br /> Ivan!<br /> <br /> Mater realizes Victor is talking to him. He hops to it.<br /> <br /> VICTOR HUGO<br /> Ivan, why do you insult me so by<br /> making me wait?<br /> <br /> Mater, now with Victor hooked, tows him in the front doors of<br /> the casino.<br /> <br /> ON FINN - now joined in the cafe by Holley who monitors<br /> everything and SEES EVERYTHING MATER SEES on her display.<br /> <br /> HOLLEY<br /> He's in.<br /> <br /> EXT. RACE COURSE - PORTO CORSA - DAY<br /> <br /> McQueen and Francesco battle for first place ---<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> The racers are now making their way<br /> around the hairpin, and headed<br /> downhill toward the casino bridge.<br /> 84.<br /> <br /> <br /> INT. CASINO - DAY<br /> <br /> Cars play craps with FUZZY DICE; slot machines with odometers<br /> for jackpot numbers; cigarette girls sell car items.<br /> <br /> CIGARETTE GIRL CAR<br /> Air Freshener, antenna balls,<br /> sparkplugs...<br /> <br /> ON MATER - He tows VICTOR. They are flanked on all four<br /> corners by Hugo thugs, ala a presidential motorcade. The<br /> largess of the interior design seems to finally snap Mater<br /> out of his funk.<br /> <br /> MATER<br /> (WIDE-EYED)<br /> Wow, this place looks like it's<br /> made out of gold.<br /> <br /> The Hugos on either side of Mater exchange a look.<br /> <br /> HOLLEY (OVER RADIO)<br /> That's because it is, Mater. Now,<br /> be careful what you say.<br /> <br /> MATER<br /> Why is that? What do you mean don't<br /> talk to you?<br /> (more talking from Holley<br /> which we cannot hear)<br /> So you want me to stop talking to<br /> you. Right now?<br /> <br /> ALEXANDER HUGO<br /> You are acting strange today, Ivan.<br /> <br /> MATER<br /> I have no idea what you're talking<br /> about...<br /> <br /> MATER'S P.O.V. - A digital readout isolates the Hugo and<br /> starts to scroll reams of information alongside.<br /> <br /> MATER<br /> ...Alexander Hugo, aka "Chop Shop<br /> Alex."<br /> <br /> IN A WIDER SHOT we realize this display is invisible to all<br /> but Mater. Some of Alex's other alias' include "Alexander Hu-<br /> Don't Go" and "Alexander the Not-So Great."<br /> 85.<br /> <br /> <br /> MATER<br /> Hey, you got a lot of aka's, Alex.<br /> But I guess that makes sense<br /> seeings how you's wanted in France,<br /> Germany, the Czech Republic...<br /> <br /> HOLLEY<br /> (cutting in to his<br /> DISPLAY)<br /> Mater! Stop it!<br /> <br /> Alexander Hugo, unaware of Holley's interruption, whispers to<br /> Mater as they turn a corner.<br /> <br /> ALEXANDER HUGO<br /> Okay, okay. Keep your voice down.<br /> You're gonna make me arrested.<br /> (to the other Hugos)<br /> Don't mess with Ivan today. He's in<br /> a bad mood.<br /> <br /> EXT. CASINO - DAY<br /> <br /> Holley, hearing this, can't believe it.<br /> <br /> FINN<br /> He's so good.<br /> <br /> INT. CASINO - DAY<br /> <br /> Mater tows Victor inside a private room, where inside are the<br /> WORLD'S WORST CARS including VLADMIR TRUNKOV, TUBBS PACER and<br /> J. CURBY GREMLIN.<br /> <br /> VLADIMIR TRUNKOV<br /> Victor!<br /> <br /> TUBBS PACER<br /> Hey, Victor!<br /> <br /> J. CURBY GREMLIN<br /> There you are.<br /> <br /> VLADIMIR TRUNKOV<br /> Come in, come in.<br /> <br /> J. CURBY GREMLIN<br /> Victor Hugo. I'm J. Curby Gremlin,<br /> from Detroit. It's good to see you.<br /> Now we can start.<br /> <br /> VICTOR HUGO<br /> Is the big boss here yet?<br /> 86.<br /> <br /> <br /> VLADIMIR TRUNKOV<br /> No, not yet.<br /> <br /> TUBBS PACER<br /> He's supposed to be here any<br /> minute.<br /> <br /> WHAM! A DOOR is thrown open O.S. Everyone turns, now silent.<br /> <br /> ON THE DOOR - It sits open. No one enters.<br /> <br /> The room of Lemons watch, nervous.<br /> <br /> ON MATER - Nervously watching too.<br /> <br /> EXT. CASINO - CONTINUOUS<br /> <br /> FINN<br /> Here we go.<br /> <br /> INT. PRIVATE ROOM - CASINO - CONTINUOUS<br /> <br /> A car finally appears. It's Zundapp.<br /> <br /> PROFESSOR ZUNDAPP<br /> Guten Tag!<br /> <br /> Everyone looks disappointed.<br /> <br /> TUBBS PACER<br /> It's just the Professor.<br /> <br /> VICTOR HUGO<br /> Zundapp, when is he coming?<br /> <br /> PROFESSOR ZUNDAPP<br /> He's already here.<br /> <br /> MONITORS descend from the ceiling. On them, an image of AN<br /> ENGINE - the same bloody engine from the photo. But this is a<br /> LIVE image. The car is being worked on.<br /> <br /> VOICE<br /> Welcome, everyone.<br /> <br /> The VOICE is garbled, scrambled. No way to determine who.<br /> <br /> ENGINE VOICE<br /> I wish I could be with you on this<br /> very special day but... my clutch<br /> assembly broke. You know how it is.<br /> <br /> The Lemons all nod in understanding.<br /> 87.<br /> <br /> <br /> TUBBS PACER<br /> Been there.<br /> <br /> J. CURBY GREMLIN<br /> Forget about it.<br /> <br /> VLADIMIR TRUNKOV<br /> We know how you feel.<br /> <br /> EXT. CASINO<br /> <br /> FINN<br /> Descramble that voice!<br /> <br /> HOLLEY<br /> (already on it)<br /> I'm trying... It's too<br /> sophisticated!<br /> <br /> INT. PRIVATE ROOM - CASINO - CONTINUOUS<br /> <br /> ENGINE VOICE<br /> We are here to celebrate. Today all<br /> your hard work pays off. The world<br /> turned their backs on cars like us.<br /> They stopped manufacturing us,<br /> stopped making our parts. The only<br /> thing they haven't stopped doing is<br /> laughing at us. They've called us<br /> terrible names...<br /> <br /> On VICTOR HUGO.<br /> <br /> ENGINE VOICE<br /> Jalopy. Rustbucket.<br /> <br /> On TUBBS PACER.<br /> <br /> ENGINE VOICE<br /> Heap. Clunker.<br /> <br /> On J. CURBY GREMLIN:<br /> <br /> ENGINE VOICE<br /> Junker, beater, wreck.<br /> <br /> On ZUNDAPP.<br /> <br /> ENGINE VOICE<br /> Rattletrap.<br /> <br /> And finally back on the monitor. The ENGINE.<br /> 88.<br /> <br /> <br /> ENGINE VOICE<br /> Lemon. But their insults just give<br /> us strength. Because today, my<br /> friends...<br /> <br /> The monitors switch to LIVE RACE FOOTAGE.<br /> <br /> ENGINE VOICE<br /> ...that all ends.<br /> <br /> On the VIDEO SCREENS - CARLA VELOSO'S ENGINE BLOWS ---<br /> <br /> EXT. RACE COURSE - CONTINUOUS<br /> <br /> Veloso swerves, attempts to mitigate a crash ---<br /> <br /> DARRELL CARTRIP (V.O.)<br /> There's smoke! On the casino<br /> bridge!<br /> <br /> DAVID HOBBSCAP (V.O.)<br /> Oh no.<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> It's Carla Veloso, the Brazilian<br /> race car.<br /> <br /> She skids into a wall, hard.<br /> <br /> EXT. CASINO - CONTINUOUS<br /> <br /> FINN<br /> What just happened?<br /> <br /> HOLLEY<br /> (analyzing the data)<br /> I'm working on it.<br /> <br /> INT. PRIVATE ROOM - CASINO - CONTINUOUS<br /> <br /> The lemons are CHEERING. Mater is freaked out.<br /> <br /> ENGINE VOICE<br /> They laughed at us. But now it's<br /> our turn to laugh back.<br /> <br /> BOOM! Another racer blows an engine. Mater JUMPS again.<br /> <br /> EXT. RACE COURSE - SAME<br /> <br /> As the racer smashes into the railing ---<br /> 89.<br /> <br /> <br /> DAVID HOBBSCAP (V.O.)<br /> Another crash! It's number nine,<br /> Nigel Gearsley.<br /> <br /> ENGINE VOICE (V.O.)<br /> Embrace your inner lemon! Let it<br /> drive you!<br /> <br /> EXT. CASINO<br /> <br /> FINN<br /> Holley?<br /> <br /> HOLLEY<br /> I'm detecting an extremely strong<br /> electromagnetic pulse.<br /> <br /> Holley replays that last crash. The OUTLINE OF THE BEAM is<br /> seen hitting the racer. Holley TRACES THIS to its source ---<br /> <br /> --- a WGP CAMERA, which Grem and Acer have pointed at the<br /> racers from a tower position.<br /> <br /> HOLLEY<br /> Finn, it's the camera!<br /> <br /> FINN<br /> Where?<br /> <br /> HOLLEY<br /> On the tower.<br /> <br /> Finn TAKES OFF, speeding toward Grem and Acer ---<br /> <br /> ENGINE VOICE (V.O.)<br /> This was meant to be alternative<br /> fuel's greatest moment.<br /> <br /> EXT. GRANDSTANDS - RACE COURSE - CONTINUOUS<br /> <br /> Angry fans knock over cans of Allinol. One drives over an<br /> Allinol sign. They're fed up with it.<br /> <br /> ENGINE VOICE (V.O.)<br /> After today everyone will race back<br /> to gasoline.<br /> <br /> We RACK FOCUS to reveal another fan as he RIPS an Allinol<br /> banner down angrily.<br /> <br /> INT. PRIVATE ROOM - CASINO - CONTINUOUS<br /> <br /> The video screens are now filled with ONE IMAGE - of the OIL<br /> PLATFORMS in the Pacific from the beginning of the movie.<br /> 90.<br /> <br /> <br /> ENGINE VOICE<br /> And we, the owners of the world's<br /> largest untapped oil reserve, will<br /> become the most powerful cars in<br /> the world!<br /> <br /> EXT. STREETS OF PORTO CORSA - CONTINUOUS<br /> <br /> Finn ducks, weaves, speeds, and pushes his way through<br /> BYSTANDERS ---<br /> <br /> FINN<br /> Get out of the way! Andate!<br /> <br /> He speeds furiously through town.<br /> <br /> EXT. RACE COURSE - PORTO CORSA - CONTINUOUS<br /> <br /> McQueen and Francesco FLY PAST US.<br /> <br /> INT. PRIVATE ROOM - CASINO<br /> <br /> ENGINE VOICE<br /> They will come to us and they will<br /> have no choice, `cause they will<br /> need us.<br /> <br /> ON FINN - He SPEEDS up a road, Grem and Acer visible ahead of<br /> him. He LEAPS over the crevasse toward the AMC cousins ---<br /> <br /> Suddenly, FINN FREEZES. He's immobilized in mid-air!<br /> <br /> He looks up. A CHOPPER with a LARGE MAGNET hovers over him.<br /> <br /> ACER<br /> (TO FINN)<br /> We figured you might stop by.<br /> <br /> ENGINE VOICE (V.O.)<br /> And they will finally respect us.<br /> So hold your hoods high. After<br /> today you will never again be<br /> ashamed of who you are!<br /> <br /> Grem and Acer turn back to the camera. They line up Shu<br /> Todoroki, who's a bit further along now.<br /> <br /> FINN<br /> No!<br /> <br /> INT. PRIVATE ROOM - CASINO - CONTINUOUS<br /> <br /> ENGINE VOICE<br /> Long live Lemons!<br /> 91.<br /> <br /> <br /> EXT. RACE COURSE<br /> <br /> Grem ZAPS THE RACER.<br /> <br /> Flames burst from Todoroki. He loses control.<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> Number seven is loose! Shu<br /> Todoroki!<br /> <br /> Shu takes down three more cars with him and others follow<br /> suit. It's a nightmare pileup.<br /> <br /> EXT. CASINO - SAME<br /> <br /> Holley sees Finn being flown away by the chopper.<br /> <br /> HOLLEY<br /> Finn.<br /> <br /> EXT. FINISH LINE - PORTO CORSA - CONTINUOUS<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> Bumper to bumper as they approach<br /> the finish line.<br /> <br /> McQueen NOSES out Francesco for a win, both oblivious to<br /> what's just happened.<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> McQueen's the winner, Francesco's<br /> second. And they have no idea what<br /> happened behind them.<br /> <br /> MCQUEEN<br /> Yeah!<br /> <br /> FRANCESCO<br /> Dah! This is impossible!<br /> <br /> MCQUEEN<br /> That's what I'm talking about.<br /> Kachow! Hey, where are all the<br /> other cars?<br /> <br /> FRANCESCO<br /> What is going on?<br /> <br /> They see the pile-up from an overhead monitor. Sirens blare<br /> as a MEDIC CHOPPER flies to the scene of the pile-up.<br /> 92.<br /> <br /> <br /> MCQUEEN<br /> (REALIZES)<br /> Oh no.<br /> CUT TO:<br /> <br /> MILES AXLEROD - LATER. He's near the casino. He's completely<br /> surrounded, 360 degrees, by press. He's drowned out by a<br /> blizzard of questions.<br /> <br /> BRENT MUSTANGBURGER<br /> Sir Axlerod! Is the final race in<br /> London still going to take place?<br /> <br /> PULL BACK to reveal we are watching this on monitors in the<br /> PRIVATE CASINO ROOM with the Lemonheads, Zundapp and Mater.<br /> <br /> MILES AXLEROD (ON TV)<br /> I suppose that... Look, "the show<br /> must go on" as they say. But now is<br /> not the time to talk about...<br /> <br /> J. CURBY GREMLIN<br /> I can't believe this is really<br /> happening.<br /> <br /> VLADIMIR TRUNKOV<br /> Shh, quiet!<br /> <br /> BRENT MUSTANGBURGER (ON TV)<br /> And Allinol? Will you require all<br /> the racers to still run on Allinol?<br /> <br /> VLADIMIR TRUNKOV<br /> Here it comes.<br /> <br /> On Miles Axlerod: He's devastated.<br /> <br /> MILES AXLEROD (ON TV)<br /> I cannot in good conscience<br /> continue to risk the lives of any<br /> more race cars. The final race will<br /> not be run on Allinol.<br /> <br /> WILD WHOOPING CHEERS fill the room. Lemonade corks are<br /> popped.<br /> <br /> BRENT MUSTANGBURGER (ON TV)<br /> There you have it. A clearly<br /> devastated Sir Miles Axlerod<br /> announcing that he will not require<br /> the cars to use Allinol for the<br /> final race.<br /> 93.<br /> <br /> <br /> PROFESSOR ZUNDAPP<br /> A toast! To the death of Allinol<br /> and alternative fuel forever!<br /> <br /> EXT. CASINO - CONTINUOUS<br /> <br /> Holley is already on the run. Speeding away.<br /> <br /> HOLLEY<br /> Mater. Abort the mission. They've<br /> got Finn. Get out of there. Get out<br /> of there right now!<br /> <br /> She turns a corner and STOPS.<br /> <br /> Her escape is now blocked by the same HUGO THUGS she tricked<br /> before. Another vehicle appears BEHIND HER, LOOMS.<br /> <br /> IVAN THE TOW TRUCK<br /> How is your grandfather?<br /> <br /> INT. PRIVATE ROOM - CASINO - CONTINUOUS<br /> <br /> The Lemonheads celebrate, chant "Long live lemons!" Mater,<br /> scared, turns to leave. He's stopped by ALEXANDER HUGO.<br /> <br /> ALEXANDER HUGO<br /> Isn't this a great party, Ivan?<br /> <br /> MATER<br /> Oh yeah, it's unbelievable.<br /> <br /> ALEXANDER HUGO<br /> You are not leaving, are you?<br /> <br /> MATER<br /> Uh, of course I ain't leavin'.<br /> <br /> MCQUEEN (O.S.)<br /> I'm just in shock like everybody...<br /> <br /> MATER<br /> McQueen?<br /> <br /> He turns, sees that McQueen is being interviewed on the<br /> monitors.<br /> <br /> MCQUEEN (ON TV)<br /> Crashes are part of racing, I know.<br /> But something like that shouldn't<br /> ever happen.<br /> 94.<br /> <br /> <br /> DARRELL CARTRIP (ON TV)<br /> They're letting you choose your<br /> fuel for the final race. Do you<br /> have any idea what it's going to<br /> be?<br /> <br /> MCQUEEN (ON TV)<br /> Allinol.<br /> <br /> The excitement suddenly DRAINS from the room.<br /> <br /> LEMONHEADS<br /> - What?! - Did he just say<br /> Allinol? After today?<br /> <br /> MCQUEEN (ON TV)<br /> My friend Fillmore says the fuel's<br /> safe. That's good enough for me. I<br /> didn't stand by a friend of mine<br /> recently. I'm not gonna make the<br /> same mistake twice.<br /> <br /> On Mater. He takes this in.<br /> <br /> BRENT MUSTANGBURGER (ON TV)<br /> So a surprising revelation from<br /> Lightning McQueen...<br /> <br /> Zundapp is already on the phone with their Big Boss who,<br /> based on his angry O.S. voice, sounds ticked off.<br /> <br /> PROFESSOR ZUNDAPP<br /> Yes, sir. Of course.<br /> <br /> Zundapp hangs up, turns to the room.<br /> <br /> PROFESSOR ZUNDAPP<br /> Allinol must be finished for good.<br /> McQueen cannot win the last race.<br /> Lightning McQueen must be killed.<br /> <br /> Mater's eyes open wide.<br /> <br /> MATER<br /> No!<br /> <br /> Mater backs up, KNOCKING his emergency light against one of<br /> the monitors. ZZZZZAT! His holographic disguise flickers away<br /> then quickly SCROLLS THROUGH all of his previous disguises,<br /> finally revealing rusty old Mater.<br /> <br /> PROFESSOR ZUNDAPP<br /> It's the American spy!<br /> 95.<br /> <br /> <br /> The thugs DRAW TERRIFYING WEAPONS.<br /> <br /> MATER<br /> Dadgum.<br /> <br /> MATER'S COMPUTER<br /> "Gatling gun" request acknowledged.<br /> <br /> WHIRRRRR! GUNS roll out of Mater on each side.<br /> <br /> MATER<br /> Shoot. I didn't mean ---<br /> <br /> MATER'S COMPUTER<br /> Request acknowledged.<br /> <br /> Mater SPRAYS BULLETS into the crowd.<br /> <br /> VLADIMIR TRUNKOV<br /> Get down!<br /> <br /> MATER<br /> Whoa!!<br /> <br /> The Lemons and Lemonheads hit the deck and RETURN FIRE ---<br /> <br /> Mater is THROWN BACKWARD by the force of the guns, back<br /> through some double doors and onto a BALCONY.<br /> <br /> MATER<br /> Wait wait! I didn't mean that kind<br /> of shoot!<br /> <br /> MATER'S COMPUTER<br /> Correction acknowledged. Deploying<br /> chute.<br /> <br /> WHOOM! A PARACHUTE BURSTS out of the back of Mater, he<br /> catches air and is YANKED INTO THE SKY!<br /> <br /> The Lemonheads watch him float away, amazed.<br /> <br /> ON MATER, out of the frying pan but still toasty. He looks<br /> around, notices:<br /> <br /> LIGHTNING MCQUEEN, far away, leaving the press podium.<br /> <br /> MATER<br /> McQueen!<br /> <br /> Mater looks down at the harbor, over which he flies. He spots<br /> a MOTORBOAT. Mater WHIPS his hook down, steals a ride behind<br /> the boat TOWARD MCQUEEN.<br /> 96.<br /> <br /> <br /> ITALIAN MOTORBOAT<br /> Aspetti!<br /> <br /> The motorboat isn't happy about this, tries to shake him.<br /> Mater is THROWN INTO A "HOTEL" sign, then SMASHES down<br /> through a Francesco souvenir stand. As he CRASHES onto the<br /> ground hard, we SMASH CUT TO ---<br /> <br /> EXT. SECURITY CHECKPOINT - WINNERS CIRCLE<br /> <br /> --- a barricade. Separating the press from the public,<br /> ITALIAN SECURITY TRUCKS stand guard.<br /> <br /> MATER<br /> Lemme through! Lemme through!<br /> <br /> MATER barrels around a corner. He's now covered in Francesco<br /> memorabilia and palm leaves. The word `HOT' now dangles off<br /> him like the world's biggest bling. He looks INSANE.<br /> <br /> MATER<br /> (TO SECURITY)<br /> You gotta let me in! I gotta get<br /> through to warn McQueen!<br /> <br /> Security eyes one another. This is serious.<br /> <br /> ITALIAN SECURITY #1<br /> You cannot come through here. Back<br /> up, signore.<br /> <br /> ITALIAN SECURITY #2<br /> (into a walkie-talkie)<br /> We have a lunatic at Gate Nove.<br /> <br /> MATER<br /> No, listen! I was disguised as a<br /> tow truck to infiltrate this<br /> Lemonhead meeting and my weapons<br /> system misinterperated what I was<br /> SAYING ---<br /> <br /> ITALIAN SECURITY #2<br /> I repeat. Lunatic at Gate Nove.<br /> <br /> Mater spots McQueen far off in the distance.<br /> <br /> MATER<br /> McQueen! McQueen!<br /> <br /> JUST OFF THE PRESS STAGE - McQueen is led toward the exit.<br /> <br /> PRESS LIAISON<br /> Right this way, signore.<br /> 97.<br /> <br /> <br /> MATER (O.S.)<br /> (DISTANT)<br /> McQueen!<br /> <br /> MCQUEEN<br /> Mater?<br /> <br /> McQueen looks up but can only see A SEA OF VEHICLES,<br /> flashbulbs, cameras, TV trucks with those tall satellite<br /> antennae things that spindle toward the sky...<br /> <br /> BACK AT THE SECURITY BARRICADE - Mater, like a nimble running<br /> back, dances around to avoid capture by security.<br /> <br /> MATER<br /> McQueen!<br /> <br /> ITALIAN SECURITY #1<br /> Back up, sir. Stop moving! Stop!<br /> <br /> Mater head fakes them and pushes through, into the crowd ---<br /> <br /> ITALIAN SECURITY #1<br /> Oy! Stop! Ferma li!<br /> <br /> IN THE CROWD - Mater shoves his way through. He's still far<br /> in the back.<br /> <br /> MATER<br /> McQueen!<br /> <br /> ON MCQUEEN<br /> <br /> MCQUEEN<br /> That really sounded like Mater.<br /> Mater?<br /> <br /> PRESS LIAISON<br /> (TO MCQUEEN)<br /> Signore...<br /> <br /> ON MATER, getting CLOSER...<br /> <br /> MATER<br /> McQueen, they're gonna kill you!!<br /> <br /> ON MCQUEEN - Okay, he's positive that was his friend, but<br /> where is he?<br /> <br /> MCQUEEN<br /> Mater?!<br /> <br /> McQueen spots a TOW HOOK, moving through the crowd toward<br /> him, "Jaws"-like.<br /> 98.<br /> <br /> <br /> MCQUEEN<br /> Excuse me.<br /> <br /> McQueen disappears into the press crowd.<br /> <br /> PRESS LIAISON<br /> No, no, where are you going?<br /> Please, Mr. McQueen!<br /> <br /> McQueen pushes through the press.<br /> <br /> MCQUEEN<br /> Scusi. Mater! Scusi...<br /> <br /> McQueen tracks the tow hook, gets closer. He pushes through<br /> the last few vehicles ---<br /> <br /> MCQUEEN<br /> Mater, I'm so glad to see you. I'm<br /> so sorr ---<br /> <br /> It's NOT MATER. It's IVAN, the Hugo Thug's tow truck.<br /> <br /> IVAN THE TOW TRUCK<br /> Lightning McQueen! I am a huge fan.<br /> <br /> MCQUEEN<br /> (CONFUSED)<br /> Oh, I'm sorry. I thought I heard---<br /> <br /> IVAN THE TOW TRUCK<br /> Yes, but that was me. I said, "You<br /> killed out there today." You're<br /> the best.<br /> <br /> MCQUEEN<br /> What? Oh. I mean, thanks.<br /> <br /> PRESS LIAISON<br /> Right this way, signore ---<br /> <br /> Now the Press Liaison and his assistants are pushing McQueen<br /> back in the other direction ---<br /> <br /> MCQUEEN<br /> (as he's pulled away)<br /> I really thought I heard my friend.<br /> <br /> As he's pulled away, press and onlookers start to come<br /> between him and Ivan, who hasn't moved.<br /> 99.<br /> <br /> <br /> IVAN THE TOW TRUCK<br /> (TO MCQUEEN)<br /> In England you'll be finished. At<br /> the finish line.<br /> <br /> Ivan is now obscured again.<br /> <br /> MCQUEEN<br /> Wait, what?<br /> <br /> The ITALIAN PRESS being to swarm.<br /> <br /> PRESS LIAISON<br /> Please, the world press is waiting.<br /> You come with me, please.<br /> <br /> McQueen is pulled back ---<br /> <br /> EXT. STREET - PORTO CORSA - MOMENTS LATER<br /> <br /> --- just as Mater, now BOUND and with HIS MOUTH TAPED, is<br /> pulled away and thrown into the back of a transport vehicle.<br /> He lands hard on his side, spits out his TAPE.<br /> <br /> MATER<br /> Let me go!<br /> <br /> PROFESSOR ZUNDAPP<br /> You actually care about that race<br /> car. A pity you didn't warn him in<br /> time.<br /> <br /> As the doors close on Mater --- PHHHHHSSSSSSTTTTTTT! A<br /> thick, noxious gas starts to fill the truck.<br /> <br /> On MATER as the knockout gas works its magic. HIS EYES CLOSE.<br /> CUT TO:<br /> <br /> BLACK SCREEN.<br /> <br /> MATER (V.O.)<br /> Idiot? Is that how you see me?<br /> <br /> FINN (V.O.)<br /> That's how everyone sees you. I<br /> tell you, that's the genius of it.<br /> <br /> FADE IN on Mater, back at the Casino, eyeing his reflection<br /> in the glass window. It's the same moment from before except<br /> now we are watching it from a DETACHED, FLOATING PERSPECTIVE.<br /> 100.<br /> <br /> <br /> FINN (OVER RADIO)<br /> No one realizes they're being<br /> fooled because they're too busy<br /> laughing at the fool.<br /> <br /> - IN THE KABUKI THEATER IN JAPAN - Again, from before. Mater<br /> makes a spectacle of himself, WHOOPING AND HOLLERING in the<br /> stands with the face paint on.<br /> <br /> MATER<br /> Domo arigato!<br /> <br /> McQueen, Fillmore, Guido, Luigi, Sarge and patrons eye Mater,<br /> embarrassed and angry.<br /> <br /> - IN THE JAPANESE MUSEUM - The moment of Mater banging on the<br /> Zen rock garden's glass. Except that now we see all sorts of<br /> disappointed and eyebrow raising reactions.<br /> <br /> MATER<br /> You done good! You got all the<br /> leaves!<br /> <br /> JEFF GORVETTE<br /> Check out that tow truck.<br /> <br /> LEWIS HAMILTON<br /> I wonder who that guy's with?<br /> <br /> MCQUEEN<br /> (HUMILIATED)<br /> Will you guys excuse me just for<br /> one little second?<br /> <br /> We now REVEAL that this FLOATING, THIRD PERSON PERSPECTIVE is<br /> MATER. He's INSIDE his past, watching it from others' points<br /> of view. He doesn't like what he sees.<br /> <br /> - ON MATER, now at the sushi bar.<br /> <br /> MATER<br /> Now that's a scoop of ice cream!<br /> <br /> Mater swallows the wasabi with one big bite. He SCREAMS! The<br /> sushi bar patrons blanch with revulsion at his wail.<br /> <br /> - ON THE FOUNTAIN, as Mater peels into full view of everyone<br /> else at the party. As Mater laps up water from a fountain:<br /> <br /> MCQUEEN<br /> (EMBARRASSED)<br /> Mater?!<br /> 101.<br /> <br /> <br /> ALL THE RACERS, with FRANCESCO front and center, guffaw at<br /> Mater.<br /> <br /> - On MCQUEEN, now scolding Mater moments later.<br /> <br /> MATER<br /> I never leak oil. Never.<br /> <br /> MCQUEEN<br /> Mater, you have to get a hold of<br /> yourself. You're making a scene!<br /> <br /> - IN MCQUEEN'S PIT GARAGE, after the Japanese race.<br /> <br /> MATER<br /> Wait a minute. I didn't screw you<br /> up, did I?<br /> <br /> MCQUEEN<br /> I lost the race because of you!<br /> <br /> MATER<br /> Maybe if I talked to somebody, or---<br /> <br /> MCQUEEN<br /> I don't need your help. I don't<br /> want your help!<br /> <br /> - Now BACK AT THE PARTY, a moment we didn't see before but<br /> which presumably happened. Mater is BANGING a ceremonial<br /> GONG, to the horror of Japanese guests.<br /> <br /> MATER<br /> Bang a gong, get it on!<br /> <br /> GONNNNNNG!!! ---<br /> <br /> On the PARTYGOERS, RACE CARS, PARTY STAFF - they're all<br /> laughing at Mater as McQueen's final words blend in, making a<br /> DISSATISFIED CACOPHONY<br /> <br /> MCQUEEN<br /> Listen, this isn't Radiator<br /> Springs. This is exactly why I<br /> don't bring you along to these<br /> things!<br /> <br /> Off the GONG at the party ---<br /> <br /> INT. BIG BENTLEY - DAY<br /> <br /> --- to the GONG of a CLOCK.<br /> <br /> CLOSE ON MATER as he OPENS HIS EYES.<br /> 102.<br /> <br /> <br /> All around him, all he sees are GIANT PIECES OF MECHANIZED<br /> CLOCKWORK.<br /> <br /> HOLLEY and FINN are here too, strapped bumper to bumper in<br /> the divots of large clock movements.<br /> <br /> MATER<br /> Holley! Finn! Where are we?<br /> <br /> FINN<br /> We're in London, Mater. Inside Big<br /> Bentley.<br /> <br /> EXT. BIG BENTLEY - CONTINUOUS<br /> <br /> The BIG HAND finishes ADVANCING one minute. It's 3 PM.<br /> <br /> INT. BIG BENTLEY - CONTINUOUS<br /> <br /> Suddenly Mater DROPS QUICKLY down toward ---<br /> <br /> --- whirring, scary machinery.<br /> <br /> MATER<br /> Woaaaah! ---<br /> <br /> WHAP! The chain yanks to a STOP.<br /> <br /> Mater, instead of being 30 feet from death, is now 20.<br /> <br /> Finn and Holley are only a few clicks closer to being crushed<br /> themselves. The clock ticks to 3:01.<br /> <br /> MATER<br /> This... this is all my fault.<br /> <br /> FINN<br /> Don't be a fool, Mater.<br /> <br /> MATER<br /> But I am, remember? You said so.<br /> <br /> FINN<br /> When did I... Oh. Mater, I was<br /> complimenting you on what a good<br /> spy you are.<br /> <br /> MATER<br /> I'm not a spy!<br /> <br /> This echoes throughout the clock.<br /> 103.<br /> <br /> <br /> MATER<br /> I've been trying to tell you that<br /> the whole time. I really am just a<br /> tow truck.<br /> <br /> Finn and Holley take this in.<br /> <br /> HOLLEY<br /> Finn, he's not joking.<br /> <br /> FINN<br /> I know.<br /> <br /> MATER<br /> You were right, Finn. I'm a fool.<br /> And what's happened to McQueen is<br /> `cause I'm such a big one. This is<br /> all my fault.<br /> <br /> GREM and ACER arrive on a lift, roll into view on a catwalk.<br /> <br /> GREM<br /> Good, you're up!<br /> <br /> ACER<br /> And just in time!<br /> <br /> GREM<br /> Professor Z wanted you to have a<br /> front row seat for the death of<br /> Lightning McQueen.<br /> <br /> MATER<br /> (HOPEFUL)<br /> He's still alive?<br /> <br /> Acer whips a sheet away, revealing the WGP CAMERA, turns it<br /> toward the clock face.<br /> <br /> ACER<br /> Not for much longer.<br /> <br /> He pushes the camera through an open small window, turns it<br /> toward the course. Mater DROPS down again ---<br /> <br /> FINN and HOLLEY CLICK FORWARD.<br /> <br /> EXT. LONDON - DAY<br /> <br /> Big Bentley's big hand CLICKS ahead another minute. But we're<br /> a bit farther away from it than before.<br /> <br /> SALLY (O.S.)<br /> We came as soon as you called.<br /> 104.<br /> <br /> <br /> INT. MCQUEEN'S PIT - LONDON<br /> <br /> Sally, flanked by Red, Flo and Ramone, are in front of ----<br /> <br /> --- McQueen and the rest of the team.<br /> <br /> MCQUEEN<br /> I called to talk to Mater. It never<br /> occurred to me that he wouldn't be<br /> there.<br /> <br /> RAMONE<br /> Sheriff is talking to Scotland Yard<br /> right now.<br /> <br /> FLO<br /> And Sarge is in touch with his<br /> friends in the British military.<br /> <br /> SALLY<br /> You just need to focus on the race.<br /> <br /> MCQUEEN<br /> I know, but Sal, with everything<br /> going on I'm not sure I should---<br /> <br /> A HORN O.S. Someone's entering the pit. Everyone parts,<br /> revealing MILES AXLEROD.<br /> <br /> MCQUEEN<br /> Sir Axlerod.<br /> <br /> MILES AXLEROD<br /> I'm sorry to interrupt.<br /> <br /> MCQUEEN<br /> No, no, it's all right.<br /> <br /> MILES AXLEROD<br /> I just wanted to come down here and<br /> personally thank you. Because after<br /> Italy, I was finished. And then you<br /> gave me one last shot.<br /> <br /> MCQUEEN<br /> Listen, I ---<br /> <br /> MILES AXLEROD<br /> And I probably shouldn't be saying<br /> this at all but... I hope you win<br /> today. Show the world that they've<br /> been wrong about Allinol.<br /> <br /> McQueen takes this in. He looks at Sally.<br /> 105.<br /> <br /> <br /> SALLY<br /> Mater would want you to race.<br /> <br /> MCQUEEN<br /> All right. For Mater.<br /> <br /> EXT. THE STARTING GRID - MOMENTS LATER<br /> <br /> TIRES SQUEAL ---<br /> <br /> MCQUEEN, FRANCESCO and the other racers PEEL OUT ---<br /> <br /> We PAN UP to reveal the LEMONHEADS watching from a VIP box.<br /> <br /> EXT. RACE COURSE - LONDON - DAY<br /> <br /> McQueen leads Francesco as they approach Big Bentley...<br /> <br /> INT. BIG BENTLEY - LONDON - CONTINUOUS<br /> <br /> GREM<br /> Here he comes!<br /> <br /> Grem turns up the juice to the HIGHEST, DEATH-INDUCING LEVEL.<br /> <br /> Holley and Finn watch, helpless. Mater closes his eyes.<br /> <br /> Grem ZAPS MCQUEEN.<br /> <br /> EXT. RACE COURSE - LONDON<br /> <br /> McQueen SPEEDS PAST Big Bentley, unharmed. Oblivious to what<br /> was supposed to have just happened.<br /> <br /> INT. BIG BENTLEY - LONDON<br /> <br /> Zundapp suddenly SQUAWKS over the radio.<br /> <br /> PROFESSOR ZUNDAPP (OVER RADIO)<br /> What happened!?<br /> <br /> GREM<br /> I don't know, Professor.<br /> <br /> ACER<br /> What did you do?<br /> <br /> GREM<br /> (TO ACER)<br /> I didn't do nothin'. Shh! I'm<br /> talking to the Professor---<br /> <br /> They're all talking at once and for a moment we cannot<br /> understand what is being said.<br /> 106.<br /> <br /> <br /> ACER<br /> You broke it.<br /> <br /> GREM<br /> Quiet!<br /> (INTO RADIO)<br /> I understand, sir. Yes.<br /> <br /> Grem hangs up.<br /> <br /> ACER<br /> What'd he say?<br /> <br /> GREM<br /> We go to the backup plan.<br /> <br /> MATER<br /> Backup plan??<br /> <br /> GREM<br /> We snuck a bomb in McQueen's pit!<br /> <br /> ACER<br /> The next time he makes a stop,<br /> instead of saying "ka-chow," he's<br /> gonna go "ka-boom"!<br /> <br /> They LAUGH. Mater shudders, upset.<br /> <br /> GREM<br /> Don't feel bad, tow truck. You<br /> couldn't have saved him.<br /> <br /> ACER<br /> Oh, wait. You could have!<br /> <br /> Grem and Acer laugh. As they board the elevator:<br /> <br /> MATER<br /> Dadgum lemons.<br /> <br /> MATER'S COMPUTER<br /> Request acknowledged.<br /> <br /> Suddenly, Mater's GATLING GUNS rotate out again - a surprise<br /> to Mater. But they SPIN IN PLACE, empty.<br /> <br /> Grem and Acer just laugh more.<br /> <br /> GREM<br /> What, you didn't think we'd take<br /> your bullets?<br /> <br /> Mater NOTICES SOMETHING.<br /> 107.<br /> <br /> <br /> CLOSE ON WHAT MATER SEES: A small piece of his ropes have<br /> been shaved away by the Gatling.<br /> <br /> He carefully rotates his guns BACK IN, pretending like he's<br /> seen nothing.<br /> <br /> ACER<br /> That's right! You got nothin'.<br /> <br /> GREM<br /> (as the elevator descends)<br /> Who's the lemon now, huh?<br /> <br /> They're GONE.<br /> <br /> FINN<br /> Nice try, Mater.<br /> <br /> MATER<br /> Dadgum!<br /> <br /> MATER'S COMPUTER<br /> REQUEST ACK-<br /> <br /> The guns ROTATE OUT AGAIN, SPIN. Mater watches as the<br /> spinning barrels SLICE INTO the ropes, do some damage.<br /> <br /> MATER<br /> Dadgum! Dadgum! Dadgum!<br /> <br /> The COMPUTER responds with each "dadgum." The barrels<br /> continue to SPIN, CUTTING THROUGH the ropes.<br /> <br /> MATER<br /> DADGUMDADGUMDADGUMDADGUM ---<br /> <br /> PING! The ropes BREAK AWAY and Mater FALLS --- right toward<br /> the whirring machinery!<br /> <br /> HOLLEY<br /> Mater!<br /> <br /> Mater QUICKLY WHIPS his tow cable around, hooks a pipe and<br /> tosses himself to the ramp with a heavy THUD. He doesn't<br /> HESITATE:<br /> <br /> MATER<br /> I gotta get you all out of there!<br /> <br /> FINN<br /> There's no time. McQueen needs your<br /> help, Mater.<br /> 108.<br /> <br /> <br /> MATER<br /> But I can't, I'm just a tow truck.<br /> <br /> FINN<br /> It's up to you. Go to the pits and<br /> get everyone out. You can do that.<br /> <br /> MATER<br /> What about you guys?<br /> <br /> FINN<br /> We'll be okay.<br /> <br /> HOLLEY<br /> Go and get some more dents, Mater.<br /> <br /> EXT. BIG BENTLEY - LONDON<br /> <br /> Mater SPEEDS out the front door, a bat out of hell ---<br /> <br /> INT. BIG BENTLEY - LONDON - SAME<br /> <br /> On Finn and Holley, now closer to death.<br /> <br /> HOLLEY<br /> So we'll be "okay"? Really?<br /> <br /> FINN<br /> He wouldn't have left if I'd told<br /> him the truth.<br /> (re: his death trap)<br /> Being killed by a clock. Gives a<br /> whole new meaning to "your time has<br /> come."<br /> <br /> At this mention Holley seems to perk up, gets an idea.<br /> <br /> HOLLEY<br /> Time. That's it!<br /> <br /> She spies a GEARBOX below them, at least 20 feet down. Holley<br /> FIRES HER ELECTROSHOCKERS ---<br /> <br /> --- but they miss their target. She recoils them back.<br /> <br /> FINN<br /> What are you doing?<br /> <br /> HOLLEY<br /> Trying to turn back time. If I can<br /> just reverse the polarity...<br /> <br /> She FIRES them again. Direct hit!<br /> 109.<br /> <br /> <br /> Holley JUICES the gearbox with HIGH VOLTAGE. The CLOCK STOPS.<br /> It reverses itself.<br /> <br /> Finn and Holley's wheel now rotates AWAY from danger.<br /> <br /> FINN<br /> Good job! Quick thinking, Holley!<br /> <br /> EXT. LONDON - CONTINUOUS<br /> <br /> BIG BENTLEY, visible from street level, now moves BACKWARDS.<br /> Fast. CRANE DOWN TO ---<br /> <br /> --- Mater, speeding toward the track, unaware.<br /> <br /> MATER<br /> What's everybody on the wrong side<br /> of the road for?!<br /> <br /> INT. BIG BENTLEY - CONTINUOUS<br /> <br /> Finn and Holley are now moving in the opposite direction,<br /> toward ANOTHER GEAR! And it's going MUCH FASTER. They're<br /> seconds from a crushing death...<br /> <br /> HOLLEY<br /> Oh no!<br /> <br /> FINN<br /> Drive!<br /> <br /> They both DRIVE, fast as they can with FULL FORCE ---<br /> <br /> FINN<br /> Burn rubber!!<br /> <br /> They drive HARDER, separating bumpers with just enough room<br /> for the descending gear to SNAP THEIR ROPES!<br /> <br /> Their tires spinning, they both LAUNCH off in opposite<br /> directions, LAND HARD on opposing platforms. As Finn squeals<br /> around to Holley's side of the clock:<br /> <br /> FINN<br /> We've got to get to the course.<br /> Calculate the fastest way to ---<br /> <br /> Holley pops WINGS out of her side.<br /> <br /> HOLLEY<br /> Done.<br /> 110.<br /> <br /> <br /> FINN<br /> (IMPRESSED)<br /> Miss Shiftwell.<br /> <br /> HOLLEY<br /> They're standard issue now.<br /> <br /> FINN<br /> You kids get all the good hardware.<br /> <br /> They turn to leave when they STOP, see SOMETHING. It's an AIR<br /> FILTER on the ground.<br /> <br /> HOLLEY<br /> Oh no. That's Mater's.<br /> <br /> FINN<br /> I knew his escape was too easy.<br /> <br /> EXT. BIG BENTLEY - LONDON<br /> <br /> Finn BURSTS out the front doors of Big Bentley, speeds off as<br /> HOLLEY SMASHES through the clock face, careens into view<br /> flying over the traffic ---<br /> <br /> INT. PIT ROW - TRACK SIDE - DAY<br /> <br /> Mater bursts through the security gate with aplomb, tears<br /> through the pits and stops at MCQUEEN'S.<br /> <br /> LUIGI<br /> Mater!<br /> <br /> MATER<br /> Everybody get out! Get out now!<br /> Y'all gotta get out the pits!<br /> <br /> The ENTIRE RADIATOR SPRINGS GANG is here.<br /> <br /> MATER<br /> Hey, what are you guys doing here?<br /> <br /> SALLY<br /> We're here because of you, Mater.<br /> <br /> FLO<br /> Is everything okay?<br /> <br /> MATER<br /> No! Everything's not okay! There's<br /> a bomb in here! Y'all gotta get<br /> out! Now!<br /> 111.<br /> <br /> <br /> EVERYONE<br /> - A bomb? - Huh? - Woah.<br /> <br /> FINN (OVER RADIO)<br /> Mater!<br /> <br /> MATER (INTO RADIO)<br /> Finn! You're okay!<br /> <br /> EXT. LONDON STREETS - CONTINUOUS<br /> <br /> FINN<br /> Mater, listen to me. The bomb is on<br /> you.<br /> <br /> ON HIS REARVIEW DISPLAY: We can see that a BOMB has been<br /> detected, anchored to Mater's air filter.<br /> <br /> FINN<br /> They knew you'd try to help<br /> McQueen. When we were knocked out<br /> they planted it in your air filter.<br /> <br /> INT. MCQUEEN'S PIT - CONTINUOUS<br /> <br /> Mater SNORTS, blowing his air filter cover off. Cross-eyed,<br /> Mater sees the explosive device attached to him. He looks up:<br /> <br /> An ALLINOL CONTAINER hangs ominously over his head.<br /> <br /> MATER<br /> Uh-oh.<br /> <br /> MCQUEEN<br /> Mater! There you are!<br /> <br /> Mater turns. McQueen enters Pit Row, 100 yards away and<br /> closing in FAST.<br /> <br /> MATER<br /> Stop right there!<br /> <br /> MCQUEEN<br /> Oh man, I've been so worried about<br /> you!<br /> CUT TO:<br /> <br /> The view of this scene through the window of a luxury box.<br /> Reveal Zundapp in the window's reflection. He's watching from<br /> inside. He's poised to push a DETONATOR BUTTON.<br /> <br /> As Zundapp's front tire approaches the detonator ---<br /> 112.<br /> <br /> <br /> INT. MCQUEEN'S PIT - CONTINUOUS<br /> <br /> MATER<br /> Don't come any closer!<br /> <br /> MCQUEEN<br /> Are you okay?<br /> <br /> MATER<br /> No, I'm not okay. Stay away from<br /> me!!<br /> <br /> Mater PEELS OUT BACKWARDS, out onto the track.<br /> <br /> MCQUEEN<br /> No, wait. Wait!<br /> CUT TO:<br /> <br /> PROFESSOR ZUNDAPP - He hesitates, can't believe it.<br /> <br /> TV FOOTAGE OF MCQUEEN CHASING MATER<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> Hold everything. A tow truck has<br /> just raced onto the track. And he's<br /> driving backwards!<br /> <br /> IN MCQUEEN'S PIT<br /> <br /> MCQUEEN<br /> Mater, wait!<br /> <br /> He breezes right through his pit, goes after Mater.<br /> <br /> DAVID HOBBSCAP (V.O.)<br /> Normally an emergency vehicle on<br /> the track means there's been an<br /> accident.<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> Wait, wait. Lightning McQueen is<br /> chasing him!<br /> <br /> EXT. TRACK - DAY<br /> <br /> Mater drives up the track. McQueen gains, fast. Because<br /> Mater's going backwards, they're face-to-face (but still with<br /> some distance between them).<br /> <br /> MCQUEEN<br /> Mater, wait!<br /> 113.<br /> <br /> <br /> MATER<br /> Stay back! If you get close to me,<br /> you gonna get hurt real bad!<br /> <br /> MCQUEEN<br /> I know I made you feel that way<br /> before, but none of that matters<br /> because we're best friends!<br /> CUT TO:<br /> <br /> TV FOOTAGE OF MCQUEEN CHASING MATER<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> And McQueen seems to be having a<br /> conversation with the tow truck!<br /> <br /> DARRELL CARTRIP (V.O.)<br /> I don't know who that truck is,<br /> Brent. But I'll tell you what, he's<br /> gotta be the world's best backwards<br /> driver.<br /> <br /> REVEAL ZUNDAPP is watching this footage from his luxury box.<br /> The closer McQueen gets to Mater the farther his tire ROLLS<br /> onto the detonator. But he holds back ever so slightly so as<br /> not to jump the gun.<br /> <br /> ON THE TRACK - McQueen gains on Mater.<br /> <br /> MATER<br /> McQueen, you don't get it. I'm the<br /> bomb!<br /> <br /> MCQUEEN<br /> Yes, Mater! You are the bomb!<br /> That's what I'm trying to say here.<br /> You've always been the bomb! And<br /> you'll always be the bomb.<br /> <br /> MATER<br /> Stay away!<br /> <br /> MCQUEEN<br /> No! Never!<br /> <br /> ON ZUNDAPP. He watches as McQueen SPEEDS UP.<br /> <br /> PROFESSOR ZUNDAPP<br /> Almost there...<br /> <br /> ON MCQUEEN. He's had enough screwing around. Here he comes.<br /> <br /> MCQUEEN<br /> I'm not...letting you...<br /> 114.<br /> <br /> <br /> He's going to catch him now.<br /> <br /> MCQUEEN<br /> ...get away again!<br /> <br /> McQueen JUMPS FORWARD, in an attempt to grab Mater's HOOK ---<br /> <br /> MATER<br /> (TO HIMSELF)<br /> Gotta keep away from McQueen.<br /> <br /> McQueen hooks Mater with his bumper JUST AS ---<br /> <br /> MATER'S COMPUTER<br /> Request acknowledged.<br /> <br /> TURBINE ROCKETS slide out of Mater.<br /> <br /> MCQUEEN<br /> Oh my gosh!<br /> <br /> BAWHOOOOOOM!!!!! Mater JOLTS forward with a rocket blast and<br /> disappears, taking McQueen with him.<br /> <br /> ON ZUNDAPP. He now freely PUSHES the detonator, but it says<br /> "OUT OF RANGE."<br /> <br /> Zundapp can't believe it. He FLIPS OUT.<br /> <br /> FARTHER UP THE TRACK - Francesco speeds along. ZHWAAAAAP!!!<br /> Mater and McQueen ZING PAST HIM with a RED BLUR.<br /> <br /> FRANCESCO<br /> What is happening? It's a bad<br /> dream.<br /> <br /> NOW EVEN FARTHER UP THE TRACK - Mater takes a turn, SMASHES<br /> THROUGH A FENCE and skids around a corner out of sight. A<br /> white, smoky JET TRAIL is all that remains.<br /> <br /> IN MCQUEEN'S PIT - All of Radiator Springs watches the<br /> television monitors, dumbfounded.<br /> <br /> BRENT MUSTANGBURGER (V.O.)<br /> And Lightning McQueen just blasted<br /> away, hooked to the now rocket-<br /> propelled tow truck.<br /> CUT TO:<br /> <br /> EXT. STREETS OF LONDON - DAY<br /> <br /> Overhead P.O.V.: Mater and McQueen swerve through the<br /> streets.<br /> 115.<br /> <br /> <br /> INT. LUXURY BOX - CONTINUOUS<br /> <br /> Zundapp is still furiously hitting the button as Holley drops<br /> into view just beyond the glass.<br /> <br /> Freaked, Zundapp does a 180 and SMASHES out a plate glass<br /> window, lands on a ridiculously large balloon tethered to the<br /> ground, and speeds off ---<br /> <br /> INT. ADJACENT LUXURY BOX - CONTINUOUS<br /> <br /> The LEMONHEADS watch, baffled, as Zundapp drives away.<br /> <br /> J. CURBY GREMLIN<br /> The Professor's on the run.<br /> <br /> TUBBS PACER<br /> Someone's gotta get McQueen.<br /> <br /> VLADIMIR TRUNKOV<br /> Get McQueen!!<br /> <br /> Grem and Acer are already out the door ---<br /> <br /> EXT. SIDE STREET - SAME<br /> <br /> Finn speeds into view, in time to see Zundapp turn a corner<br /> out of sight.<br /> <br /> FINN<br /> Holley. I'll get Zundapp, you help<br /> Mater.<br /> <br /> EXT. TRACK - SAME<br /> <br /> Holley, still in the air, turns ---<br /> <br /> HOLLEY<br /> Got it!<br /> <br /> FARTHER UP THE TRACK - Holley THUNDERS past Francesco and out<br /> of sight.<br /> <br /> FRANCESCO<br /> What is happening?!<br /> <br /> EXT. STREETS OF LONDON - SAME<br /> <br /> Finn screams around a corner, sees ---<br /> <br /> --- Professor Zundapp, speeding toward docks along the Thames<br /> where a COMBAT SHIP waits.<br /> 116.<br /> <br /> <br /> COMBAT SHIP<br /> Hurry, Professor!<br /> <br /> ON ZUNDAPP - With Finn gaining fast, he accelerates. Suddenly<br /> --- WHAP!<br /> <br /> He's been TETHERED by Finn with tensile cables now attached<br /> to his rear end. Zundapp SCREAMS like a little girl.<br /> <br /> FINN<br /> Do you really think I'm going to<br /> let you float away, Professor?<br /> <br /> Finn reels him in. Zundapp spins his wheels, caught.<br /> <br /> Suddenly Zundapp miraculously, inconceivably, GAINS TRACTION!<br /> Now it's FINN'S WHEELS that are spinning.<br /> <br /> ON THE COMBAT SHIP - the ELECTROMAGNET has been turned<br /> outward and switched on. He's PULLING ZUNDAPP AND FINN IN<br /> with the magnetic force. He pulls out a laser, TARGETS it at<br /> Finn's windshield.<br /> CUT TO:<br /> <br /> EXT. LONDON STREETS - SAME<br /> <br /> Mater, still towing McQueen, rockets around a corner, zips<br /> down another street ---<br /> <br /> MATER<br /> McQueen, let go!<br /> <br /> MCQUEEN<br /> Never!<br /> <br /> They pass a Gremlin with a headset.<br /> <br /> ON GREM AND ACER - Down another side street. They get this<br /> message, take off in the opposite direction.<br /> <br /> CUT BACK TO:<br /> <br /> EXT. DOCKS NEAR THE THAMES - CONTINUOUS<br /> <br /> FINN, tires squealing, loses more and more ground to the<br /> boat. Zundapp, the "rope" in this tug-of-war, buckles under<br /> the tension.<br /> <br /> PROFESSOR ZUNDAPP<br /> Give it up, McMissile!<br /> <br /> Finn releases a mess of bullets, grenades, and other weaponry<br /> into the air ---<br /> 117.<br /> <br /> <br /> THE MAGNET SUCKS it in quickly like a black hole ---<br /> <br /> THUNK! It all sticks to the magnet, right next to Finn's<br /> bullets. They're BOMBS, GRENADES, ROCKETS and one little<br /> detonator with a flashing, beeping light.<br /> <br /> Off the boat's RXN ---<br /> CUT TO:<br /> <br /> ANOTHER PART OF LONDON, AT STREET LEVEL<br /> <br /> KA-BOOOOOOM! A distant explosion (miles away) festoons into<br /> the air, visible over the rooftops. Holley suddenly WINGS<br /> into view. She sees ---<br /> <br /> Mater and McQueen, speeding up the street.<br /> <br /> HOLLEY<br /> Mater, stop!<br /> <br /> MATER<br /> No way! You could get hurt!<br /> <br /> Then she looks over, catches a glimpse of GREM AND ACER,<br /> bearing down on them from a side street. They're going to<br /> broadside Mater and McQueen.<br /> <br /> HOLLEY<br /> Oh no.<br /> <br /> ON MATER AND MCQUEEN - They're not aware of the impending<br /> impact.<br /> <br /> Holley DROPS FROM THE SKY, hits the pavement, SKIDS into the<br /> path of the AMCs and DEFLECTS THEM. They FLIP OVER Holley,<br /> Finn and McQueen and sail ---<br /> <br /> --- INTO A PUB ---<br /> <br /> --- where they skid across the room and SLAM into the bar,<br /> knocking a ROW OF BEER MUGS to the ground.<br /> <br /> IN THE PUB - MOMENTS LATER<br /> <br /> Grem and Acer are pulverized by the bar patrons.<br /> <br /> EXT. LONDON STREET - MOMENTS LATER<br /> <br /> Holley, McQueen and Mater are now stopped.<br /> <br /> HOLLEY<br /> Mater, we've got to get that bomb<br /> off you.<br /> 118.<br /> <br /> <br /> She's already SCANNING the bomb, working away.<br /> <br /> MCQUEEN<br /> Bomb?<br /> <br /> MATER<br /> Yeah, they strapped it to me to<br /> kill you as a back-up plan.<br /> <br /> MCQUEEN<br /> Back-up plan? Mater, who put a bomb<br /> on you?<br /> <br /> PROFESSOR ZUNDAPP (O.S.)<br /> Ahhhhh!<br /> <br /> Professor Zundapp suddenly ROLLS to a stop next to (a now<br /> totally freaked) McQueen, entangled in grappling hooks care<br /> OF ---<br /> <br /> --- Finn, who has him leashed.<br /> <br /> PROFESSOR ZUNDAPP<br /> (TO MCQUEEN)<br /> You. Why didn't my death ray kill<br /> you?<br /> <br /> MCQUEEN<br /> Death ray?<br /> <br /> FINN<br /> Turn off the bomb, Zundapp!<br /> <br /> PROFESSOR ZUNDAPP<br /> Are you all so dense? It's voice-<br /> activated. Everything is voice-<br /> activated these days.<br /> <br /> MATER<br /> Deactivate! Deactivate!<br /> <br /> BOMB'S COMPUTER VOICE<br /> Voice denied.<br /> <br /> The BOMB suddenly TRANSFORMS into a TIME BOMB, now complete<br /> with a countdown mechanism from 4:59... 4:58... Mater GASPS.<br /> <br /> PROFESSOR ZUNDAPP<br /> Oops. Did I forget to mention that<br /> it can only be disarmed by the one<br /> who activated it?<br /> <br /> Holley immediately shoves a GUN in Zundapp's grill.<br /> 119.<br /> <br /> <br /> HOLLEY<br /> Say it!<br /> <br /> PROFESSOR ZUNDAPP<br /> Deactivate.<br /> <br /> BOMB'S COMPUTER VOICE<br /> Voice denied.<br /> <br /> THE BOMB'S TIMER: It loses a full minute! Goes from 4:48 to<br /> 3:48 to 3:47... Mater GASPS.<br /> <br /> PROFESSOR ZUNDAPP<br /> (GRINNING)<br /> I am not the one who activated it.<br /> Would anyone else like to try?<br /> <br /> ZZZZZZATTT! Holley shocks him unconscious.<br /> <br /> FINN<br /> (TO HOLLEY)<br /> You read my mind.<br /> <br /> HOLLEY<br /> He was getting on my nerves.<br /> <br /> MCQUEEN<br /> What do we do?<br /> <br /> VICTOR HUGO (O.S.)<br /> It's very simple.<br /> <br /> VICTOR HUGO blocks the entrance to a side street. He's<br /> surrounded by Hugo relatives.<br /> <br /> VICTOR HUGO<br /> You blow up.<br /> <br /> The four streets surrounding them are now blocked by each of<br /> the Lemonheads and their families.<br /> <br /> MCQUEEN<br /> (TO MATER)<br /> I'm gonna go out on a limb here.<br /> These are the guys that want me<br /> dead, correct?<br /> <br /> VLADIMIR TRUNKOV<br /> It's nothing personal.<br /> <br /> MATER<br /> (to the Lemons)<br /> Fellers, listen.<br /> (MORE)<br /> 120.<br /> <br /> MATER (CONT'D)<br /> I know what you're going through.<br /> Everybody's been laughing at me my<br /> whole life too ---<br /> <br /> McQueen turns to Mater - he wasn't expecting that.<br /> <br /> The Lemons all eye each other, considering Mater's words.<br /> <br /> MATER<br /> --- but becoming powerful and rich<br /> beyond your wildest dreams ain't<br /> gonna make you feel better.<br /> <br /> J. CURBY GREMLIN<br /> Yeah, but it's worth a shot.<br /> <br /> WHOOM!!! He's BROADSIDED by a blast of water from O.S.<br /> <br /> It's Red! He's sitting outside an underground entrance,<br /> followed by Sally and the rest of the Radiator Springs gang.<br /> <br /> ALL OUT WAR ensues between the LEMONS, RADIATOR SPRINGS along<br /> with FINN and HOLLEY.<br /> <br /> FINN attaches his four-way cable hooks to the thugs and<br /> springs high in the air, crushing the four of them together.<br /> <br /> HOLLEY SPROUTS her wings, and knocks out two cars on her<br /> side.<br /> <br /> VARIOUS SHOTS OF RADIATOR SPRINGS KICKING BUTT:<br /> <br /> Guido pulls some LEMON tires off with his air gun. In seconds<br /> he has a stack of lugnuts next to him.<br /> <br /> GUIDO<br /> Pit stop.<br /> <br /> The two Pacers' tires all FALL OFF.<br /> <br /> Flo hits VLADIMIR TRUNKOV with her high-beams, BLINDING HIM.<br /> Sheriff BOOTS him.<br /> <br /> SHERIFF<br /> Not today, boys!<br /> <br /> Guido pushes away his tireless thug, YELLING AT HIM IN<br /> ITALIAN.<br /> <br /> Mater KARATE CHOPS lemons, three and four at a time.<br /> <br /> Ramone SPRAY PAINTS a lemon's windshield.<br /> 121.<br /> <br /> <br /> TUBBS PACER<br /> Retreat!<br /> <br /> A few Lemons turn back the way they came. BLOCKING THEIR PATH<br /> are a line of BRITISH MILITARY VEHICLES clad in digital camo,<br /> led by SARGE.<br /> <br /> SARGE<br /> Thanks for the help, Corporal.<br /> <br /> BRITISH CORPORAL<br /> Anything for one of pop's mates.<br /> <br /> And in the middle of all of this craziness we CUT TO ---<br /> <br /> --- MATER. WRENCH BITS are strewn all around him as Guido<br /> tries wrench after wrench to take the bolts off. No dice.<br /> Guido gestures wildly, spits Italian a mile a minute.<br /> <br /> MCQUEEN<br /> What's he saying?! What's wrong!?<br /> <br /> LUIGI<br /> None of his wrenches fit the bolts!<br /> <br /> This is a light bulb moment for Mater. He eyes the bolts.<br /> <br /> MATER<br /> I get it. I get it! I know what<br /> needs to be done.<br /> <br /> MCQUEEN<br /> Then do it!<br /> <br /> MATER<br /> What? No, I can't do it. Look,<br /> nobody takes me seriously. I know<br /> that now. This ain't Radiator<br /> Springs.<br /> <br /> MCQUEEN<br /> Yes it is.<br /> <br /> Mater looks at McQueen. It is?<br /> <br /> MCQUEEN<br /> You're yourself in Radiator<br /> Springs. Be yourself here. And if<br /> people aren't taking you seriously,<br /> then they need to change. Not you.<br /> I know that, because I was wrong<br /> before. Now you can do this. You're<br /> the bomb.<br /> 122.<br /> <br /> <br /> MATER<br /> Thanks, buddy.<br /> <br /> MCQUEEN<br /> No no no, you're the actual bomb.<br /> Now let's go!<br /> <br /> MATER<br /> Oh, right! Hang on!<br /> <br /> Mater HOOKS McQueen and they're off.<br /> <br /> They SHOOT PAST FINN, who's in the middle of battling lemons.<br /> <br /> FINN<br /> Where's he going?<br /> <br /> ON MATER AND MCQUEEN - Flying down a side street.<br /> <br /> MATER<br /> Computer!<br /> <br /> MATER'S COMPUTER<br /> Yes, Agent Mater.<br /> <br /> MATER<br /> I need that thing you done before<br /> to get me away from McQueen!<br /> <br /> MATER'S COMPUTER<br /> Request acknowledged.<br /> <br /> The ROCKET THRUSTERS kick in. They head right for a WALL.<br /> <br /> MCQUEEN<br /> Mater...<br /> <br /> MATER<br /> Now I need you to do the chute, the<br /> second kind not the first!<br /> <br /> MATER'S COMPUTER<br /> Deploying chute.<br /> <br /> Mater's chute POPS OPEN, catching air and sending Mater and<br /> McQueen SAILING INTO THE AIR.<br /> <br /> Mater starts to steer them the direction he wants. He and<br /> McQueen are FLYING OVER LONDON.<br /> <br /> EXT. BALCONY - BUCKINGHAM PALACE - DAY<br /> <br /> The QUEEN, her attendants, assorted dignitaries are here.<br /> 123.<br /> <br /> <br /> QUEEN<br /> Who's winning the race?<br /> <br /> Mater and McQueen drop from the sky. They land and skid to a<br /> halt just before the Queen's guards who DRAW THEIR WEAPONS.<br /> <br /> QUEEN'S GUARD<br /> Back up! Back away!<br /> <br /> QUEEN<br /> (STAR-STRUCK)<br /> It's Lightning McQueen!<br /> <br /> QUEEN'S GUARDS<br /> Get back!<br /> <br /> MCQUEEN<br /> No, no, it's okay! Tell them,<br /> Mater. Explain.<br /> <br /> MATER<br /> Okay! Somebody's been sabotaging<br /> the racers and hurting the cars and<br /> I know who. Oh wait... Your<br /> Majesty.<br /> <br /> Mater BOWS to the Queen. In doing so, the TICKING TIME BOMB<br /> angles into view. The clock's at T-minus 1:53.<br /> <br /> QUEEN'S GUARDS<br /> - Bomb! - It's a bomb! - Everybody<br /> down! - Look out!<br /> <br /> FINN (O.S.)<br /> Hold your fire! He can't disarm it!<br /> <br /> Finn dives onto the platform and rolls between the Queen and<br /> Mater.<br /> <br /> FINN<br /> Mater, I don't know what you're<br /> doing but stand down now!<br /> <br /> MATER<br /> (aside, to McQueen)<br /> This ain't nothing at all like<br /> Radiator Springs.<br /> <br /> MCQUEEN<br /> Mater, just cut to the chase!<br /> <br /> MATER<br /> Okay.<br /> 124.<br /> <br /> <br /> He turns to Miles Axlerod.<br /> <br /> MATER<br /> It's him.<br /> <br /> MILES AXLEROD<br /> What? Me? You've got to be crazy.<br /> <br /> Everyone exchanges confused looks, including Finn and Holley.<br /> <br /> MATER<br /> I figured it out when I realized<br /> you all attached this ticking time<br /> bomb with Whitworth bolts. The same<br /> bolts that hold together that old<br /> British engine from the photograph.<br /> Holley! Show that picture.<br /> <br /> HOLLEY<br /> O-kay...<br /> <br /> Holley projects the much discussed PHOTO OF THE ENGINE.<br /> <br /> MATER<br /> And then I remembered what they say<br /> about old British engines - "If<br /> there ain't no oil under `em, there<br /> ain't no oil in `em."<br /> <br /> MILES AXLEROD<br /> What is he talking about?<br /> <br /> MATER<br /> It was you leaking oil at the party<br /> in Japan. You just blamed it on me.<br /> <br /> MILES AXLEROD<br /> Electric cars don't use oil, you<br /> twit.<br /> <br /> MATER<br /> Then you're faking it. You didn't<br /> convert to no electric. We pop that<br /> hood we gonna see that engine from<br /> that picture right there.<br /> <br /> Mater moves toward Miles Axlerod to pop his hood.<br /> <br /> MILES AXLEROD<br /> This lorry's crazy. He's going to<br /> kill us all!<br /> <br /> Miles Axlerod BACKS UP to the edge of the stage.<br /> 125.<br /> <br /> <br /> MILES AXLEROD<br /> Stay away!<br /> <br /> HOLLEY<br /> But Sir Axlerod created the race,<br /> Mater. Why would he want to hurt<br /> anyone?<br /> <br /> MATER<br /> To make Allinol look bad so<br /> everybody'd go back to using oil. I<br /> mean, he said it himself with that<br /> disguised voice.<br /> <br /> MILES AXLEROD<br /> "Dee-sguised voice?" What are you<br /> talking about? You're nuts, you<br /> are!<br /> <br /> The QUEEN'S GUARDS have had ENOUGH. As has the PRINCE.<br /> <br /> PRINCE WHEELIAM<br /> This is going nowhere fast. We<br /> really should go, Grandmother.<br /> <br /> QUEEN<br /> One moment. I'd like to see where<br /> this is going.<br /> <br /> FINN<br /> Mater, he created Allinol.<br /> <br /> MATER<br /> Yeah, but what if he found that<br /> huge oil field just as the world<br /> was trying to find something else?<br /> <br /> Mater sticks his ticking bomb-nose into Miles Axlerod's<br /> grill.<br /> <br /> MATER<br /> What if he came up with Allinol<br /> just to make alternative fuel look<br /> bad?<br /> <br /> MILES AXLEROD<br /> "What if?" You're basing this on a<br /> "What if"?!<br /> <br /> GUARD<br /> Okay, that's it.<br /> <br /> And the QUEEN'S GUARDS spirit the Queen and Prince Wheeliam<br /> out of there FAST ---<br /> 126.<br /> <br /> <br /> MILES AXLEROD<br /> Wait! Somebody save me! The lorry's<br /> crazy!<br /> <br /> Now it's just Miles Axlerod, Mater, McQueen, Finn and Holley.<br /> Miles Axlerod's back tires slip on the edge of the podium as<br /> he is cornered by Mater.<br /> <br /> MILES AXLEROD<br /> Keep away, you idiot!<br /> <br /> 00:00:08...<br /> <br /> FINN<br /> Mater!<br /> <br /> HOLLEY<br /> Mater!<br /> <br /> 00:03...00:02...<br /> <br /> MILES AXLEROD<br /> Someone do something!<br /> <br /> Everyone FLINCHES, DUCKS or DIVES FOR COVER except McQueen,<br /> Mater and Axlerod ---<br /> <br /> MILES AXLEROD<br /> You're insane, you are!<br /> Deactivate!!<br /> <br /> The bomb FREEZES at 00:01.<br /> <br /> THE BOMB'S COMPUTER VOICE<br /> Bomb deactivated. Have a nice day,<br /> Sir Axlerod.<br /> <br /> General shock all around. Miles Axlerod realizes what he's<br /> done, looks terrified. Police surround him.<br /> <br /> Mater FLINGS Miles Axlerod's hood open with his hook,<br /> revealing AN INTERNAL COMBUSTION ENGINE, oil dripping from<br /> all sides. It MATCHES the photo.<br /> <br /> FINN<br /> The engine from the photo.<br /> <br /> HOLLEY<br /> It's a perfect match!<br /> <br /> MILES AXLEROD<br /> How did the tow truck figure it<br /> out?<br /> 127.<br /> <br /> <br /> MCQUEEN<br /> (TO MATER)<br /> It's official. You're coming to all<br /> my races from now on.<br /> <br /> MATER<br /> Now you're talking!<br /> <br /> Tire bump.<br /> <br /> EXT. BUCKINGHAM PALACE - DAY<br /> <br /> A massive crowd packs the adjacent streets and parks.<br /> <br /> INT. BUCKINGHAM PALACE - DAY<br /> <br /> Mater does the requisite "silly faces" in an attempt to break<br /> the composure of a Buckingham Palace Guard. It isn't working.<br /> McQueen approaches.<br /> <br /> MCQUEEN<br /> Mater, let's go. You're on.<br /> <br /> INT. QUEEN'S CHAMBER - BUCKINGHAM PALACE - DAY<br /> <br /> The Queen sits in attention at the front of the Main<br /> Ballroom. As Mater and McQueen approach:<br /> <br /> LORD STEWARD<br /> Your Majesty. May I present for the<br /> investiture of honorary Knighthood<br /> of the British Realm. Tow Mater of<br /> Radiator Springs.<br /> <br /> MCQUEEN<br /> Go get `em, buddy.<br /> <br /> McQueen joins his friends from Radiator Springs. Mater rolls<br /> forward. He bows, as if he's practiced it all day.<br /> <br /> QUEEN<br /> I hereby dub thee "Sir Tow Mater."<br /> <br /> Applause from all around.<br /> <br /> MATER<br /> (LOOKS UP)<br /> "Sir?" Shoot, you can just call me<br /> Mater, Your Majesty. I don't wanna<br /> hear none of this "Sir" business.<br /> By the way, have y'all met each<br /> other? Queen? McQueen. McQueen,<br /> Queen. McQueen? McMissile.<br /> (MORE)<br /> 128.<br /> <br /> MATER (CONT'D)<br /> McMissile, McQueen. Queen?<br /> McMissile.<br /> <br /> He continues introducing everyone as we CUT TO ---<br /> <br /> EXT. RADIATOR SPRINGS - DAY<br /> <br /> The town sign now reads "WELCOME TO RADIATOR SPRINGS - HOME<br /> OF LIGHTNING MCQUEEN AND SIR TOW MATER."<br /> <br /> EXT. FLO'S - DAY<br /> <br /> Cars surround Mater and McQueen. The rest of the Radiator<br /> Springs gang is here too, watches. VAN and MINNY are front<br /> and center.<br /> <br /> MATER<br /> So there I was: rocket jets going<br /> full blast, McQueen hanging on for<br /> dear life when suddenly them two<br /> nasty lemons come out of nowhere,<br /> guns drawed. We was goners. But<br /> then out of nowhere, this beautiful<br /> spy car swoops in from the sky to<br /> save us!<br /> <br /> MINNY<br /> That's a very entertaining story,<br /> young man.<br /> <br /> VAN<br /> Oh, Minny, please. Come on, none of<br /> this happened. Rocket jets? Flying<br /> spy cars?<br /> <br /> HOLLEY<br /> No, you're quite right. It does<br /> sound a bit far-fetched.<br /> <br /> The crowd turns, sees HOLLEY, wings out, swooping in. FINN is<br /> right below her, driving up the street.<br /> <br /> MATER<br /> Holley! Finn!<br /> <br /> HOLLEY<br /> Hello, Mater. It's so nice to see<br /> you again.<br /> <br /> MATER<br /> What're you doing here?<br /> 129.<br /> <br /> <br /> FINN<br /> Our satellites picked up an urgent<br /> communique.<br /> <br /> LUIGI<br /> So you got my e-mail.<br /> <br /> MATER<br /> Oh, man. Y'all is gonna have a<br /> great time. Everybody! This here's<br /> Finn McMissile. He's a secret<br /> agent.<br /> (WHISPERS)<br /> Don't tell nobody. And this is<br /> Holley Shiftwell. She's ---<br /> <br /> HOLLEY<br /> I'm Mater's girlfriend. It's so<br /> nice to meet you all.<br /> <br /> Everyone is shocked. Including Mater. Guido's jaw drops.<br /> <br /> LUIGI<br /> (TO MATER)<br /> Guido believe you now.<br /> <br /> FLO<br /> (TO HOLLEY)<br /> Whoa, honey. You got a nasty dent<br /> there.<br /> <br /> Indeed, Holley still wears the dent from when she saved Mater<br /> from Grem and Acer.<br /> <br /> VAN<br /> (already crushing on her)<br /> Was that from when you swooped in<br /> and saved them in London?<br /> <br /> MINNY<br /> Van!<br /> <br /> VAN<br /> What? I'm just asking.<br /> <br /> FLO<br /> (TO HOLLEY)<br /> Don't you worry, sweet pea. My baby<br /> Ramone can get that fixed up for<br /> you in no time.<br /> <br /> RAMONE<br /> Yeah, sure thing. No problemo. Just<br /> let me go get my tools.<br /> 130.<br /> <br /> <br /> HOLLEY<br /> Oh no no. I'm keeping that dent.<br /> It's way too valuable.<br /> <br /> Mater takes this in.<br /> <br /> LIZZIE<br /> A "valuable" dent? Oh, she's as<br /> crazy as Mater.<br /> <br /> MACK<br /> Those two are perfect for each<br /> other.<br /> <br /> MCQUEEN<br /> You know, there's one thing I still<br /> don't get. The bad guys hit me with<br /> the beam from the camera, right? So<br /> why didn't I, you know...<br /> <br /> MATER<br /> Explode in a fiery inferno?<br /> <br /> MCQUEEN<br /> Yeah.<br /> <br /> FINN<br /> We couldn't figure that one out<br /> either.<br /> <br /> HOLLEY<br /> Our investigation proved that<br /> Allinol was actually gasoline. And<br /> Miles Axlerod engineered it so that<br /> when it got hit by the beam it<br /> would explode.<br /> <br /> MCQUEEN<br /> Wait a second. Fillmore, you said<br /> my fuel was safe.<br /> <br /> McQueen turns to Fillmore. Everyone does.<br /> <br /> FILLMORE<br /> If you're implying that I switched<br /> out that rotgut excuse for<br /> alternative fuel with my all-<br /> natural, sustainable, organic<br /> biofuel just because I never<br /> trusted Axlerod, you're dead wrong,<br /> man.<br /> (RE: SARGE)<br /> It was him.<br /> 131.<br /> <br /> <br /> SARGE<br /> Once Big Oil, always Big Oil. Man.<br /> <br /> FILLMORE<br /> Tree hugger.<br /> <br /> EXT. MAIN STREET - LATER<br /> <br /> A banner says "Radiator Springs Grand Prix."<br /> <br /> SHERIFF rolls up the street.<br /> <br /> SHERIFF<br /> The Radiator Springs Grand Prix is<br /> about to begin! All spectators<br /> clear the starting line!<br /> <br /> MCQUEEN heads up Main Street, other racers following.<br /> <br /> LEWIS HAMILTON<br /> Man, I can't wait to get rockin'.<br /> This is gonna be wicked.<br /> <br /> JEFF GORVETTE<br /> Yeah, we should do this every year.<br /> <br /> MCQUEEN<br /> I just figured, we never found out<br /> who the world's fastest car is.<br /> Plus: no press, no trophy. Just<br /> racing - the way I like it.<br /> <br /> FRANCESCO<br /> Francesco likes it like this too.<br /> <br /> McQueen SEES Sally. He and Francesco approach her.<br /> <br /> MCQUEEN<br /> Francesco. I'd like you to meet ---<br /> <br /> FRANCESCO<br /> Signorina Sally. It is official:<br /> Lightning McQueen is the luckiest<br /> car in the world.<br /> <br /> SALLY<br /> (SWOONING)<br /> Why, thank you ---<br /> <br /> FRANCESCO<br /> Which he will have to be to have a<br /> chance against Francesco today.<br /> <br /> Francesco turns to leave. As he's moving away:<br /> 132.<br /> <br /> <br /> FRANCESCO<br /> See you at the finish line, Mc---<br /> <br /> Francesco STOPS.<br /> <br /> FRANCESCO<br /> What is that?<br /> <br /> McQueen has a new bumper sticker: "Ka-ciao, Francesco."<br /> <br /> MCQUEEN<br /> It's just something I had made up<br /> for the occasion.<br /> <br /> FRANCESCO<br /> Is good, McQueen. Very funny. It<br /> was funnier when I did it, but<br /> it's very funny. What are you going<br /> to do next? Are you going to take<br /> off your fenders? Try it. You'll<br /> like it.<br /> <br /> Francesco leaves. We stay with McQueen and Sally.<br /> <br /> SALLY<br /> So he's not so good-looking.<br /> <br /> MCQUEEN<br /> Yeah. Nice try.<br /> <br /> SALLY<br /> I'm serious.<br /> <br /> MCQUEEN<br /> That's why I love you, Sally.<br /> (as he leaves)<br /> Wish me luck.<br /> <br /> SALLY<br /> You don't need it!<br /> <br /> He drives off. Flo approaches Sally.<br /> <br /> FLO<br /> Mmm-mmm. That Francesco is fine-<br /> looking.<br /> <br /> SALLY<br /> And those open wheels.<br /> <br /> FLO<br /> I'm gonna have to go get myself<br /> some coolant.<br /> 133.<br /> <br /> <br /> EXT. MAIN STREET - LATER<br /> <br /> The racers at the starting grid. ON THE TRAFFIC LIGHT in the<br /> center of town. It goes from RED to GREEN!<br /> <br /> The RACERS SPEED OFF, tearing up main street and out of town,<br /> blazing past tourists ---<br /> <br /> EXT. WILLY'S BUTTE - DAY<br /> <br /> As the racers, led by McQueen and Francesco, take the wide,<br /> sweeping turn around Willy's Butte we CRANE UP to see MATER,<br /> FINN, HOLLEY, and the Radiator Springs gang watching.<br /> Everyone CHEERS.<br /> <br /> MATER<br /> Go McQueen!! Whoo-hoo!!!<br /> <br /> Holley gets an alert.<br /> <br /> HOLLEY<br /> Finn, time to go. Siddeley's<br /> gassed, geared and ready to fly.<br /> <br /> Finn starts to back up.<br /> <br /> MATER<br /> You're leaving already?<br /> <br /> FINN<br /> We've got another mission, Mater.<br /> Just stopped by here to "pick<br /> something up."<br /> <br /> They both eye Mater, expectantly.<br /> <br /> MATER<br /> Something tells me you're not<br /> talking about souvenir bumper<br /> stickers.<br /> <br /> FINN<br /> Her Majesty asked for you<br /> personally, Mater.<br /> <br /> MATER<br /> But I told you all before. I'm not<br /> a spy.<br /> <br /> HOLLEY<br /> We know.<br /> 134.<br /> <br /> <br /> FINN<br /> Spy or not, you're still the<br /> smartest, most honest chap we've<br /> ever met.<br /> <br /> HOLLEY<br /> Don't forget massively charming.<br /> <br /> Mater looks over at Holley. He looks touched.<br /> <br /> MATER<br /> Well, thanks. But as much fun as it<br /> was hanging with y'all, this...<br /> <br /> He looks over to his friends who watch the race, CHEER<br /> MCQUEEN ON.<br /> <br /> MATER<br /> This is home.<br /> <br /> HOLLEY<br /> That's alright, we understand. But<br /> I'll be back. You still owe me that<br /> first date.<br /> <br /> FINN<br /> If there's ever anything I can do<br /> for you, just let me know.<br /> <br /> MATER<br /> Well, I sure appreciate that, thank<br /> you.<br /> (THINKS)<br /> Actually... there is one thing.<br /> CUT TO:<br /> <br /> EXT. RADIATOR SPRINGS - MOMENTS LATER<br /> <br /> MATER, blazing forward fast.<br /> <br /> MATER<br /> Whoo-hoo!!!<br /> <br /> He ROCKETS FORWARD, through the whole town. In doing so he<br /> GRABS A BROKEN DOWN OTIS, hooking him ---<br /> <br /> OTIS<br /> Whoa!!!<br /> <br /> --- and TOSSING him right into Ramone's.<br /> <br /> OTIS (O.S.)<br /> Thanks, Mater!<br /> 135.<br /> <br /> <br /> ON THE "RACE TRACK" - Mater flies past ALL the racers,<br /> including Francesco ---<br /> <br /> FRANCESCO<br /> Impossible!<br /> <br /> --- until he approaches MCQUEEN.<br /> <br /> MCQUEEN<br /> Mater!?<br /> <br /> MATER<br /> (KEEPING PACE)<br /> Check it out. They let me keep the<br /> rockets!<br /> <br /> MCQUEEN<br /> I'll see you at the finish line,<br /> buddy!<br /> <br /> MATER<br /> Not if I see you first!<br /> <br /> McQueen and Mater peel away from the rest of the racers, lead<br /> them off the road and into the dirt for another lap. The two<br /> friends are side by side when we FADE OUT.<br /> <br /> <br /> THE ENDohttps://www.blogger.com/profile/02220224866208651789noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-55468561903169806032022-03-30T09:30:14.900-07:002022-03-30T09:30:14.900-07:00somos 15
somos 15<br />vadjiohttps://www.blogger.com/profile/06538055872981768135noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-79457645435012697592022-03-30T09:29:48.804-07:002022-03-30T09:29:48.804-07:00sao mm putos estupidos fodam se
sao mm putos estupidos fodam se <br />vadjiohttps://www.blogger.com/profile/06538055872981768135noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-80139398712942120982022-03-28T14:06:30.940-07:002022-03-28T14:06:30.940-07:00somos 14somos 14zedasquengashttps://www.blogger.com/profile/16983671960189907550noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-18265849451673069892022-03-28T14:06:16.158-07:002022-03-28T14:06:16.158-07:00de nadade nadazedasquengashttps://www.blogger.com/profile/16983671960189907550noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-36360458198270880312022-03-28T14:06:02.043-07:002022-03-28T14:06:02.043-07:00filhos da puta preto é quem te fez oh burrofilhos da puta preto é quem te fez oh burrozedasquengashttps://www.blogger.com/profile/16983671960189907550noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-4816384044608768872022-03-22T08:08:59.624-07:002022-03-22T08:08:59.624-07:00somos 12
somos 12<br />Anonymoushttps://www.blogger.com/profile/08883939192215382394noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-37734201038599520222021-06-12T10:59:49.419-07:002021-06-12T10:59:49.419-07:00vai pra merda oh preto
vai pra merda oh preto <br />niggahttps://www.blogger.com/profile/15446928518797169465noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-31801123486244190542021-05-30T10:00:34.348-07:002021-05-30T10:00:34.348-07:00somos 11
somos 11<br />Anonymoushttps://www.blogger.com/profile/04787571346833193114noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-74707273889803346702021-05-30T10:00:25.541-07:002021-05-30T10:00:25.541-07:00﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽...﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽Anonymoushttps://www.blogger.com/profile/04787571346833193114noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-82029418438471131852021-05-30T10:00:13.966-07:002021-05-30T10:00:13.966-07:00vao para a merda brancos
ser preto está na moda
vao para a merda brancos<br />ser preto está na moda<br />Anonymoushttps://www.blogger.com/profile/04787571346833193114noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-57496440668967211892021-05-28T07:07:44.449-07:002021-05-28T07:07:44.449-07:00Muito útil mesmo. Deu muito jeito.Muito útil mesmo. Deu muito jeito.Anonymoushttps://www.blogger.com/profile/06742739267207622395noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-15555523742613679722021-05-24T13:12:51.323-07:002021-05-24T13:12:51.323-07:00somos 10somos 10Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-12747315160400623052021-05-20T17:56:49.393-07:002021-05-20T17:56:49.393-07:00Somos 9
Somos 9<br />Grimyhttps://www.blogger.com/profile/08809444769910726023noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-78355731430981908322021-05-20T17:54:27.544-07:002021-05-20T17:54:27.544-07:00Agora somos 8
Agora somos 8<br />Anonymoushttps://www.blogger.com/profile/04690447036288536640noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-38777032074864473102021-05-18T04:51:52.439-07:002021-05-18T04:51:52.439-07:00somos 7somos 7Anonymoushttps://www.blogger.com/profile/08524068779041097418noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-76320441958881447152021-04-17T16:16:09.554-07:002021-04-17T16:16:09.554-07:00Chupa-me o mangálhoChupa-me o mangálhoAnonymoushttps://www.blogger.com/profile/05053672536724547624noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-29493574534954150222021-04-17T16:13:47.054-07:002021-04-17T16:13:47.054-07:00cabeça de piço cabeça de piço Anonymoushttps://www.blogger.com/profile/08245174620039478081noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-8816210162105359802021-04-17T16:12:31.531-07:002021-04-17T16:12:31.531-07:00Olha vai tu carambolasOlha vai tu carambolasMyBrohttps://www.blogger.com/profile/17083278931474612216noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-18215222005002702422021-04-13T07:03:14.066-07:002021-04-13T07:03:14.066-07:00Ja somos 6
Ja somos 6<br />Anonymoushttps://www.blogger.com/profile/16207017585910110088noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-17274435485989267932021-04-13T07:03:03.205-07:002021-04-13T07:03:03.205-07:00somos 5somos 5Anonymoushttps://www.blogger.com/profile/09955378094919368093noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-77927994210100778632021-03-09T08:18:24.794-08:002021-03-09T08:18:24.794-08:00somos 4 entao
somos 4 entao<br />Anonymoushttps://www.blogger.com/profile/05624358017612665719noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-9932591427320762842021-03-09T08:18:13.170-08:002021-03-09T08:18:13.170-08:00somos 3 nestevcaso
somos 3 nestevcaso <br />Anonymoushttps://www.blogger.com/profile/06017487465721883751noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-88533692482442306282021-02-19T04:10:05.543-08:002021-02-19T04:10:05.543-08:00eu tbm xuxu
eu tbm xuxu<br />olahttps://www.blogger.com/profile/14613732337298974728noreply@blogger.comtag:blogger.com,1999:blog-743684949043708229.post-60403039155798471502021-02-19T04:09:29.772-08:002021-02-19T04:09:29.772-08:00adoro sexo
adoro sexo<br />Anonymoushttps://www.blogger.com/profile/12435094114160575553noreply@blogger.com